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Gurdjieffian Confessions: A self remembered [Hardcover]

James Moore
5.0 out of 5 stars  See all reviews (1 customer review)

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Product details

  • Hardcover: 296 pages
  • Publisher: Gurdjieff Studies Ltd; First Edition edition (4 July 2005)
  • Language English
  • ISBN-10: 0954947002
  • ISBN-13: 978-0954947002
  • Product Dimensions: 23.6 x 15.8 x 2.8 cm
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Bestsellers Rank: 1,526,951 in Books (See Top 100 in Books)

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James Moore
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Product Description

Book Description

Gurdjieffian Confessions: a self remembered is the vivid memoir of Gurdjieff's biographer James Moore, focused on his decades in London in the groups of Gurdjieff's magnetic pupil Henriette Lannes. As such it necessarily illuminates and populates a secret world. It is equally a book for those who relish Moore's zestful writing; for social historians of Western esotericism; and for all who would enter, even by proxy, into the way of Gurdjieffian search. Peter Brook aficionados will be entertained by a three-chapter evocation of the concerted Gurdjieffian effort which underpinned the film Meetings with Remarkable Men. And Moore's unique reprise of London's World of Islam Festival 1976 now has ironic, indeed tragic, topical bite.

From the Publisher

Gurdjieff Studies Ltd is dedicated pro bono publico to promoting the rich and many-facetted spiritual teaching of George Ivanovitch Gurdjieff; and its publishing programme energetically supports that aim. Formally GS Ltd is a company [no: 4466370] limited by guarantee, incorporated in England on 20 June 2002; and registered as charity no: 1098600 on 17 July 2003. (To avoid confusion, note that GS Ltd is unconnected with the Californian 'Gurdjieff Studies Program'.)

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12 of 12 people found the following review helpful:
5.0 out of 5 stars Very British but also very good, 20 Sep 2005
By 
Massimo Introvigne (CESNUR, Torino, Italy) - See all my reviews
(REAL NAME)   
This review is from: Gurdjieffian Confessions: A self remembered (Hardcover)
In his "Death of a Hawker" Janwillem Van de Wetering, the distinguished Dutch author of books on Zen Buddhism who achieved literary fame (and the pleasure of seeing his novels made into a TV serial) by turning to detective stories, introduces the character of a wealthy but bizarre dealer in dubious goods imported from Africa and Eastern Europe, who organizes in his Amsterdam boathouse "toasts to the idiots", where every guest has to explain aloud his or her particular brand of idiocy. Although George Ivanovitch Gurdjieff (1866-1949) is not mentioned, the copyright on the toasts to the idiots is his, and Van de Wetering surely knows it. In the novel, not everybody appreciates, and the crypto-Gurdjieffian hawker ends up killed.
Van de Wetering's are detective stories, although there is always a Zen lesson to be learned. In real life, most of the toasted idiots maintained a warm affection to Gurdjieff, and his legacy was passed to generation of pupils who were even more enthusiastic about a master they had never met personally. Just like Buddhism, perhaps the Gurdjieff legacy was translated differently in different countries, not only because of language. James Moore, Gurdjieff's only serious biographer and an old hand in the British branch of what Gurdjieffians simply call "the Work", has now decided to write - and publish - his long awaited memory "Gurdjieffian Confessions: A Self Remembered"
This is not a book about Gurdjieff, whom Moore never met. It is an affectionate tribute to Moore's teacher Henriette Lannes (1899-1980,) a study into internecine political struggles within the Gurdjieffian community, and a quintessentially British book. Family and personal memoirs of Moore make the story more than a mere record of the Lannes group, but the book will retain its Britishness even without the intimate details. British Gurdjieffians seem seriously intent at remaining British while being Gurdjieffian, and the author confesses, about the two other main foci of the Work, that Paris was mysterious and the U.S. remote. This may in part explain the internecine struggles, although all secretive and esoteric groups are inherently prone to schism. Moore, however, delights in a style which smells of the pub at the corner, genuine ale, and Yorkshire pudding. At times, it may even be difficult for non-British to understand. When a character is compared to "Desperate Dan", one wonder how many outside the Isles may have in their libraries both Gurdjieff's canonical works and a collection of British juvenile magazines such as the Beano or Dandy, where one would find Desperate Dan. (We at CESNUR do, but only because our popular culture collection and the idiosyncrasies of this reviewer - and Gordon Melton's - tried to collect every single English-language comic with a vampire as a character, and vampires occasionally appear in these so called "British funnies.")
Apart from Desperate Dan, there is a lot the reader would never know about the Work in England without reading this book, including who really organized London's World of Islam Festival in 1976, the stormy relationship between Gurdjieffians and Traditionalists of the Guénonian or Schuonian persuasions, what the British Work community contributed to Peter Brook's movie on Gurdjieff and how it reacted to it (although, in retrospective, the movie may appear less dreadful that it seemed to both friends and foes back then in 1979.) Invaluable insights are gained about anybody who was somebody in the Gurdjieffian subculture from the late 1950s to 1980.
There should be a reason why the book almost ends with Lannes' death in 1980, although it is not stated very explicitly. There are only five pages about 1980-2005, the period when Moore emerged as the finest Gurdjeff scholar in the world and was, in a way, rewarded by being thrown out of The Gurdjieff Society in 1994. By then, there was an "official" approach to the Work which did not condone independency. Yet, as Moore aptly shows, what "orthodoxy" means in the Gurdjieff milieu is, and always was, questionable. Not only would Gurdjieff himself probably have found the whole idea of a Gurdjeffian "church" ready to excommunicate dissenters laughable, but by the 1990s (or, more accurately, well before, and including Lannes) almost every senior teacher in the Work was mixing liberally the master's ideas with almost everything else, from Krishnamurti to Turkish neo-Sufism and various forms of yoga. Indeed, the book vindicates Colin Campbell's idea of a "cultic milieu," with Workers crossing borders to Scientology, Subud, Soka Gakkai, Transcendental Meditation, the Divine Light Mission, and almost anything else.
"Cultic," indeed. Moore's self-deprecating humour occasionally leaves the reader wondering whether he is intentionally depicting himself as the stereotypically "brainwashed cultist," somebody who spends years making puppets and preparing puppet shows as his main focus while the external world worries about the Bomb, the Cold War, and Vietnam, only to be told by Lannes after a minor incident that the puppets should go and be burned. Is Moore a cultivated version of Madonna answering critics of her conversion to Rabbi Berg's controversial brand of Kabbalah by wearing a provocative "Brainwashed Zombie" T-shirt? Yes and no. Gurdjieffians here are liberally offered to the external observer's gaze as lost in a dream. But Moore's lesson, Lannes' lesson and in fact Gurdjieff's lesson is that so is everybody else. At least, Gurdjeffians do know that they are asleep, and try to awaken. We are all brainwashed cultists, just as Madonna would say. Some realize it. Some don't. The cults of science, sex, money or business are not better, perhaps worse, than other cults. But, if everybody is a cultist, perhaps nobody is a cultist; if everybody is brainwashed, nobody is brainwashed. And this is, perhaps, as good a starting point as any for that self-remembering journey that the book is all about, although by the end of the story neither us nor, perhaps, Moore will believe that "orthodox" Gurdjieffians will be the only one who will, in the end, remember themselves.
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Amazon.com: 4.3 out of 5 stars (3 customer reviews)

