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Greek Variations

Neil Ardley Audio CD
4.0 out of 5 stars  See all reviews (1 customer review)

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Biography

Neil Ardley was born in 1937 in Wallington, Surrey, England. He was educated at Wallington County Grammar School and Bristol University, where he took a degree in chemistry in 1959. He began to take a practical interest in music at the age of 13, when he started to learn the piano, and later took up the saxophone, playing both instruments in jazz groups at the university. 


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Product details

  • Audio CD (21 Jun 2004)
  • Number of Discs: 1
  • Label: Universal Classics
  • ASIN: B000296HA6
  • Other Editions: MP3 Download
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Bestsellers Rank: 277,982 in Music (See Top 100 in Music)

1. Greek Variations: Santorin, Omonoia, Delphi, Kerkyra, Meteora, Kriti
2. Wine Dark Lullaby
3. Orpheus
4. Persephones Jive
5. Odysseus, King of Ithaca
6. Siren's Song
7. Veil of Ino

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Most Helpful Customer Reviews
5 of 5 people found the following review helpful
4.0 out of 5 stars A British Jazz Gem from 1970 8 May 2009
Format:Audio CD
This is a concept record, based on Greek cutural references, from some of the best British jazz players and composers in 1970.
It's split into three sections, the divides based on the compositons and players based around the group leaders Neil Ardley, Ian Carr and Don Rendell.
Saxophonist Rendell contributes 4 tracks based on Homer's Odyssey, playing calmly and reflectively with his quartet.
Trumpeter Carr's 3 pieces are played by a quintet, who were soon to form Nucleus, and Persephone's Jive is recognisably Nucleus like. However, Wine Dark Lullaby stands out as it beautifully conjures the feel of a boat, bobbing gently on a warm Aegean evening.
Neil Ardley's six pieces, called Greek Variations, are the soul of this disc. Largely orchestrated with strings and a good brass section, this is Ardley at his best. At times, such as in parts of Omonoia and Meteora, he rivals the best work of the great jazz orchestrator, Gil Evans'. He even manages to get Ian Carr to blow like a Sketches of Spain era Miles Davis.
The whole album is well played and just about hangs together throughout. I wish British jazz had tried more of this kind of collaborative themed project as, despite the Gil Evans references, this does sound distinctively and wonderfully British, in the same vain as Stan Tracey's masterpiece Under Milk Wood. If this disc seems expensive, it can be bought much much cheaper on other websites!
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