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That's the good new; you'll read this and laugh about parts, and agonize over others, and relish still more. But be wary of the "Introduction," which is a heavy bolus of words (read the back cover excerpt, if you doubt me). Yes, the folks at Duke (a University Press) felt it necessary to drop a scholarly "Introduction" on the book, but Perloff's offering will inspire you to reach for your Metamucil. As a scholar, she is accomplished (publications on Beckett, Plath, Pound, O'Hara, Lowell, Stevens, Yeats, Williams, Berryman, Rimbaud, Zukofsky, Blackburn, John Cage, Goethe, Ginsberg, Ashbery, and a dozen others), but her treatment of Dorn is at best wooden, and with 35 years of writing on poets she musters great range without summoning either a notable depth or enthusiasm.
Buy the book for Dorn's own work and fight to cherish the results.
A masterpiece
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