10 of 12 people found the following review helpful:
5.0 out of 5 stars An Outsider's Inside Story, 15 Mar 2006
By J. Walter Driscoll - Published on Amazon.com
This review is from: Gurdjieffian Confessions: A self remembered (Hardcover)

Between 1956 and 1994, James Moore was a member of London's Gurdjieff Society Ltd; one of four groups established in the early 1950s, in Paris, London, New York and Caracas, by Jeanne de Salzmann. Gurdjieffian Confessions is an unprecedented, eloquently human memoir of a dedicated Gurdjieffian life and a homage to Mme Henriette Lannes. She was appointed England's overall Work responsible by Jeanne de Salzmann, in early Spring 1950. In 1957 Lannes became Moore's Gurdjieffian teacher for 21 years. Moore placed himself `unreservedly at the service' of oral teaching, inner exercises, Movements, and group work, as personified by her, until 1979 when she retired to France and died the following year. Moore rose to the position of group leader, developed as a writer, and published several articles as well as his two key Gurdjieff related books, Gurdjieff and Mansfield (1980), and his magisterial biography, Gurdjieff: the Anatomy of a Myth (1991). In 1994, when he authored a six-page scholarly critique, questioning some radical shifts in practice by the international Work hierarchy, Moore was cast out of The Gurdjieff Society.* Since then he has fostered independent Gurdjieff studies centred in London.

