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Gulliver's Travels (Penguin Classics)
 
 

Gulliver's Travels (Penguin Classics) (Paperback)

by Jonathan Swift (Author) "I hope you will be ready to own publicly, whenever you shall be called to it, that by your great and frequent Urgency you prevailed..." (more)
4.0 out of 5 stars See all reviews (2 customer reviews)
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Product details

  • Paperback: 336 pages
  • Publisher: Penguin Classics; Rev Ed edition (30 Jan 2003)
  • Language English
  • ISBN-10: 0141439491
  • ISBN-13: 978-0141439495
  • Product Dimensions: 19.6 x 13 x 2.5 cm
  • Average Customer Review: 4.0 out of 5 stars See all reviews (2 customer reviews)
  • Amazon.co.uk Sales Rank: 33,339 in Books (See Bestsellers in Books)

    Popular in these categories:

    #4 in  Books > Fiction > The Classics > Swift, Jonathan
    #45 in  Books > Fiction > By Period > 16th to 18th Century
    #63 in  Books > Science Fiction & Fantasy > Fantasy > Epic

Product Description

Product Description
Shipwrecked and cast adrift, Lemuel Gulliver wakes to find himself on Lilliput, an island inhabited by little people, whose height makes their quarrels over fashion and fame seem ridiculous. His subsequent encounters - with the crude giants of Brobdingnag, the philosophical Houyhnhnms and brutish Yahoos - give Gulliver new, bitter insights into human behaviour. Swift's savage satire views mankind in a distorted hall of mirrors as a diminished, magnified and finally bestial species, presenting us with an uncompromising reflection of ourselves.

About the Author
Anglo-Irish poet, satirist and clergyman, Jonathan Swift (1667-1745), was born in Dublin to English parents. He embarked on a career as diplomatic secretary and became increasingly involved in politics. He published many satirical works of verse and prose, including 'A Tale of a Tub', 'A Modest Proposal', and 'Gulliver's Travels'. Robert DeMaria, Jr. is Henry Noble MacCracken Professor of English at Vassar College, New York. He has published widely on 17th and 18th century literature.

Inside This Book (Learn More)
First Sentence
I hope you will be ready to own publicly, whenever you shall be called to it, that by your great and frequent Urgency you prevailed on me to publish a very loose and uncorrect Account of my Travels; with Direction to hire some young Gentlemen of either University to put them in Order, and correct the Style, as my Cousin Dampier did by my Advice, in his Book called, A Voyage round the World. Read the first page
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Front Cover | Copyright | Table of Contents | Excerpt | Back Cover
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5 of 6 people found the following review helpful:
4.0 out of 5 stars Perhaps satire doesn't travel, 23 Aug 2007
It's a good read and probably every bit the masterpiece its reputation claims. The problem with satire, however, is that it doesn't stand alone. Parody, on the other hand, ought to make sense in itself, but obviously more sense if the object of the parody is understood and familiar. Satire only seems to make sense if you know the original.

The section in Lilliput describing the bloke with different sized heels on his shoes, for instance, is very funny, but only when the footnote has provided the context. He is described as having to negotiate a political line between the faction that likes high heels and the other that likes low ones. He makes awkward progress with both groups, since he can barely walk or stand up straight in a pair of shoes made up so he can have a foot in each camp. The reference is beautiful. It refers to High Church and Low Church in the Anglican tradition, and therefore to Whig and Tory, the opposing political parties of the time. To stay sweet with both, certain royals kept a foot in both camps, making their progress as ridiculous as the rough-shod Lilliputian.

In the books three sections, Gulliver is too big, then too small, then everyone is a horse except for the noxious Yahoos, of course. It was still a lot of fun and, probably, hard witting. The trouble, again, was knowing the targets. If today's Yahoos are considered... perhaps Swift might have googled his yahoos if he had been writing today.

One last observation is about well-known classics in general. The most famous scene from Gulliver's Travels, at least the one most depicted, is of Gulliver strapped to the ground by Lilliputian string and twine, while the little blighters run all over him. In Don Quixote, an equally quintessential scene is the tilting at windmills, mistaken by the knight for giants. It is interesting that both of these much quoted scenes appear very early in their respective books. I wonder if that might have something to do with certain people never getting very far through them!
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2 of 8 people found the following review helpful:
4.0 out of 5 stars a thriller of the age, 1 Sep 2006
By M. L. York "Grammarian" (UK) - See all my reviews
(REAL NAME)      
This is quite a fun 'novel', but I'm not wowed by it. It can be viewed as a travel book, an adventure story, a spoof travel book, and even a momentous political satire.

Gulliver is an impulsive man who can't resist the calling of the seas and foreign lands. He is quickly lured away from his comfortable homelife by a desire to explore, and that he does, in a big way.

His travels are effectively logged in separate books, each one describing a different kingdom or country, its inhabitants, its manners. Lilliput has tiny people, Brobdingnag has huge people, Laputa is a floating island, Houynhnmland has horses with great virtues. The characters are wonderfully drawn, and Gulliver has a great talent for the languages of each land.

The book works to enlarge humankind to a vulgar degree, belittle it by shrinking, and make vices look absurd. It's not seriously clever, but it is fun.
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