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Although an insider, he has the ability to stand back, giving it reflective qualities. As well as examining what Goth means to participants of the scene, Paul asks how strong the sense of the individual is, how consumerism is demonstrated, and the negative or positive aspects involved. And so it goes on - weighty matters, handled well, made reasonably easy to follow. He establishes the sense of belonging, as well as the contradiction of open-mindedness set against the occasional feelings of superiority. He covers many areas including shared identity and the chosen elements to Subcultures (Identity, Commitment, Consistent distinctiveness, Autonomy) and the emergence and development of Style, as well as online community. It isn't warts and all, because that isn't the intent, but there are a few minor skin rashes, as he gets interesting responses/admissions from people in his study.
If you're looking for a modern guide to what's around, think again. This is a serious study of what it's all about. He examines the substance, so if you're interested in more than just surface this will be of great interest. Anyone seeking depth with find their faith amply rewarded.
From the academic perspective Paul Hodkinson attempts to disprove post-modern claims that media and commerce break down substantive cultural groupings. It covers UK Goth from the mid to late 90's, concentrating on the Birmingham, Plymouth and Leeds area, where 72 interviews were conducted, with over a hundred people completing a Whitby questionnaire.
Although an insider, he has the ability to stand back, and show an overview. As well as examining what Goth means to participants of the scene, Paul asks how strong the sense of the individual is, how consumerism is demonstrated, and the negative or positive aspects involved. He establishes the sense of belonging, as well as the contradiction of open-mindedness set against the occasional feelings of superiority. He covers many areas including shared identity and the chosen elements to Subcultures (Identity, Commitment, Consistent distinctiveness, Autonomy) and the emergence and development of Style, as well as online community. It isn't warts and all, but there are a few minor skin rashes, as he gets interesting responses/admissions from people in his study.
He may often write in a way which anyone hoping for a jolly read will not find easy, but anyone seeking some depth with find their faith amply rewarded. He examines the substance, so if you're interested in more than the surface this will be of great interest.
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