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104 of 109 people found the following review helpful:
5.0 out of 5 stars
Intimate, tender and charming, 17 Mar 2007
Isn't Ridley Scott amazing?
The man who directed 'Blade Runner', 'Alien', 'Thelma and Louise' and 'Gladiator', to name but a few, has brought us a tender romantic-comedy which is utterly, utterly different from anything he has done before.
In a character completely different from 'Gladiator', Russell Crowe is a sardonic and cut-throat London financial trader who apparently is to inherit his uncle's wine-growing estate in France where he grew up. Visiting it with no purpose other than to sell it, he gradually falls in love once again with the place, with the people, and with a young cafe-owner called Fanny Chenal.
'A Good Year' has some charming bits of fun -- driving a Smart car in France, trying to get out of an empty swimming pool, scorpions causing the foreigners to panic -- but it is ultimately a character comedy about a man rediscovering himself. Some of the underlying Ridley Scott trademarks are there -- immaculately staged visuals, confident use of time which enables him to explore details as the plot gradually builds -- but they are used for a completely different purpose. There are no grand concepts of honour, revenge, the fight to survive, or saving the human race, nor are there the stark contrasts between character and situation. Equally, while many of Scott's worlds are utterly remote from our own (war-torn Africa, Columbus's Spain, the far-future in space), this one is so close to home that you can almost imagine getting into a car and driving into the script. And, while many of his films are directed on a gigantic scale, 'A Good Year' is intimate and reflects the two tiny worlds of Provence and London's Square Mile.
'A Good Year' did not immediately impress the critics. But neither did 'Blade Runner', nor a number of other Ridley Scott films now considered to be classics. I've watched it twice, in the space of a few days, and I fully expect to watch it three or four times more.
Warmly recommended.
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14 of 15 people found the following review helpful:
4.0 out of 5 stars
When what you need is a little light relaxation, 2 Sep 2007
Thank goodness we're all different. Unlike one of the reviewers, who appears to be unable to find any merit in this offering of Ridley Scott's, "A Good Year" did, quite precisely, hit the spot. It's got a simple and predictable plot. It's about the perennial theme of the real values in life - something that get's more important as we get older. It's got wine, wonderful French scenery, beautiful women, a Harley Davidson, and creative uses of the word 'bollocks'. What more could you want? The cinematography was quite simply lovely. I cannot comment particularly expertly on the acting, but Albert Finney seemed perfect, and young Freddie, playing the central character as a boy appeared quite brilliant. And the music - far from seeming like an afterthought, as one reviewer intimated, fitted the overall mood of the film extremely well.
If a strength of a film is its ability to make one want to "be there", then this one scores very highly indeed.
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15 of 17 people found the following review helpful:
4.0 out of 5 stars
Surprisingly enjoyable diversion into wine, women and gorgeously shot scenery, 7 Aug 2007
The story of a callous and irredeemably nasty market trader, who has to go to Provence to take care of his late Uncle's Estate and finds the change of pace gradually melts his exterior.
Although the storyline seems somewhat slight, the screenplay has a lightness to the script which brings at the very least a smile, if not outright laughter in places - this may not be an out and out comedy, but it is certainly lighthearted enough to be entertaining. The characters all have a touch of reality in an exaggerated form, which grounds the movie, albeit through a rosy lens filtered romantic haze. If you are willing to just go with the flow, enjoy the scenery, the gorgeous cast and the languid pace, then you will be well enough rewarded with a lingering smile at the end.
If there is a down side, it is that it's not the most original of storylines, and in unlikely hands in the form of Ridley `Epic' Scott and Russell `Imposing' Crowe. Ridley Scott doing comedy has a slightly forced feel to it, none more so than when he has Crowe doing slapstick. The scene with Crowe trying to get out of the pool goes on for just a bit too long to be comfortable, and watching Crowe falling about in the mud is somehow just not funny.
All things considered, this is actually a good movie, elevated to 4 stars by a combination of Scott's lushly photographed scenery, and the charming flashbacks with Albert Finney as the uncle and Freddie Highmore (Charlie and the chocolate factory, Finding Neverland) as the young Max Skinner.
A Good Year won't be bothering Oscar any time soon and won't remain on anyone's top ten list - but it's a surprisingly effective and charming change of pace for Scott and Crowe.
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