HMS Defiant [DVD] [2002]

This apparently little known film and seldom seen film of a British Frigate during the Napoleonic Wars, is packed with action, as well as illustrating the problems of command and the intrigues of patronage by influential people. The presence of a 1st Lieutenant with strong masochistic and self opinionated tendencies does nothing to ease the tension and bitterness of the ship. The arrival of the Captains son as a Midshipman merely adds to the Captains problems. Add the inevitable mutiny, French fire ships and a Captain (Alec Guinness) whose integrity devotion to duty and decency rise above these trials and tribulations and you have one hell of good yarn .

Anyone who likes iron men fighting in wooden ships against the French, with the roar of cannon and splinters flying everywhere, will enjoy the last half of Damn the Defiant!. Whether you enjoy the first half depends on how well you appreciate the almost psychopathic cruelty and condescension of First Lieutenant Scott-Padget (Dirk Bogarde).

It's 1797, Napoleon threatens Britain, and only the Royal Navy ensures Britain's freedom. Captain Crawford (Alec Guinness) takes command of H.M.S. Defiant, a single-gun-deck frigate. Also joining the ship is Scott-Padget, an officer with friends in high places, a talent for seamanship, and a taste for flogging. While Crawford is determined to keep an open mind about his first lieutenant, it becomes quickly apparent that Scott-Padget is an arrogant sadist who is fully capable of undermining Crawford's authority if that's what it takes to get his way. He doesn't hesitate to brutalize the captain's 12-year-old son, brought on board as a midshipman, in subtle ways that keep Crawford from intervening. Added to this seething mix is the crew itself, brutalized not just by Scott-Padget but by the terrible living conditions sailors of the Royal Navy had to endure. One crewman, Vizard (Anthony Quayle), is the leader in putting together what he thinks will be a non-violent petition for redress. Every officer, however, will consider it a mutiny.

The first half of the movie is two stories. There is the struggle between Crawford and Scott-Padget, with Scott-Padget eventually getting the upper-hand. And there is the story of the men on a wooden ship of war and what their lives are like as they're beaten and trained to be seamen, subsist on a diet of rotten meat and weevily hardtack, and can receive 50 lashes at the whim of a first lieutenant.

The second half, however, is a rouser of the old school. A vital message must be delivered to the fleet, Captain Crawford finally is able to assert himself and the French break out of a blockade determined to attack an unaware British squadron in the fog. Ship-to-ship battles are fought where the victor will be determined by which ship can get alongside the other and throw iron faster at near point-blank range. And the seamen of Defiant must decide if their loyalty to Britain will override their knowledge that, if they are accused of being mutineers, each man will most likely be hanged.

The movie's strong points, for me, are the production values, the recreation of how brutal ship-to-ship fighting was, the look at the lives of men at sea in a fighting ship, and the appeal to patriotism over self interest, which was handled effectively because it was treated matter-of-factly. The weak points, for me, centered on the two leads. Guinness as Captain Crawford seemed too sluggish in coming to grips with his first lieutenant. He needed in my view more fire. Guinness was an actor who excelled in ambiguous and thoughtful roles, but he had it in him to play men with iron and passion; just look at him as Major Jock Sinclair in Tunes of Glory. Dirk Bogarde, however, plays Scott-Padget without an ounce of any quality than condescending sadism. Scott-Padget may be a talented sea officer and a brave man, but every time he's on screen you know exactly how he will behave. For those who like the smaller roles, keep an eye out for Tom Bell, who plays a resentful, violent seaman. Nearly thirty years later he was DS Bill Otley...a man Jane Tennison quickly learned not to trust in Prime Suspect 1 but who surprised her in Prime Suspect 3.

The DVD picture looks just fine, with anamorphic wide-screen on one side and full screen on the other. There are three or four extras which aren't significant.

It is the Napoleonic Wars, and Captain Crawford takes command of the HMS Defiant and sets off with his orders to Corsica. His second in command is Lt. Scott-Paget, a vindictive and bullying man who has moved thru the ranks on account of his connections. The two men don't see eye to eye from the off, which only compounds the many problems that are reaching boiling point aboard the ship. Mutiny is afoot and the French forces are closing in.

Lewis Gilbert may just be one of Britain's most undervalued versatile directors. Here's a man that has directed Educating Rita/The Admirable Crichton {comedy}, The Good Die Young {crime}, Cast a Dark Shadow {Noir}, Reach for the Sky {biography}, Alfie/Shirley Valentine {romance}, James Bond x 3 {multi genre} and sea faring adventures such as Sink the Bismarck! and this fine Napoleonic historical piece, H.M.S. Defiant.

Adapted from Frank Tilsley's novel Mutiny, this is a film built around a true story about what became known as the "Spithead" and "Nore" mutinies in 1797. Where sailors and press ganged inlander's were fed up with working conditions, rates of pay and the all round treatment from the officers in charge. Also into the mix is a fascinating battle of wills between the two leaders of the Defiant, both men, in the midst of their power struggle, are oblivious to the rumblings and plotting of the crew. I mean you would think that with the French warships possibly around the corner, that they would be unified in creating a rock solid front? That they don't gives the film an extra dimension. Thus when the battle sequences do come, and the turn of events perk the piece up, it has a two fold impact that makes all the waters lead to a terrific foggy bound climax.

The cast are notable names from a roll call of British performers. Alec Guinness as Captain Crawford plays it spot on. An honourable man adhering to his code of ethics, it's thru a plot strand involving his own son being on board that Crawford gets torturous and conflicted by his emotions. Who better than Guinness to layer such a role? Dirk Bogarde steps up to play weasel duties as Lieut. Scott-Padget, suitably handsome in uniform but playing the devils tricks, it begs the question on why Bogarde didn't in fact play more villains because here he is excellent at it. Leading the mutiny is the looming presence of Anthony Quayle, who along with Nigel Stock, leaves a favourable mark in the support cast.

Comparisons with other notable genre entries are inevitable, the likes of Mutiny On the Bounty, Captain Horatio Hornblower R.N. and the more modern offering that is Master and Commander: The Far Side of the World. If you like any of those films then the chances are you are bound to get much from this British film. It lacks quality location work, and the sound mix needs some modern tweaking {at the time of writing there is a DVD release but I've not witnessed the transfer yet}. But this is a fine genre entry as it stirs the blood, tells a great multi stranded story and is acted quite superbly by the cast. 8/10