- Paperback: 176 pages
- Publisher: HarperCollins (31 Dec 1991)
- Language English
- ISBN-10: 0062500759
- ISBN-13: 978-0062500755
- Product Dimensions: 23.4 x 18.9 x 1.4 cm
- Amazon Bestsellers Rank: 1,255,467 in Books (See Top 100 in Books)
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Anderson suggests most art historians and critics have overlooked the Green Man as an archetypal element and artifact. And, although I've taken several art history classes on the topic of Western church architecture, I can't recall a single instructor discussing the foliate masks, vine disgorging heads, or human fruiting vegetation Anderson clearly describes. The photographs in his book show they can be found in many places in churches including on rood screens, columns, capitals, corbels, tympani, stringcourses, pediments, flying buttressses, with the Holy Virgin and child, and weeping over Christ.
Anderson suggests the Green Man (or our need for him) has morphed into variation after variation over the millenia. The Green Man probably began life as a Celtic mythical figure, but by the 20th Century he had become a hidden Art Deco element. His most amazing incarnation occurred in the Middle Ages in the Gothic cathedrals, especially very sacred spots like Chartres in France. Chartres was one of Joseph Campbell's favorite haunts, and he has shared many of his insights about the cathedral, as has the art historian Panofsky. Anderson shares a few more ideas involving the Green Man.
If you plan to visit churches or cathedrals in Britain, Ireland, or Europe, I think you'll find this book a good resource. You can also learn more about the Green Man and his link to the Earth Mother and the natural order.
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