Amazon.co.uk Review
The standout soul ballad is "How a Man's Supposed to Change"--catchy and light with a rousing chorus that unlike most other ballads on the album actually sounds like Blue as opposed to any generic boyband. Three albums down the line Blue are still delivering the goods, although a number of the songs sound remarkably like Westlife--not necessarily a bad thing but Blue have their own style and should most definitely stick to it. --Georgina Collins
Review
It's sad to think that in a world that has so many talented and inspiring musicians, including ones within the sphere of pop, it's Lee, Duncan, Simon and Antony that are held up as being the pick of the pops.
Quite where such an accolade has come from, other than from the pen of some satanic marketing executive, is staggeringly. There is not one moment of the ballad-heavy, drippy, sugar-sweet overdose of Guilty that deserves even a second listen.
This is the sound of a band more interested in increasing their tabloid column inch count with their various late night shenanigans and celebrity ligging, than in their music. There is no effort, no emotion, no desire in any of the tunes on offer. Whether it be the cod-Justin high pitched tedium of "Stand Up", the wimpy fake heartbreak of "Guilty", the limp pop-disco nonsense of "Rock The Night" or chugging awful drippy seriousness of "Walk Away".
Not even the presence of the legendary Stevie Wonder and the equally fantastic Angie Stone on "Signed, Sealed, Delivered, I'm Yours" can get the party started. Their appearance only serves to show how untalented these four lads are.
Blue should change their name to Grey, so non-descript is this offering. There are rumours that they are on the verge of splitting. If Guilty is the best they have in them, let's hope such rumours are true. --Chris Long
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