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Here, the balance is redressed enough to appeal to fans of the dramatic orchestral advances that album made, and those who prefer the sound of the band's early classics, be it "Beat The Clock", "Wonder Girl" or "This Town ". The familiar lyrical protagonists--part down-at heel everymen, part hysterical lunatic--are still in place, augmented by a fuller band sound and catchier hooks; multi-parted operatic sweeps, infinitely tracked Russell Mael vocals and abrupt stylistic changes furnish nearly every song, creating a catalogue of mutant pop songs that take overblown suite-like construction (think "Bohemian Rhapsody" on hard drugs) as their template and re-fit it for the 21st Century. This creates an album that sounds like nothing else you'll hear, and in tracks like "Dick Around" or "Waterproof", the best moments of Sparks' career so far. Beyond essential.--Thom Allott
Review The killer punch however has to be ''Perfume'' - a list of girls and their chosen scents, all topped off with a twist on the Proustian effect of smell. In other words it's cynical, intelligent and very, very funny. For a band celebrating over 30 years of active service this is still extremely bold, new stuff. Screw the past, indeed... --Chris Jones
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