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It's 1959 and the presidential battle between Kennedy and Nixon is heating up. Just as the country stands between two men so does Mary van der Linden, the wife of a British embassy employee in Washington and lover of political newspaper reporter Frank Renzo. All three are damaged by their experiences of war; death and decay are everywhere: through the men's memory of war, Mary's dying mother, van der Linden's declining health and the readers' knowledge that in only a few short years Kennedy will be dead and Nixon disgraced.
Previously, Faulks has described in bloody detail the horrors of the trenches and the brutality of the battlefield. Here he comments on the hollowness and politics of war and the human cost. With the personal mirroring the political so closely, the inevitability of the doomed love affair at the centre of the novel hardly inspires one to great heights of empathy. Consequently, the characters' fervour often falls flat:
"He raked his fingers through her hair, down to the skull, as his body filled hers. All the way, he thought, I will go all the way, till I find her; and with her head between his hands he too let out a cry, because he felt pity for her soul."
Faulks, whose previous novels have included bestsellers Birdsong and Charlotte Gray, has the capacity to sweep his readers up in his historical sagas and excels in his unflinching treatment of war. Unfortunately, the switch here from the battlefield to the political arena is not as compelling and, considering he is writing about one of the most exhilarating periods in US history and its most exciting city--New York (something Douglas Kennedy captured far more successfully in The Pursuit of Happiness), On Green Dolphin Street simply does not leap to the same heights as his earlier novels. --Alex Freeman --This text refers to the Hardcover edition.
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I for one would LOVE to see a film of this novel, if anyone wants to make it! So long it was exactly as the book, changing nothing (especially the wistful ending), and it would be a classic in the traditional 'French' film genre, IMHO.
Highly recommended, especially if you enjoyed books like 'Chocolat', 'Captain Corelli's Mandolin' and 'The Unfortunates', a real asset to the modern fiction lover's bookcase.
Many of Faulks' usual ingredients are present in this book: focus on a love story, intense characterisations and well researched historical details. The problem with the book was the historical context he has chosen: Faulks fails to recreate the sense of change which the US was undergoing in the late fifties/early sixties and he relies too heaviliy on the poignancy which the reader's hindsight brings to the fate of Kennedy and Nixon. The fact that Faulks harks back to WW2 and Vietnam in the recollections of the two male lead characters suggests that even he knew that political battles are no real substtiute for physical warfare as a setting for a love story.
I finished the book not caring about the fate of any of the three main characters, largely as a result of the curiously dispassionate description of their feelings.
Faulks does succeed in depicting well New York of the era and the description of Mary's reactions to the death of her mother were very moving - and if only for that reason it is worth a read.
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