Groove Theory

The trend continued in 1995, paving the way for this self-titled debut album by Groove Theory - perhaps 1995's most shining example of neo-soul artistry. Featuring delectable vocals by chanteuse Amel Larrieux and consistent production by collaborator Bryce Wilson (formerly of the techno/R&B /Hip Hop group Mantronix), this album remains a classic for most die-hard R&B headz (like myself). Although the biggest hit from this album (and act, for that matter) was "Tell Me", the 'Groove Theory' album does indeed have more to offer.

Beginning with "10-Minute High", we hear an anti-substance abuse track (featuring a jazzy string bass and a head nod-inducing percussion) about an individual in despair. "10-Minute High" sounds the most like the material Amel would record years later in 2000 for her 'Infinite Possibilities' album (which is also a good - albeit slept on - listen, if you already haven't heard it). Next up is "Time Flies", a decent track. "Ride" has more of a funky vibe to it, but doesn't stray from being classy. "Come Home" is more mellow sounds for the soul.

Now, this version of "Baby Luv" isn't the radio version with the "Just A Touch Of Love" sample; this one has more of a 60s feel that I originally thought was another remix when I heard it played on the radio once. I've spent years looking for it only to discover that when I finally purchased the album, this version had been sitting right here waiting for me to hear it the whole time! Needless to say, I was very pleased. You'll be charmed to know that Amel wrote "Baby Luv" for Sky, her then baby daughter.

"Tell Me" will sound fresh and new for years to come, and it is still one of my favorite songs of all time -- if "Tell Me" doesn't scream "Urban Elegance", then I don't know what does. The vocal push-and-pull between Amel & Trey Lorenz (anyone know where the heck he went?) near the end of the song never ceases to please this listener. "Hey U" (a lush nu-soul midtempo-ish ballad) is nice as well.

"Hello" features feather-lite, ticklish vocals by Ms. Amel, and in my opinion would have made a nice "closing" single, if not a charming B-side. The next song "Good 2 Me" is classic mid-90s neo soul, and contributes a smooth, uptempo groove; kind of reminds me of the late Aaliyah's "Giving You More" from her stunning 1996 sophomore project, 'One In A Million'. One of the happiest, sun-shiny songs on the album would have to be "Angel".

"Keep Tryin" is decent, as is "You're Not The 1", but my absolute favorite song on the album besides "Tell Me" and "Baby Luv" is the next one, "Didja Know". On "Didja Know", Groove Theory is at its best on both fronts - musically and vocally. The vibe on this song reminds me of something produced by Jimmy Jam & Terry Lewis (my favorite producers!) on a good day. The background vocals sound heavenly, and I find myself hitting repeat on this song without fail at every listen. "Didja Know It" is the jaaaammm.

We close this disc of "urban elegance" with another head-nod track called "Boy At The Window", this song also sounds like it would fit right in on Amel's eventual solo album, 'Infinite Possibilities'. All in all, I'm giving this album five stars for being so consistently good. This R&B isn't necessarily "hit" music that might get a little stale after a few listens -- rather, the Groove Theory album is all about experiencing a distinguished vibe: urban elegance at its best...

Andrew Knyte

This album's other memorable tracks include "10 Minute High," and "Time Flies," both which incorporate electronic sounds and smooth vocals. I was especially mesmerized by the album's final two tracks "Didja Know," and "Boy at the Window," both which easily transported me to a calm, soulful, and glamorous realm of what classic R&B/Soul should be. Truly one of the decade's most talented duets, this album and any future Groove Theory Album should become part of your collection. Talented, Gifted, and Amazing, this group is the s--t. One of the 1990s best albums!