by Peter Conrad
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Product Description
Product Description
A failed revolutionary attempt drives the hero of Hudson's novel to seek refuge in the primeval forests of south-western Venezuela. There, in the 'green mansion' of the title, Abel encounters the wood-nymph Rima, the last survivor of a mysterious aboriginal race. The love that flowers between them is soon overshadowed by cruelty and sorrow. One of the acknowledged masters of natural history writing, W. H. Hudson forms an important link between nineteenth-century Romanticism and the twentieth-century ecological movement. First published in 1904 and a best-seller after its reissue a dozen years later, Green Mansions offers its readers a poignant meditation on the loss of wilderness, the dream of a return to nature, and the bitter reality of the encounter between savage and civilized man. --This text refers to an out of print or unavailable edition of this title.
About the Author
Ian Duncan is Barbara and Carlisle Moore Professor of English at the University of Oregon. --This text refers to an out of print or unavailable edition of this title.
A failed revolutionary attempt drives the hero of Hudson's novel to seek refuge in the primeval forests of south-western Venezuela. There, in the 'green mansion' of the title, Abel encounters the wood-nymph Rima, the last survivor of a mysterious aboriginal race. The love that flowers between them is soon overshadowed by cruelty and sorrow. One of the acknowledged masters of natural history writing, W. H. Hudson forms an important link between nineteenth-century Romanticism and the twentieth-century ecological movement. First published in 1904 and a best-seller after its reissue a dozen years later, Green Mansions offers its readers a poignant meditation on the loss of wilderness, the dream of a return to nature, and the bitter reality of the encounter between savage and civilized man. --This text refers to an out of print or unavailable edition of this title.
About the Author
Ian Duncan is Barbara and Carlisle Moore Professor of English at the University of Oregon. --This text refers to an out of print or unavailable edition of this title.
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First Sentence
Now that we are cool, he said, and regret that we hurt each other, I am not sorry that it happened. Read the first page
Front Cover | Copyright | Table of Contents | Excerpt | Back Cover
Now that we are cool, he said, and regret that we hurt each other, I am not sorry that it happened. Read the first page
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Concordance
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Front Cover | Copyright | Table of Contents | Excerpt | Back Cover
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