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31 of 33 people found the following review helpful:
4.0 out of 5 stars
The Spy Who Didn't Love Anyone, 9 May 2007
This is a long, sombre film that charts the origins of the CIA from its WWII OSS roots. It follows the career of Edward Wilson (Matt Damon), a privileged Yale graduate, up to 1961 and the Bay of Pigs invasion into Cuba.
Along the way, we are shown that the early CIA was a bastion of the Ivy League Establishment. We are also given a hard look at the types of people with a flair for Intelligence work - there are no James Bonds here. Damon does well with a character it's hard to empathise with, who always puts his work first and lets his family life suffer. (The casting of Angelina Jolie as Damon's put-upon wife seemed to be stretching a point though!)
This film is an antidote to the usual, glamorous depictions of espionage that cinema gives us. The Agency operatives here, and their Russian counterparts, seem like staid civil servants most of the time, which makes the occasional scenes of violence all the more chilling, especially as there is nothing stylised about them.
The cast here is first rate (Joe Pesci has an especially entertaining cameo as a Meyer Lansky Mob figure, whose help the CIA attempt to enlist prior to the Bay of Pigs invasion - though it is not explained that Castro had confiscated the Mob's Cuban casinos upon coming to power).
De Niro has given us a film that soberly examines the world of spies and starkly shows us the human cost of the games they play.
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18 of 20 people found the following review helpful:
5.0 out of 5 stars
Long, complex and compelling. Rewards careful watching, 17 Oct 2007
If you ever wondered how the CIA came to be, and who formed the fledgling organisation, then this is a fascinating movie. Like the novels of Robert Littell, it goes into the hidden depths of the intelligence network and examines how it formed in the aftermath of WW2, who started to work for it, and how the Company took over their lives.
Yet although The Good Shepherd is about what became a massive organisation, it's told as a very personal story. We follow Matt Damon's novice agent as he becomes an influential character, hovering on the edges of historical disasters and triumphs. We see how his life is dominated by the CIA and its secrets; how the war separated him from his wife and how his paranoia pushes them further apart.
Angelina Jolie is excellent as his wife, by the way. (If you doubt her acting ability then check out Girl Interrupted). She even ages through the decades of the story with some credibility.
Robert De Niro is the director of the film and he appears in it briefly (with a scary example of what diabetes can do to you!). There's a great supporting cast overall, but Damon takes the real credit. His character couldn't be further away from the action man Jason Bourne, and is entirely believable.
In the end, the ultimate CIA man has to make the ultimate decision. Does he betray his country or his grown up son? It's a painful and shocking ending to a long but well measured film.
Don't watch this if you're looking for James Bond thrills, but give it a go if you enjoy Le Carre-style spying. At the very least it sheds light on how good people end up doing bad things to protect the country they love. At best, it's an entralling evening's entertainment.
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25 of 29 people found the following review helpful:
5.0 out of 5 stars
The Good Shepherd, 25 Jun 2007
Some reviewers have complained of lack of action and a dull main character; of a man with no obvious feelings, dedicated only to secrecy in the service of `The Company'. If you want gung-ho, bullet dodging heroes, then Tom Clancy and Harrison Ford are the guys for you. If you want to know where the men who are now running the USA (and hence the world) originated, and how they took a stranglehold on power, then watch this film. It is an intelligent account of the early days of the CIA: an extension of a rich old boy's network that may have begun with honourable intentions, but soon became a cabal, protecting vested interests, and now views its purpose solely to nurture the interests of one percent of one country's citizens, at the expense of just about everyone else on the planet. If that takes grey, violent men, obsessively secretive to the point of destroying their own families, then that's a price they willingly pay.
The film succeeds admirably. De Niro maintains intelligence (pun intended) throughout, without pandering to target audiences or oversimplifying in case `they' won't understand it. Two or three viewings may be necessary to absorb everything here. Like Emilio Estevez's 'Bobby', I think this is a `where it all started to go wrong' film, inviting comparisons with today. As a Russian defector, at the end of his tether under torture says:
`Soviet power is a myth. A great show. But there are no spare parts. Nothing is working. It's nothing but painted rust. But you. You need to keep the Russian myth alive to maintain your military-industrial complex. Your system depends on Russia being perceived as a threat. It is not a threat. It was never a threat. It never will be a threat. It is a rotten, bloated cow.'
Even at two hours and forty minutes, I didn't want the film to end. The action, or conflict is unrelenting. Thought provoking, clever, entertaining, well-acted and genuine. An oddity, in other words.
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