James Moore is a disciplined, 'old-school' man of letters, with a virtuoso command of early 20th century British narrative and biographical prose. Hailing the humour of Canadian satirist Stephen Leacock (1869-1944), and the droll ironies of British biographer Lytton Strachey (1880-1932) as stylistic inspiration, Moore applies his self-confessed, "irresistible penchant for situational and verbal irony", to deft metaphoric characterisations of friends (fondly remembered) and strained relationships or foes (sagaciously measured or charitably fled after reserved mention). He is unflinching yet light-hearted in the application of these same skills to his own talents, foibles, and regrets. Moore readily acknowledges that "some people warm generously to my style and others hate it." In fact, his writing can be difficult fare for those who dislike intense metaphoric allusion, those without adequate general knowledge or reference skills and those unfamiliar with or intolerant of Britishisms, others find him compulsively readable.

Throughout Moore's densely packed narrative, cultural, political, historical and literary trends and tides during the 20th century, are ironically caricatured and deftly interwoven with wry glimpses of his personal life and of the company he kept at many levels of the Gurdjieff community - each appears in striking individuality. We are privy to unprecedented participant-observer sketches of his group's dynamic, attention and effort demanding exercises and projects, their isolation-by-dedication, and their "quest for sensation and presence", underscored by the travails of group work, inner work, and internecine power struggles.

Gurdjieffian Confessions, is an eloquent, cautionary tale about the perils of elitism and group-think. Like Karapet of Tiflis, in Gurdjieff's Gargantuan cosmological epic Beelzebub's Tales to His Grandson, Moore, with tonic irreverence, blows a whistle to awaken the Gurdjieff establishment to its public historicity. He also offers an engaging, well-told story that will elicit deep chortles of recognition from readers who have participated in Gurdjieff groups such as the one he describes. Gurdjieffian Confessions, is essential reading for anyone committed to or even lightly considering membership in any Gurdjieff group. Scholars of Western esotericism, and general readers interested in a representative history-in-miniature of the worldwide Gurdjieff movement, will also benefit from this unique, convincing memoir.

Note:
* Moveable Feasts: The Gurdjieff Work. Religion Today (London) IX (2), Spring 1994, pp. 11-16. Moore's study in a respected academic journal, critiques innovations felt within The Gurdjieff Society in Britain commencing in the early 1980s. These entailed a shift away from the canonical ideal of effort towards one of grace, emphasis on lengthy supervised communal 'sittings' redolent of Kundalini Yoga, and adoption of an 'improved' American English-language revision of Beelzebub's Tales.




12 of 16 people found the following review helpful:
5.0 out of 5 stars Very British but also very useful, 11 Oct 2005
By Massimo Introvigne - Published on Amazon.com
This review is from: Gurdjieffian Confessions: A self remembered (Hardcover)
In his "Death of a Hawker" Janwillem Van de Wetering, the distinguished Dutch author of books on Zen Buddhism who achieved literary fame (and the pleasure of seeing his novels made into a TV serial) by turning to detective stories, introduces the character of a wealthy but bizarre dealer in dubious goods imported from Africa and Eastern Europe, who organizes in his Amsterdam boathouse "toasts to the idiots", where every guest has to explain aloud his or her particular brand of idiocy. Although George Ivanovitch Gurdjieff (1866-1949) is not mentioned, the copyright on the toasts to the idiots is his, and Van de Wetering surely knows it. In the novel, not everybody appreciates, and the crypto-Gurdjieffian hawker ends up killed.

Van de Wetering's are detective stories, although there is always a Zen lesson to be learned. In real life, most of the toasted idiots maintained a warm affection to Gurdjieff, and his legacy was passed to generation of pupils who were even more enthusiastic about a master they had never met personally. Just like Buddhism, perhaps the Gurdjieff legacy was translated differently in different countries, not only because of language. James Moore, Gurdjieff's only serious biographer and an old hand in the British branch of what Gurdjieffians simply call "the Work", has now decided to write - and publish - his long awaited memory.

This is not a book about Gurdjieff, whom Moore never met. It is an affectionate tribute to Moore's teacher Henriette Lannes (1899-1980,) a study into internecine political struggles within the Gurdjieffian community, and a quintessentially British book. Family and personal memoirs of Moore make the story more than a mere record of the Lannes group, but the book will retain its Britishness even without the intimate details. British Gurdjieffians seem seriously intent at remaining British while being Gurdjieffian, and the author confesses, about the two other main foci of the Work, that Paris was mysterious and the U.S. remote. This may in part explain the internecine struggles, although all secretive and esoteric groups are inherently prone to schism. Moore, however, delights in a style which smells of the pub at the corner, genuine ale, and Yorkshire pudding. At times, it may even be difficult for non-British to understand. When a character is compared to "Desperate Dan", one wonder how many outside the Isles may have in their libraries both Gurdjieff's canonical works and a collection of British juvenile magazines such as the Beano or Dandy, where one would find Desperate Dan. (We at CESNUR do, but only because our popular culture collection and the idiosyncrasies of this reviewer - and Gordon Melton's - tried to collect every single English-language comic with a vampire as a character, and vampires occasionally appear in these so called "British funnies.")

