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The extra tracks include The Hardest Part (from Eat To The Beat album) and Maria (from No Exit).
The running order of the main feature is as follows and includes a brief of the video: 1. IN THE FLESH 2. X-OFFENDER both filmed in studios with minimal effects. Typical of punk footage. 3. DENIS basically the camera follows Debbie and the band is ignored. 4. DETROIT 442 is an excellent clip full of punk energy. Filmed in a similar manner to The Old Grey Whistle Test performances. We now have the first of the links between videos which I feel are a complete waste of time and interfere with the songs. 5. I'M ALWAYS TOUCHED BY YOUR PRESENSE DEAR 6. PICTURE THIS both have good clips with energy. The songs are more new wave from now on. 7. HANGING ON THE TELEPHONE is the first "proper" video and carries the theme of the album cover of Parallel Lines. 8. HEART OF GLASS was filmed in a New York nightclub (if I remember correctly). An great video which carries the mood of the song. 9. DREAMING maybe mimed but Clem's energy on the drums is still awesome. The Eat To The Beat album is his finest moment. 10. UNION CITY BLUE filmed on the docks of New York shows a bored Blondie with little energy. However, this as a benefit of projecting that most influencial of punk characteristics: being bored. Only in the latter stage of the song do the band smile and Chris "branches" out. 11. ATOMIC all those years ago was an inspired and colourful video which helped to project the single to No. 1. The video now looks like something from Andy Warhol's 'Factory'. Anyhow, Deb still looks good in her bin liner. 12. THE TIDE IS HIGH is for me a poor video which has Star Wars meets Pink Floyd's Wall written all over it. 13. RAPTURE is superb.This is the single version and if the movie 'Midnight Cowboy' is anything to go by then the characters in the video could well be real. The credits now roll whilst 'Sunday Girl' plays. This is not a video.
The videos are diected by various people which include Keef and David Mallet. Both were popular choices of the era.
The overall DVD is pleasing if only 1 hour long. So much more could have been made of it. Why no stills, biography or discography etc. The record company should have taken note from the Best of Bowie or Depeche Mode Singles DVDs for lessons of how it should have been done when retailing for a similar price.
Thanx for reading.
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