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Great Composers - Elmer Bernstein (OST) [Soundtrack]

Elmer Bernstein Audio CD
3.5 out of 5 stars  See all reviews (2 customer reviews)
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Product details

  • Audio CD (5 Mar 2010)
  • Number of Discs: 1
  • Format: Soundtrack
  • Label: Varese Sarabande
  • ASIN: B00002ML35
  • Other Editions: Audio CD
  • Average Customer Review: 3.5 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Bestsellers Rank: 155,657 in Music (See Top 100 in Music)

1. The Magnificent Seven - Royal Scottish National Orchestra
2. The Shootist - Utah Symphony Orchestra
3. The Comancheros - Utah Symphony Orchestra
4. True Grit - Utah Symphony Orchestra
5. Wild Wild West - Elmer Bernstein
6. To Kill A Mockingbird - Royal Scottish National Orchestra
7. My Left Foot - Elmer Bernstein
8. Frankie Starlight - Elmer Bernstein
9. The Age of Innocence - Seattle Symphony Orchestra
10. Lost In Yonkers - Elmer Bernstein
11. A Rage In Harlem - Elmer Bernstein
12. The Grifters - Elmer Bernstein
13. The Black Cauldron - Utah Symphony Orchestra
14. The Great Escape - Royal Scottish National Orchestra
15. Buddy - Elmer Bernstein
16. The Ten Commandments - Seattle Symphony Orchestra

Product Description

Amazon.co.uk Review

Unlike the subject of the previous collection--Great Composers: John Williams--there haven't been many retrospectives of Elmer Bernstein's career. The best thing about Varese Sarabande's collection is the number of original performances from the composer himself the label has been able to assemble from its own back catalogue. Together with faithful re-recordings by Joel McNeely and Cliff Eidelman from other Varese albums, this makes for a brilliant introduction to Bernstein's long and distinguished film career. He practically invented the adventurous Western sound full of charging rhythms and vastly-stretching hero motifs. John Wayne's saunter would never have been the same without them. All-time highs include: The Magnificent Seven, The Ten Commandments, The Great Escape and True Grit. From the more recent end of his career there's a real display of diversity between The Age Of Innocence (a lush turn-of-century portrait), The Grifters (tongue-in-cheek film noir), A Rage In Harlem (a stroll through the backstreets of Bernstein's youth in mid-1930s New Yawk) and Wild Wild West (clearly an attempt at "The Magnificent Will Smith"). The latter is the closing segment of a Western section, preceded by Wayne's classic vehicles: The Shootist, The Commancherosand True Grit. If there's a few lesser items among the many greats, this is nonetheless an excellent career overview. --Paul Tonks

