"Half the Perfect World" is the third, extremely tasteful album by Madeleine Peyroux and is yet another gem.
Musically, it features a wider range of material and, vocally, it sounds more light-hearted, less world-weary than a lot of her previous work.
Progress is shown as she co-wrote four original songs. Of course, like in the past, she also provides very individual, creative, sweetly nuanced arrangements to some cover songs (ranging from Johnny Mercer and Charlie Chaplin to Leonard Cohen, Joni Mitchell and Tom Waits.)
Larry Klein (Mitchell's former husband) again produces whilst many of the musicians already played on her previous "Careless Love". Dean Parks (guitar), jazz keyboardist Sam Yahel, and bassist David Piltch are brilliant and solid pros. Interesting aural colours are added: Greg Leisz' steel guitar, a string quartet and k.d. lang's guest vocals.
The opener "I'm All Right" is a lost love song co-written by Peyroux, Walter Becker (from Steely Dan) and Larry Klein. The tempo swings gently. The three other originals feature the contribution of Jesse Harris (in place of Becker) ; Harris is well known for his collaboration with Norah Jones.
Johnny Mercer "The Summer Wind" follows ; very far from the usual ballad treatment, it is nothing short of a reinvention of this classic.
Two Leonard Cohen songs are covered : Blue Alert - very laid back - and "Half the Perfect World" - where Peyroux sounds both fragile and assured.
Fred Neil's masterful, folkish "Everybody's Talking" (a 1969 # 6 US pop hit for Harry Nilsson), receives a very memorable vocal performance whilst giving place for instrumental solos.
Tom Waits' "(Looking for) the Heart of Saturday Nigh" is masterfully adorned by Greg Leisz' country leaning steel.
"A Little Bit", one of the best original, has some kind of a "soul" arrangement.
Given the singer association with France, it's not surprising that she sings the excellent Serge Gainsbourg's song "La Javanaise" featuring an elegant sounding string section. Joni Mitchell's sad "River" sees k.d. lang alternating stanzas with Peyroux ; both singers prove supremely compatible on this song.
The CD concludes with the unexpected cover of Charlie Chaplin's "Smile" featuring Dean Parks on ukulele. Nicely done, but maybe nothing special either.
Sonically, this CD is well recorded, often capturing the intimate sound well, especially on Peyroux' vocal.
Madeleine Peyroux is one of the best artists of the young generation expressing itself in the "chanteuse" genre, and she clearly grows from strength to strength with each new recording.