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Goldfinger is the seventh of Ian Flemings James Bond novels and takes the British spy across the globe to destroy a gold-obsessed megalomaniac
Auric Goldfinger: cruel, clever, frustratingly careful. A cheat at Canasta and a crook on a massive scale in everyday life. The sort of man James Bond hates. So its fortunate that Bond is the man charged by both the Bank of England and MI5 to discover what the richest man in the country intends to do with his ill-gotten gains and what his connection is with SMERSH, the feared Soviet spy-killing corps. But once inside this deadly criminals organization, 007 finds that Goldfingers schemes are more grandiose and lethal than anyone could have imagined. Not only is he planning the greatest gold robbery in history, but mass murder as well
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Much is different from the film, of course, mainly the second half of the story, and this is where the book does actually suffer in comparison to the celluloid version. The book's plot features a much more prosaic (and strangely less believable)attempt to steal the gold from Fort Knox, rather than the ingenious idea to irradiate the bullion. Pussy Galore is a lesbian, and is subject to rather un-PC treatment by Fleming. In fact, this book is where Bond starts to become rather eyebrow-raisingly chauvinistic and occassionally racist (towards Koreans mainly).
One of the other reviewers on this site stated that there is a startling revelation towards the end of the book that Goldinger works for SMERSH; in actuality, this is strongly hinted at throughout the book, and it is Bond's suspicions regarding this matter that motivate many of his actions throughout the story.
So, to summarise, it could have been brilliant, but a slack and not vey plausible second-half lets the side down to the extent that all in all it's a bit of a mixed bag, but enjoyable nontheless.
Goldfinger is one of Fleming's poorest plots, as stated in the film to steel all the gold in Ft... Read more
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