Apart from Desperate Dan, there is a lot the reader would never know about the Work in England without reading this book, including who really organized London's World of Islam Festival in 1976, the stormy relationship between Gurdjieffians and Traditionalists of the Guénonian or Schuonian persuasions, what the British Work community contributed to Peter Brook's movie on Gurdjieff and how it reacted to it (although, in retrospective, the movie may appear less dreadful that it seemed to both friends and foes back then in 1979.) Invaluable insights are gained about anybody who was somebody in the Gurdjieffian subculture from the late 1950s to 1980.

There should be a reason why the book almost ends with Lannes' death in 1980, although it is not stated very explicitly. There are only five pages about 1980-2005, the period when Moore emerged as the finest Gurdjeff scholar in the world and was, in a way, rewarded by being thrown out of The Gurdjieff Society in 1994. By then, there was an "official" approach to the Work which did not condone independency. Yet, as Moore aptly shows, what "orthodoxy" means in the Gurdjieff milieu is, and always was, questionable. Not only would Gurdjieff himself probably have found the whole idea of a Gurdjeffian "church" ready to excommunicate dissenters laughable, but by the 1990s (or, more accurately, well before, and including Lannes) almost every senior teacher in the Work was mixing liberally the master's ideas with almost everything else, from Krishnamurti to Turkish neo-Sufism and various forms of yoga. Indeed, the book vindicates Colin Campbell's idea of a "cultic milieu," with Workers crossing borders to Scientology, Subud, Soka Gakkai, Transcendental Meditation, the Divine Light Mission, and almost anything else.

"Cultic," indeed. Moore's self-deprecating humour occasionally leaves the reader wondering whether he is intentionally depicting himself as the stereotypically "brainwashed cultist," somebody who spends years making puppets and preparing puppet shows as his main focus while the external world worries about the Bomb, the Cold War, and Vietnam, only to be told by Lannes after a minor incident that the puppets should go and be burned. Is Moore a cultivated version of Madonna answering critics of her conversion to Rabbi Berg's controversial brand of Kabbalah by wearing a provocative "Brainwashed Zombie" T-shirt? Yes and no. Gurdjieffians here are liberally offered to the external observer's gaze as lost in a dream. But Moore's lesson, Lannes' lesson and in fact Gurdjieff's lesson is that so is everybody else. At least, Gurdjeffians do know that they are asleep, and try to awaken. We are all brainwashed cultists, just as Madonna would say. Some realize it. Some don't. The cults of science, sex, money or business are not better, perhaps worse, than other cults. But, if everybody is a cultist, perhaps nobody is a cultist; if everybody is brainwashed, nobody is brainwashed. And this is, perhaps, as good a starting point as any for that self-remembering journey that the book is all about, although by the end of the story neither us nor, perhaps, Moore will believe that "orthodox" Gurdjieffians will be the only one who will, in the end, remember themselves.


4 of 11 people found the following review helpful:
3.0 out of 5 stars Subterranian Homesick Blues, 5 Dec 2005
By Reijo Oksanen "Reijo Oksanen" - Published on Amazon.com
This review is from: Gurdjieffian Confessions: A self remembered (Hardcover)
The above title is from a song by Bob Dylan; in a queer way I find that it fits James Moore's book for two reasons:

1) 'Subterranian' - because the text is a long and winding gossip in psychedelic style, devoid of any ideas, let alone 'higher' ones.

2) 'Homesick Blues' - because this is the only book in the world which mentions more than 60 people that I have known (of which over 20 my friends).

I just wished I could have enjoyed the book, but alas, like Moore himself says, I found the reading of it painful!

James Moore was in contact with the Gurdjieff Society for some 35 years and a long time in a group led by Madame Lannes with many of the 'top people' in the Society. He took part in all kinds of activities and got to know many people.

Was this all in vain?

There is a 'groupie'-feeling in Moore's attraction to the 'Crocodile Dundee Malcolm' Gibson and to Bill Dixon, who both were members of the group.

There is an attitude of no respect towards the 'Nicoll-people', like Sam Copley and Magnus Wechsler and others.

The wiseacring and the negative attitude give a crooked picture of the people and of the Gurdjieff Society in 1956-1980.

If James Moore's aim with this book was to continue on his "Way of Blame" there is no doubt that he will achieve it.
 Go to Amazon.com to see all 3 reviews  4.3 out of 5 stars 
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