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The Good, The Bad & The Queen
 
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The Good, The Bad & The Queen

~ Good,the Bad & the Queen, the Bad & the Queen The Good
4.5 out of 5 stars See all reviews (38 customer reviews)
Price: £7.78 & this item Delivered FREE in the UK with Super Saver Delivery. See details and conditions
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Product details

  • Audio CD (22 Jan 2007)
  • Number of Discs: 1
  • Label: Parlophone
  • ASIN: B000IAZ3E0
  • Other Editions: Audio CD  |  Vinyl  |  MP3 Download
  • Average Customer Review: 4.5 out of 5 stars See all reviews (38 customer reviews)
  • Amazon.co.uk Sales Rank: 3,817 in Music (See Bestsellers in Music)

    Popular in this category:

    #94 in  Music > Indie > Britpop

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Extraits
Song Title Time Price
Listen  1. History Song 3:05£0.69
Listen  2. 80s Life 3:28£0.69
Listen  3. Northern Whale 3:53£0.69
Listen  4. Kingdom Of Doom 2:42£0.69
Listen  5. Herculean 3:59£0.69
Listen  6. Behind The Sun 2:38£0.69
Listen  7. The Bunting Song 3:47£0.69
Listen  8. Nature Springs 3:10£0.69
Listen  9. A Soldier's Tale 2:29£0.69
Listen10. Three Changes 4:15£0.69
Listen11. Green Fields 2:26£0.69
Listen12. The Good, The Bad And The Queen 6:59£0.69


Product Description

Amazon.co.uk Review
If Damon Albarn has the one talent worth recognising, it's that he knows to surround himself with the right people. In his continued quest to shed the redundant image of Damo The Britpop Clown for something more serious, eclectic and influential, the danger that there isn't really enough of him to go around his various projects is constantly present. But in a masterstroke of staging that's never the primary concern. In Gorillaz he aligned himself with the cutting edge, wrapped himself in crayoned-on clothing and took the plaudits as his collaborators made the star turns. But he remained the natural and necessary constant. The Good, The Bad & The Queen (a one-off production rather a proper band, apparently) is an extension of that template, but feels more like Damon's show.

The distractions this time are Clash legend Paul Simonon, who prowls the shadows watching Damon's back, building a strong dub bass back-bone, and Afrobeat drummer Tony Allen whose contributions are subtle but efficient. Oh, and Damon's session player of choice Simon Tong, formerly of The Verve. Together they weave a diverse, often beguiling and generally sombre strand of London-based woe, occasionally lifted by the intrinsic hope of the music like on the swelling sun-rise anthem "Herculean". The songs rarely kick through as with Blur and Gorillaz, instead retaining a steady quality and ambience, lead by Albarn's Small Faces-esque piano foundation, but "80s Life" and "Behind The Sun" are real highlights. --James Berry.

CD Description
The debut album from Damon Albarn's latest project incorporates bass playing from Paul Simonon of The Clash, drumming from the talented and revered Afro-beat star, Tony Allen and guitar work from former Verve man, Simon Tong. Production comes from Danger Mouse of Gnarls Barkley fame, while Albarn focuses on defining 21st Century London life across the album's twelve tracks. The singles 'Herculean' and 'Kingdom Of Doom' are included.


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Customer Reviews

38 Reviews
5 star:
 (26)
4 star:
 (8)
3 star:
 (2)
2 star:    (0)
1 star:
 (2)
 
 
 
 
 
Average Customer Review
4.5 out of 5 stars (38 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

 
21 of 21 people found the following review helpful:
5.0 out of 5 stars Dark Star, 12 Mar 2007
By Redflair07 (High Wycombe, UK) - See all my reviews
Can anyone think of any other British artist who's come up with three albums as diverse, melodic and soulful as Parklife, Demon Days and now The Good, the Bad and the Queen? No, nor can I. It's about time that Mr Albarn was recognised as a stellar British talent who has the innate ability to capture the mood of a nation but with the crucial and clinching evidence that he has the lyrics and melodies to go with it. If anyone had any doubts, this album should dispel them.
The Good, the Bad and the Queen is a loose, lingering experience shot through with grandiose messages and gorgeous melodies. It's London's dirty dozen compiled from the dark heart of a city unsure of itself after the Iraq War and the gathering gloom of terrorism and evnvironmental catastrophe.
It's a slow-burning, suggestive album that creeps up on you rather than hits you between the eyes but eventually it triumphs into a deep, intimate piece of work that demands attention and multiple listens.
Albarn has come a long way from the shiny happy Blur days to the current status of dark star but this growth and development has been nothing short of stunning. The Good, The Bad and The Queen is up there with his best work and has a wisdom and craftiness about it that it ultimately joyful and rewarding.
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16 of 16 people found the following review helpful:
5.0 out of 5 stars Enigmatic, 31 Jan 2007
By E. J. Smith (Bloomfield, MI USA) - See all my reviews
(REAL NAME)   
If anything, the brilliance of Damon Albarn lies in his ability to reinvent himself while producing music that also is evolutionary and yet relevant. Just as Albarn succeeded (at least in my humble opinion) in divorcing himself and Blur from the media-concocted Brit-Pop Wars of the mid 90s by taking that project in an unanticipated directions while continuing to create excellent music, Albarn has done the same with his latest project, The Good, The Bad, and The Queen.

