Gwen John, born in 1876, older sister of Augustus John, model and muse of Rodin, went to the Slade School of Fine Art in 1895, on the recommendation of her brother who had begun his studies there the year before. At the Slade, where she was taught by the renowned Henry Tonks and Frederick Brown, her early drawings showed fine draughtsmanship, but her promise and talent were held back by self-deprecation - after all it was her brother, Augustus, who was expected to be the more talented of the two. Although Gwen's John's life in her later years, gave rise to it being generally thought that she was a modest, solitary and reclusive person (and, indeed, in some ways she was), one of Sue Roe's aims in this biography is to show that this was not necessarily the case and that Gwen could be daring, defiant and highly original.
Shortly after leaving the Slade, Gwen went with Ida Nettleship (later to become Augustus' wife) to Paris, where she spent six months being taught by Whistler at the Academie Carmen. She returned to England in 1899 and in 1900 she started to exhibit her work at the New English Art Club. In 1902, Gwen met Dorothy (Dorelia) McNeill (later to become Augustus' life-long partner) a beautiful and unorthodox woman who fascinated Gwen and appealed to the more reckless side of her nature. In 1903 Gwen announced her plan to walk from Bordeaux to Rome, accompanied by Dorelia and although her family thought she was mad, both she and Dorelia were not to be dissuaded. From Bordeaux they walked along the route of the River Garonne, sleeping in haystacks under the stars and living on bread, grapes and beer. They got as far as Toulouse and then made the decision to change direction and make for Paris. And it was in Paris that Gwen met and embarked upon an intense love affair with the legendary sculptor, Rodin, whilst living through the most exciting period in the history of modern European painting.
Gwen made France her home for the remainder of her life, living in Paris and Meudon until her death in 1939, modelling, painting and producing work whose unique qualities were recognized during her lifetime and beyond. In 1942 when Augustus John was at the height of his fame, he predicted: " ... in fifty years I shall be remembered as Gwen John's brother" and although Gwen was overshadowed by the reputation of her younger brother in her lifetime, we can now see that Augustus' prediction had some validity, for Gwen John has now become a celebrated artist of international fame and is regarded as one of the finest artists of her day.
Although not a lengthy volume, this biography is both interesting and informative and includes a good selection of illustrations; one section in black and white and a section in colour of some of Gwen John's wonderful portraits, including: `Self Portrait' 1900'; `Dorelia in a Black Dress' 1903-4; and, a personal favourite of mine: `A Lady Reading' 1910-11. Sue Roe has carried out her research well and, having had access to Gwen John's unpublished letters, diaries and notebooks she has produced an interesting, thoughtful and engrossing biography of a talented, unusual and complex woman.
4 Stars. Also recommended:
Augustus John: The New Biography by Michael Holroyd.
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