Half of a Yellow Sun [Hardcover]

`Half of A Yellow Sun' confirms Chimamanda Ngozi Adichie as one of my favourite authors. Following up a very successful first novel is always difficult but this is exceptional writing.

While tackling a difficult subject, the lead up to and the course of Nigeria's Biafra War in the 1960's, it is told in a very readable and accessible way. The events unfold through the eyes of three central characters who are swept along in the chaos of civil war. There is Ugwu, the houseboy of a university lecturer; Olanna, the lecturer's partner; and Richard, an English journalist who lives with Olanna's twin sister. They are forced together and separated in unexpected ways throughout the war, each witnessing events that affect them deeply.

Interwoven in the main plot are other important themes, the necessity (for the innocent people displaced by war) and ineffectiveness (through corruption and misappropriation) of emergency relief aid; the use of child soldiers and horrors they are forced to endure; how the West perceives Africa (a good example being the situation when two American reporters are more interested in the death of one white journalist than one thousand local, black civilians); how religion, tribal loyalties and the political elite can tear a country apart; and how many of these factors can be traced back to the impact that colonialism had on the country. There are significant lessons that can be drawn from this novel, particularly with regards to how the world is dealing with the current crisis in Darfur, for example.

The structure of the novel worked well, creating intrigue and suspense throughout. It was gripping from start to finish but the tension that built in the final section meant it had to be read in one session - there was no way it could be put down.

It is one of those few books that leave you staring at the final page, not wanting to believe that it's all over. Needless to say, given the topic, it is quite a harrowing and distressing account of war. But the author's passion and dedication for her country (especially since she lost a number of her own relatives in the war) shows throughout the book. The way she describes its resilient people, traditional food (except for Harrison's rather amusing obsession with Western food), and local traditions leave you with a feeling that you have been to Nigeria yourself.

It will undoubtedly be a major contribution to African literature and is highly recommended.

After Purple Hibiscus, I was not in a hurry to read the next offering from Chimamanda. The first novel, praised by critics, other authors and many of the other reviewers on this page, left me feeling very dissatisfied. I found it unecessarily slow and was of the opinion that the author fell into the "ethnic" trap that is the downfall of many young African writers.

Half of a Yellow Sun was simply fantastic. It was (and forgive the cheese), a JOY to read. I have tried, and failed, to read many a book on the Nigerian Civil War. Its a part of my country's history that I feel is poorly documented and is glossed over by many Nigerians, the bulk of whom understandably still bear very painful memories of its brutality and futility.

Chimamanda's novel is so fantastic because her characters are astoundingly real. I read it at lightening speed whilst managing to savour every scene and twist in my mind, to the extent that I can still recall every event in the book and am anxiously waiting for my friends and family to read it, as I am desperate to discuss it with others who can, and will, appreciate its genius.

I saw every scene, heard every sound and felt every emotion as the story unfolded before me. I was consumed by this novel, by its fascinating plot and personalities, and by the vast array of themes it encompassed: The relationships between Olanna and Odenigbo; Olanna and Kainene; Kainene and Richard; Odenigbo and his group of intellectuals, Ugwu's loyalty and his later dabble with base brutality, the ease with which life was lived before the war, the fear, panic and inhumane responses that ensued amongst both the rich and the poor, the wartime propaganda, the inaction of the international community and the sheer surrealness of it all.

Despite her Igbo heritage, Chimamanda tells her story without dictating the group with which her reader should side. This is a praiseworthy characteristic lacking in many other works on the Civil War. I know she did not set out to create a historical account, however I would have loved to see her contrast in greater detail the happenings in the East with the calm continuation of life as normal in the rest of the country.

I believe another reviewer said that this was the first time in a long while they found themselves unwilling and frankly unable to put a book down. I agree whole-heartedly. The likes of Zadie Smith and Diana Evans have absolutely nothing on this remarkable young woman who really deserves all the praise for this wonderful book.

Most of us will have little knowledge of the Biafra war, except, possibly, for the media's haunting images of starving children. Chimamanda Ngozi Adichie brings her people's world to us in this beautifully crafted, deeply moving, novel. Set in Nigeria during the 1960s, the narrative alternates between the optimistic early years of the decade and the civil war period at the end of it. With her extraordinary storytelling skill, Adichie draws the reader into an absorbing account of fictionalized realities that is impossible to put down - or to forget after the last page is read. With this, her second novel, she confirms her international reputation, established first with Purple Hibiscus, as one of the leading new voices of African literature.

While the war for Biafra's independence, born out of highly complex Nigerian and international political circumstances, provides the essential context for the novel, Adichie's focus is on the personal and private, the struggle of the civilian Igbo population. Her depiction of the horrors of war, the starvation and destruction is realistic. Yet she does not allow these scenes to take over and succeeds in not overwhelming the reader with them. By concentrating on one family and its close circle of friends and neighbours, Adichie creates an intimate portrait of these people's lives during both these critical periods. She paints her characters and their ongoing interactions against the panoramic view of events and environments that influence their lives and challenges their peace and even their existence.

Central to her story are the twin sisters, Olanna and Kainene, from a wealthy middleclass Igbo family. The beautiful Olanna leaves Lagos for a university environment to be with her political firebrand lover, the math professor Odenigbo. Kainene, on the other hand, having inherited their father's talents, shines as a confident business woman. English researcher and writer, Richard, friend of Odenigbo, falls under her spell. Adichie explores the interactions sisterly intimacy and love as well as its serious tests with sensitivity and empathy for both. Through them and their surroundings she also touches on the social, political and religious tensions of the time.

The list of main characters wouldn't be complete without Ugwu. Brought into the Odenigbo household as a house boy, he matures from the naïve village boy to become a well educated, articulate and caring member of the extended family. In fact, Ugwu acts as a sort of understudy to the narrator, adding a very distinctly personal flair to the description of events and bridging the reality of his own family's rural environment with that of the intellectually stimulating social gatherings at the professor's house.

During the war years, intimacies, friendships and loyalties are put to the test. Will they survive the dramatically changed circumstances that the group finds itself in? Some are evicted from their homes and have to join the endless stream of refugees to find shelter and food for survival. Others move into remote rural areas to escape the fighting. Olanna's efforts to maintain her dignity and to protect her small family come alive on the page. So does Kainene's work with her confidence that she can beat adversity and barriers in her efforts to maintain the supplies for a refugee camp. They don't lose hope or humanity. Odenigbo and Richard have their own demons to tackle. And Ugwu juggles his various roles while attempting to maintain something of a private life for himself.

Half of a Yellow Sun, also the symbol of the short-lived Biafran state, represents some of the best that storytelling has to offer. With strong imagery and beautiful language Adichie has created a masterwork.

[Friederike Knabe]