Just as with Gorillaz, Damon Albarn reaches into his musical palette to create his own sound based upon a variety of influences. While many will strain to find parallels for The Good, the Band and The Queen - I've read comparisons to aspects of Sandinista by The Clash and Blur's 13 - it's the composition of the band with Albarn at its apex that renders the music unique.

The musical foundation is provided by the rhythm section of Paul Simonon Simon Tong and Tony Allen who, as one reviewer noted, provide the music with an almost dub-like quality. As a consequence, the overall mood of the CD is more one of reflection upon the images being conveyed by Albarn's lyrics.

I'll leave it to someone else to provide a track-by-track breakdown of the CD. After repeated listening, I'm still attempting to get my arms around this one, which isn't a bad thing in these days of cookie-cutter music production and interchangeable pop stars produced by such cultural abominations as American Idol.

In a nutshell, The Good, the Bad and The Queen is music to drive by, to reflect by, to absorb and to feel. Five stars.
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14 of 14 people found the following review helpful:
4.0 out of 5 stars If you don't know it now then you will do...., 23 Feb 2007
Damon Albarn. Not an easy chap to affirm because he's never seemed sure what he was. Art school indie boy. Cockernee boy -gawd bless my dear old mum. Then Grungey geezer. Then Mali Music. And it all seemed somewhat affected.
But then the man's always had talent. He's just not had the straightforward means to display it.

Then comes TGTBATQ. Not a supergroup as such apparently, more of a project.

This is a great album with some fine songs on it.
The virtuoso Tony Allen, Fela Kuti the Afrobeat pioneer's former drummer, gives an amazing rhythmn backdrop to a number of the songs on here. In fact it seems that Allen's drumming appears too little. Paul Simonon's excellent bass and eerie backing vocals also make a welcome appearance.
"Kingdom Of Doom" is amazing. A quintessentially British peice of reflection set to an eerie, muddy but compelling musical backdrop.
Albarn's vocals are melancholic and effective.

This is not a coherent state of the nation address as such. More of a set of fascinating snapshots.
The lyrics are interesting and the music is convincing.

There are some excellent moments here and this album is well worth purchasing.
Possibly the finest release so far of 2007?
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Most Recent Customer Reviews

5.0 out of 5 stars Princely
I'm sorry but if you've followed Damon Albarn's career at all then you'll realise that this is his work; the other musicians do their jobs but their positions could be amply... Read more
Published 2 months ago by Binro The Heretic

4.0 out of 5 stars Understated magnificence
The Good, The Bad & The Queen is an intriguing concept album about modern-day life in London which started life as a Dangermouse-produced solo album by Damon Albarn (Blur,... Read more
Published 17 months ago by A. Sweeney

5.0 out of 5 stars An essential album for 2007
This is without doubt one of the highlights of 2007.

Most reviews of this album seem to focus on the input of Damon Albarn, however the entire musicianship on this... Read more
Published 18 months ago by K. Jackson

1.0 out of 5 stars No better example of style over substance
I just don't know how he gets away with it. This music has no spark, no passion, and he has nothing to say. Read more
Published 19 months ago by Danny Dash

3.0 out of 5 stars Don't you just hate it when somebody calls their latest release a 'project'?
As if it were nothing more than another management-tasked, business-speak product designed to extract money from citizens? Read more
Published on 30 Jun 2007 by Mr. M. A. Reed

5.0 out of 5 stars A FAULTLESS MUSICAL EXPERIENCE!
Wow i am seriously glad i perchased this album, at first i wasnt sure if i was making a mistake but not at all, ive listened to it 3 times now and it arived today!. Read more
Published on 27 Mar 2007 by Chris Higson

5.0 out of 5 stars Lost in London
Imagine fragments of classic Britpop bands -- the Clash, the Verve, and Blur -- coming together into one brilliant multifaceted supergroup. Read more
Published on 26 Mar 2007 by E. A Solinas

5.0 out of 5 stars A Rather Refreshing Turn Of Events
Since the beginning of the new millenium, it has seemed like Damon Albarn has been concerning himself more and more less with Blur, after Think Tank it seemed Blur was on its last... Read more
Published on 20 Mar 2007 by Chris C

5.0 out of 5 stars A Dark Reverie
Have to take issue with criticism of Albarn's 'monotone, bored' vocals. I think the problem for some is that Blur's music tended to be written with very 'vertical' melodies, much... Read more
Published on 14 Mar 2007 by C. Brown

5.0 out of 5 stars 9/10... "Stroppy little island of mixed up people"
Was Damon Albarn's creative split with Graham Coxon the best thing that ever happened to him? Since Albarn called time on the 1990s Blur era with a best-of compliation, Albarn has... Read more
Published on 7 Mar 2007 by Demob Happy

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