What happens when you combine the music of one of the worlds most respected film music composers with the worlds leading symphony orchestra performing it? Well you get a superb collection of marvellous and magical music played to perfection...The LSO and conductor Richard Kaufman must be applauded for bringing us this outstanding recording which is very well presented with notes on the composer, artists involved on the recording, a brief history of the LSO and their connections with film scores, a track by track description and information on each film. This is an essential purchase. --John Mansell, Run Movies
Among the greatest Hollywood composers, Dimitri Tiomkin once made an Oscar acceptance speech in which he thanked Brahms, Strauss, Beethoven and Rimsky-Korsakov for teaching him his craft. He was much derided at the time, though in fact his classical pedigree was impeccable. Born in the Ukraine, he studied composition with Glazunov in St Petersburg and established himself as a pianist, specialising in Scriabin, before the US beckoned. His music remained rooted in Russian late Romanticism. Borodin is never far away from his score for The Alamo, while the famous title theme for the TV series Rawhide gravitates, more than once, towards Glazunov. Elsewhere, Rimsky collides with Wagner in The Fall of the Roman Empire, while clotted, Scriabinesque harmonies accompany Ray Milland's terrorisation of Grace Kelly in Dial M for Murder. This fine selection was recorded at the Barbican last year, and is played with terrific panache by the London Symphony Orchestra under Richard Kaufman. Andrew Playfoot, meanwhile, sings Do Not Forsake Me from High Noon as one born to it. **** --The Guardian
Tiomkin s music certainly does deserve resuscitation on disc and this excellently produced and recorded issue does its subject proud. --International Record Review September 2012
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