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Goodbye To Berlin [Paperback]

Christopher Isherwood
4.5 out of 5 stars  See all reviews (25 customer reviews)
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Book Description

2 Nov 1989
Set in the 1930s, Goodbye to Berlin evokes the glamour and sleaze, excess and repression of Berlin society. Isherwood shows the lives of people at threat from the rise of the Nazis: a wealthy Jewish heiress, Natalia Landauer, a gay couple, Peter and Otto, and an English upper-class waif, the divinely decadent Sally Bowles. (20040624)

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Product details

  • Paperback: 272 pages
  • Publisher: Vintage Classics; New Ed edition (2 Nov 1989)
  • Language: English
  • ISBN-10: 0749390549
  • ISBN-13: 978-0749390549
  • Product Dimensions: 13 x 1.8 x 19.8 cm
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (25 customer reviews)
  • Amazon Bestsellers Rank: 9,456 in Books (See Top 100 in Books)

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Review

"A great talent" (Guardian )

"Isherwood is a master of the emotionally cathartic moment, funny and perspicacious" (Evening Standard )

"A masterpiece" (The Economist )

"[A] reminder of a bygone era, powerfully capturing the energy and sleaze of Weimar-era Berlin" (Independent )

"Reading this novel is much like overhearing anecdotes in a crowded bar while history knocks impatiently at the windows" (John Sutherland Guardian, 1000 novels everyone must read )

Book Description

'The best prose writer in English' Gore Vidal (20040624)

Inside This Book (Learn More)
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Front Cover | Copyright | Table of Contents | Excerpt | Back Cover
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Customer Reviews

Most Helpful Customer Reviews
44 of 44 people found the following review helpful
5.0 out of 5 stars Hello to old Berlin 17 Aug 2000
Format:Paperback
This book is known as the original of "Cabaret"- which is why I bought it. And am I glad I did- don't expect the story as seen on stage or film, for here you will find several accounts of pre-war Berlin from various view points. The book is made up of several, smaller, novella's that are vaguely related while independent in themselves. Isherwood's strength lies in his ability to create characters that are believable (all, or at least most, were based on real persons that Isherwood had met), and to evoke the atmosphere of the Berlin of the 30's. His writing style is quite simple, yet says all that there is to say- which makes this book very easy to read. He manages to create the increasingly opressive atmosphere of pre-war Germany throughout the book; which grows into an observation of Germany's response to the growing threat of Nazism- which makes us feel as though we could possibly have been there. It is a fascinating account of the changes that took place, and it shows how people can be led astray to believe false truths etc. This has to be one of my favourite books of all time because of what it is- A study of various characters, A document of a changing Germany, An echo of a lifestyle now lost...Read and Enjoy- with crude fascination!
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56 of 58 people found the following review helpful
5.0 out of 5 stars Stunning, Atmospheric, Prescient 10 Mar 2003
Format:Paperback
`Goodbye to Berlin' is writing at its best: spare, unadorned, and sincere. Christopher Isherwood flies in the face of today's tendency towards florid, pretentious writing, which seems to favor five similies when none would have done. His evocation of pre-WWII Berlin through a series of interlinked stories, and the deft, subtly drawn characters - the famous Sally Bowles is just one - is unforgettable.

Perhaps it is the way Isherwood writes with a remarkable lack of ego - as his famous quote states, events are captured as objectively as a camera records light onto a photographic film. This does not mean he is impassive; quite the opposite. His desire is clearly to record a fragile time exactly as it was. Nobody knows the outcome of history until it happens, and the rise of the Nazi party as told here is all the more horrifying, as we experience it as the people themselves must have done - first a fringe party regarded as little more than a joke, then as rulers of the country, in a frighteningly short space of time.

Although it's small and perfectly formed, you'll never want it to end. Isherwood's original intention was to include these episodes in a much larger opus about Germany in the Weimar Republic, but there's something about the fragmented quality of the eventual book which is perfectly suited to its subject matter.

It takes pride of place in my library.

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39 of 42 people found the following review helpful
5.0 out of 5 stars An Extraordinary Portrait Of Weimar Berlin! 17 Mar 2005
Format:Paperback
"I am a camera with its shutter open, quite passive, recording, not thinking," wrote Christopher Isherwood, at the beginning of "Goodbye to Berlin." "Recording the man shaving at the window opposite and the woman in the kimono washing her hair. Some day, all this will have to be developed, carefully printed, fixed." In the six portraits of Weimar Berlin that comprise "Goodbye To Berlin," Isherwood chronicles his life among the demimonde in this gloriously decadent capital city. He lived there, off and on, between 1929 and 1933. These marvelous stories are a fusion of fact and fiction. With each tale, and the passing of time, the sense of foreboding and the author's prophetic imagery intensifies, as Germany prepares to embrace Adolph Hitler.

Berlin was still a charming city of broad avenues, parks and cafés during this period. It was also a grotesque metropolis of night-people, visionaries, political fanatics - a place filled with intrigue, where vice and virtue were found in abundance - more of the former than the latter. 1930s Berlin was a powerful city of mobs and millionaires. And it was one huge salon, a center of European intellectual life where the arts and sciences flourished. This is the scene which provides a backdrop for Isherwood's stories.

The six "Goodbye To Berlin" stories form a relatively continuous narrative. In "A Berlin Diary - Autumn 1930," Isherwood introduces the reader to his landlady, the infamous Fraulein Schroeder, "Schroederschen," who calls him Herr Issyvoo. She is able to recite a history of her former lodgers by looking at the spots, stains and spillages left behind on her furniture, carpets and linens. Fellow flatmates include: Frl....