Customer Reviews

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Most Helpful Customer Reviews
6 of 7 people found the following review helpful
4.0 out of 5 stars A great collection of a great composer 31 July 2001
Format:Audio CD
This collection of the work of Elmer Bernstein, one of the greatest, most prodigious movie composers of the last 45 years, is a long overdue and much awaited release. Spanning the scope of his entire career, this collection is a [largely] well chosen mix of Bernstein's most famous and iconic works [ the main titles and themes from The Magnificent Seven, The Great Escape and To Kill A Mocking Bird], his most skillful, subtle and sublime pieces [the delicate and poignant Moon from Frankie Starlight, the heartrending Love Spoken from My Left Foot and the neo noir-esque overtones of The City from The Grifters] and some cues from some of his lesser known scores [The main theme from the Michael Curtiz/John Wayne western The Comancheros and the finale from the 1985 Disney release The Black Cauldron]. The orchestrations by [principally] the Royal Scottish National Orchestra and the Utah Symphony Orchestra are very good, capturing the unique texture and lucid flow, as well as the often dynamic and, on some of the western themes in particular, complex interaction of instruments and instrument groups with consumate applomb. Some of the cues are not that great as film compositions. His suite for De-Mille's The Ten Commandments feels slightly forced and, though certainly a professional piece, a little as though he had soaked up the best of North and Tiomkin but couldn't really add much of his own. And, of course, there are some of his scores that i would have liked to have heard covered here which are'nt [His vibrant and evocative score for Preminger's The Man With The Golden Arm, one of his earliest works and more low key than many of his western scores - his work on Anthony Mann's The Tin Star and his recent, old fashioned, Miklos Rosza style score for Robert Benton's Twilight] but, hey, thats always going to be some kind of a problem for almost everyone with a compilation release. This is as essential a purchase for film and film music lovers as anything currently available. And serves just as well as a summation [for Bernstein fans] or as an introduction [for the uninitiated]. Highly recommended.
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3.0 out of 5 stars great composers -elmer bernstein ost 21 Dec 2012
Format:Audio CD|Amazon Verified Purchase
not all of the tracks are with the rsno, but with various orchestras the sound quality varies , but is quite charming.
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Amazon.com: 3.5 out of 5 stars  4 reviews
29 of 32 people found the following review helpful
4.0 out of 5 stars The Best Bernstein Sampler Yet! 21 May 2000
By William F. Flanigan Jr. - Published on Amazon.com
Format:Audio CD|Amazon Verified Purchase
Varese Sarabande has cheery picked from some of the finest (and most famous) film scores ever composed (and some of the best performances thereof yet recorded) in the second half of the last century. There are samples from sixteen film scores by Mr. Bernstein presented here (and since this is just the tip of the proverbial iceberg for this prolific, spectacularly-talented composer, let's hope there will be many more Bernstein compositions to come!). It's beyond great to have all 16 film scores represented on one CD, even though most/all of these tracks are available off other CDs (CD-burner freaks, you've been left at the gate, or, rather, the CD-R/W drive on this one!). It does get a bit confusing trying to figure out all the source material (there's Bernstein right off the film sound track, Bernstein conducting the Utah Symphony Orchestra, Bernstein conducting the Royal Scottish Orchestra, Mr. Joel McNeely conducting the Royal Scottish Orchestra, McNeely conducting Seattle Symphony orchestra, Mr. Cliff Eidelman conducting the Seattle Symphony Orchestra, and so it goes). But quit making your brain ache; just spin up this CD and let your ears do their thing. And what a wonderful thing those ears will do. Mr. Bernstein, a master of tonality (like Erich Wolfgang Korngold before him), is probably best enjoyed in spurts or in selective film-score "cues"--mainly his opening/closing credit cues, since his scores tend to sag and become less dramatic in between. This CD focuses on the composer's strengths: mostly those opening/closing credit cues you can't help hearing in your mind over and over again. Although the performances are (as previously noted) from many sources, I can't find fault with a single one. The same goes with the recording/mastering/re-mastering. All first rate. One question remains: why are you still reading this write up when you could be buying the CD to empower your ears!
10 of 10 people found the following review helpful
4.0 out of 5 stars Sit Up and Listen 28 Jun 2001
By Libby Wilder - Published on Amazon.com
Format:Audio CD
You pop this CD in to your player and the glorios Magnificent Seven theme knocks you off your feet. I'd forgotten how good it was, an icon of testerone flowing unchecked. Then there is the touching innocent To Kill a Mockingbird theme. Starting with a simple music box theme, the music builds to a dramatic climax, as if all the emotion suddenly exploded. The Great Escape track is, I think, one of the very best march compositions of all time. With the tuba providing the baseline with its own melody, then the light brass, perky and upbeat, providing the second melody, this theme instantly evokes both the fatigue and robotic obedience required of prisoners and the brassy indomitable spirit characteristic of the RAF flyers. If you listen carefully you hear the deeper brass (French Horns) take up the theme and give it a more somber character, as yet another melody is sustained in the background. The Ten Commandments stands alone as a wonderful heroic piece. Buy the CD for any one track and you will be pleasantly surprised by the remainder.
13 of 17 people found the following review helpful
1.0 out of 5 stars Enormously Disappointing 1 Oct 2004
By Camera Obscura - Published on Amazon.com
Format:Audio CD|Amazon Verified Purchase
As a big Bernstein fan, I was looking forward to this comp. But I couldn't even make it through one listen. I found it insipid, saccharine. The main idea behind this comp seems to be to stuff every recognizable theme Bernstein ever wrote into one set while cutting out all other sections including any variations or development. They've cut the meat out of the music and left only the fat. The playing is stiff, the tempos are rushed, the arrangements are terrible. Don't waste your time.
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