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Graphic Desigh - Now in Production [Paperback]

Abake , Ian Albinson , Peter Bilak , Rob Giampietro , Andrew Blauvelt , Ellen Lupton
2.0 out of 5 stars  See all reviews (1 customer review)
RRP: £31.00
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Graphic Desigh - Now in Production + How to be a Graphic Designer, Without Losing Your Soul
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Product details

  • Paperback: 240 pages
  • Publisher: Walker Art Centre,U.S. (1 July 2011)
  • Language: English
  • ISBN-10: 0935640983
  • ISBN-13: 978-0935640984
  • Product Dimensions: 30.2 x 23 x 1 cm
  • Average Customer Review: 2.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Bestsellers Rank: 184,214 in Books (See Top 100 in Books)

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2.0 out of 5 stars Who wants to read an unreadable book? 12 Nov 2012
By Robin Benson TOP 500 REVIEWER VINE™ VOICE
Format:Paperback
The title is based on a touring exhibition of print design originally held at the Minneapolis based Walker Art Museum. The 224 pages are really in two parts: twenty essays by various industry commentators, educators and designers are in self-contained pages and I found some these quite thought-provoking, especially the one by Michael Rock and the three from Ellen Lupton. Perhaps it's unfortunate that several essays fall short of their allotted page space and columns are just left empty at the end.

The second part is where I think it all comes unstuck. These are the image pages that follow each essay. They have hundreds of printed examples crowbarred into each page (it's meant to follow the style of a Paris salon of many decades ago) with their captions set in five point and chunky blocks of copy set in 6.5 on 8 point type. These text blocks, some of which contain hundreds of words, have no paragraphs instead a pilcrow is used to tell the reader where a new par starts. There is no common line-length throughout the book for these blocks of tiny type, it just slots into whatever space is available and amazingly lots of them are set sideways (page 206 has six lines over 10.5 inches). To expect readers to put up with this is a nonsense in a book on communication.

Perhaps a clue to this sloppy editorial can be found on the colophon page part of which says: 'This premodern style of arrangement, which attempts to impose an order and sensibility on an often incoherent assemblage of objects, speaks to our contemporary condition of information overload in an increasingly fragmented search-based culture'. As an attempt I think it fails dismally.

If only the contents of this book had been presented in a format based on clarity and ease of reading it would have got five stars from me.
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Most Helpful Customer Reviews on Amazon.com (beta)
Amazon.com: 4.3 out of 5 stars  6 reviews
1 of 1 people found the following review helpful
5.0 out of 5 stars Graphic Design to read, look and think 22 Nov 2012
By Jaume Pujagut Grau - Published on Amazon.com
Format:Paperback|Amazon Verified Purchase
One of the best books about graphic design on the last 10 o 20 years. A very good balance between text and images and also and interesting object for his format, paper and so on....if you love graphic design this book must be in your bookshelf
5.0 out of 5 stars Really good book :) 29 Mar 2013
By Jill - Published on Amazon.com
Format:Paperback
I went to the exhibition at The Hammer Museum and it was around 50 bucks so, I came home and looked it up and found it on Amazon. I'm really happy I got it, very informative and fun to read. Great little collection of graphic design from the past 10 years. You should definitely check it out.
3 of 5 people found the following review helpful
2.0 out of 5 stars Who wants to read an unreadable book? 12 Nov 2012
By Robin Benson - Published on Amazon.com
Format:Paperback
The title is based on a touring exhibition of print design originally held at the Minneapolis based Walker Art Museum. The 224 pages are really in two parts: twenty essays by various industry commentators, educators and designers which are in self-contained pages and I found some of these quite thought provoking, especially the one by Michael Rock and the three from Ellen Lupton. Perhaps it's unfortunate that several essays fall short of their allotted page space and columns are just left empty at the end.

The second part is where I think it all comes unstuck. These are the image pages that follow each essay. They have hundreds of printed examples crowbarred into each page (it's meant to follow the style of a Paris salon of decades ago) with their captions set in five point and chunky blocks of copy set in 6.5 on 8 point type. These text blocks, some of which contain hundreds of words, have no paragraphs instead a pilcrow is used to tell the reader where a new par starts. There is no common line-length throughout the book for these blocks of tiny type, it just slots into whatever space is available and amazingly lots of them are set sideways (page 206 has six lines over 10.5 inches). To expect readers to put up with this is a nonsense in a book on communication.

Perhaps a clue to this sloppy editorial can be found on the colophon page part of which says: 'This premodern style of arrangement, which attempts to impose an order and sensibility on an often incoherent assemblage of objects, speaks to our contemporary condition of information overload in an increasingly fragmented search-based culture'. As an attempt I think it fails dismally.

If only the contents of this book had been presented in a format based on visual clarity and ease of reading it would have got five stars from me. If graphic design interests you I think Graphic Design, Referenced: A Visual Guide to the Language, Applications, and History of Graphic Design does a much better job than 'Graphic design: Now in production'.

>>>LOOK AT SOME INSIDE PAGES by clicking 'customer images' under the cover.
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