"Sally Bowles" certainly is divine decadence, and her antics make for a wonderful story. I had a difficult time keeping the image of Liza Minnelli singing "Cabaret" out of my mind, however. I must say though, after reading about Isherwood's Sally, I have to laud Ms. Minnelli on her performance. Her characterization is indeed recognizable in this Ms. Bowles.

"On Ruegen Island - Summer 1931" describes the author's holiday and the two characters he becomes involved with at a summer resort, Otto Nowak and Peter Wilkinson. Otto is a working class German youth, who uses his attractiveness to freeload off of men and women alike, rather than earn an honest wage. Peter Wilkinson, an Englishman living in Berlin, is extremely neurotic and very attached to Otto, although the two quarrel and bicker constantly.

"The Nowaks," Otto, (of Ruegen Island), and his immediate family, take Isherwood in as a lodger. As money becomes more difficult to come by and the effects of hyperinflation take their toll on Christopher's pocketbook, he has to economize and temporarily leaves Frl. Schroeder's relatively luxurious flat, for the slum-like, working-class projects of Wassertorstrasse.

In "The Landaurers," a wealthy Jewish family is aware of what is in store with the rise of Hitler's Nazism. Natalie befriends Isherwood, and through her so does her family. In this story the perils ahead are obvious and the Landaurers make preparations to leave Germany.

And in "A Berlin Diary - Winter - 1932-33," Isherwood bids farewell to Berlin. He will not return until 1952.

These are well written and important stories which paint a picture of a never-to-be-forgotten time. The language and content give a real sense of the period, and Christopher Isherwood's taut and descriptive narrative is superb. Highly recommended!
JANA Read more ›

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3 of 3 people found the following review helpful
5.0 out of 5 stars Homage to Berlin 10 Dec 2009
Format:Paperback
Apparently Isherwood intended this book to be much longer with many more chapters. It is a pity he did not manage to write more as each of the six chapters is excellent. They can be read separately and indeed some of them, including the best known 'Sally Bowles' were published at different times in other collections. I would suggest though that they work best together as each contributes to a wonderfully broad and deeply textured picture of life in Berlin in the 1930s. The first and last chapters are straight-forward diaries and detail Isherwood's living circumstances, the people around him and the mounting turbulence and then violence as the country slides steadily towards political and economic chaos. The last chapter in particular captures the mood of confusion and fear that spread across the city like a plague as the Nazis began to exert their influence.

The other four chapters explore Isherwood's experiences with specific people and families from different social, ethnic and religious backgrounds. The Sally Bowles chapter is fun and entertaining and exposes well the peculiar way that the vivacity and energy of some people are endlessly attractive to others despite, or perhaps in some cases because of, an accompanying selfishness and disregard for the feelings of anyone other than themselves. Sally exudes a kind of ethereal sexuality, echoed two decades later in Capote's Holy Golightly, that those around her seem to find irresistible.

The second chapter sees Isherwood exploring his homosexuality and the sexual mores of his contemporaries including the age-old issue of attraction between an older, cerebral man on the one hand and a younger, physical man on the other.
... Read more ›
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Most Recent Customer Reviews
5.0 out of 5 stars Absolutely great
Stylistically brilliant, anyone interested in the Weimar-era, as well as anyone interested in a good read, should read Isherwood. Very much recommended.
Published 1 month ago by Mark
5.0 out of 5 stars Love it!
Christopher Isherwoods writings from Berlin the years between the wars are absolutely lovely - charming, witty and highly readable ever since. Read more
Published 1 month ago by Ebba Segerborg
5.0 out of 5 stars wonderful
you know the movie ...Cabarete

BUT NOW READ TEH BOOK .... you will love it as much as the movie :)
Published 2 months ago by H.A.B.
5.0 out of 5 stars very enjoyable
I'll make this a short review because I mostly agree with the other 4 & 5 star reviewers.

I really enjoyed this book, I haven't seen Caberet so I had no expectations... Read more
Published 3 months ago by WillowRavencide
5.0 out of 5 stars A great read
As someone who lives in Berlin this was a fascinating insight into Berlin during the end of the Weimar years and the rise of the Nazis. Read more
Published 3 months ago by Lorna Cannon
5.0 out of 5 stars Wonderful
An excellent story about life in Berlin in the late 1920s and early 1930s. It is almost biographal story from Isherwood of his life in Berlin at that period. Read more
Published 4 months ago by atticusfinch1048
3.0 out of 5 stars Not my cup of tea
You usually expect the book to be better than the film (Cabaret).
It's not. I've never rated the film very highly. Read more
Published 5 months ago by M. Wood
5.0 out of 5 stars Brilliant
We had only really touched upon some works of literature and drama from the Roaring Twenites in school. Read more
Published 5 months ago by RWH
5.0 out of 5 stars A taste of pre War Berlin
Very enjoyable collection of short stories or impressions. Most people have heard of Sally Bowels but all of the characters come to life. I wanted to laugh and cry and know more. Read more
Published 10 months ago by KAW
4.0 out of 5 stars 'Brilliant sketches of a society in decay'
Goodbye to Berlin consists of 5 chapters, told by the same narrator during his 3 years in Berlin from 1930 to 1933. Read more
Published 11 months ago by Cara Bennett
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