Review
The tales of human oddity and odyssey are engrossing, and the non-fiction is outstanding....But the real delights are the pieces that focus on personal alienation. These are windows into worlds you may never have seen or thought about. --Observer New Review, March 6, 2011
...superb stories by Dinaw Mengestu and Aravind Adiga. --Times Saturday Review, February 19, 2011
The range of essays and stories in this issue speaks to this sense of uncomfortable otherness. --Chicago Tribune, March 8, 2011
The new issue of Granta is called "Aliens" and has a silvery science fiction cover. The selections are more about alienation, and range from Julie Otsuka's shimmering "Come, Japanese!" to Roberto Bola�ño's one-paragraph, four-page "Beach" and Paul Theroux's rueful "English Hours: Nothing Personal.
--Oregonian, March 11, 2011
This latest Granta collection explores both the eponymous theme of alienation and its inverse -- notions of home. [...] The theme, which could have run the risk of worthiness, works well, as poetic in parts as plaintive. --Independent, March 18, 2011
A fine collection. --Financial Times
The range of essays and stories in this issue speaks to this sense of uncomfortable otherness. --Chicago Tribune
The selections are more about alienation, and range from Julie Otsuka's shimmering 'Come, Japanese!' to Roberto Bolaño's one-paragraph, four-page 'Beach' and Paul Theroux's rueful 'English Hours: Nothing Personal. --The Oregonian
The tales of human oddity and odyssey are engrossing, and the non-fiction is outstanding...But the real delights are the pieces that focus on personal alienation. These are windows into worlds you may never have seen or thought about.
--The Guardian
Product Description
First there was the traveller; then the word was emigrants. In America, they turned into immigrants. And today -- in many parts of the world -- they are (we are) aliens. From somewhere else. At odds with and yet fully inside of another culture. At home nowhere.
This new issue of Granta features tales from the constantly shifting terrain of alien culture. Mark Gevisser writes of two closeted gay South African men, whose friendship has lasted five decades, dating back to a regime determined to keep black and white apart.
Dinaw Mengestu writes of a war being waged in the Congo by exiles managing it from afar in France. Robert Macfarlane goes for a walk in Palestine, and meets families who can no longer return to their own homes. Nami Mun conjures a couple who feel like strangers in the wake of a terrible betrayal.
Whether it's the closely observed ecology of marriage life or the violent acts of criminals, this issue of Granta will draw into focus one of the most pressing issues of our time: Who do we call outsiders?
