Going for Infinity: A Literary Journal [Hardcover]

"Going for Infinity" contains eighteen stories by Poul Anderson, written over the course of a half-century. Fifty years is an immensely long time in the history of science fiction. It almost is the history of science fiction. In terms of literature, though, fifty years is nothing. Science fiction has hardly begun its life in human culture. No wonder, then, that it has changed so much since its birth, just like a baby does in its first few years. From mute and helpless infant, to crawler and communicator, to walker and talker.

Poul Anderson's writing covers in time most of the life of the genre of science fiction, but the stories in Going for Infinity range less widely in style and substance than the genre as a whole. Anderson says in the Introduction:

"What [Robert Gleason, my editor] had in mind [for this book] was not simply another collection, but a retrospective - besides stories, something about their origins, backgrounds, contexts, a historical overview of the science fiction and fantasy field throughout those decades."

Then Anderson immediately follows with:

"Of course, this isn't really possible. I have been only one writer among many, and how wonderfully diverse a lot they were and are! "

Anderson's own stories in this collection are largely the product of a fairly straightforward synergy of contemporary science (contemporary to the time of writing), and imagination. In introducing the first story, "The Saturn Game," published in 1981, he recounts his visit to the Jet Propulsion Laboratory a few years later "to witness Voyager One's flyby of this very planet." Anderson had also written another story set on the Saturnine moon Iapetus. Anderson wondered,

Would my speculation prove completely mistaken? It's a risk that science fiction always takes, a risk that in the long run becomes an inevitability. But would this piece of mine have any run of might-be-so at all?

This realism, this concern that a story fit the facts, characterizes most of Anderson's stories in "Going for Infinity." These are not William Gibson stories. Most of them are science fiction as a backdrop of unfamiliarity against which the ordinary - but lonely, sad, evil, good, beautiful - stands out in a new and exciting way, or maybe just a simpler, more obvious, less complicated way. Economics, democracy, religion - these are all examined anew under the strange light of an unfamiliar sun.

Another mark of Anderson's stories is the emphasis on the writing itself. He tells stories, but even more he paints images and composes music in language. Not just fantasy clichés of `purple mountains on the horizon', but lines crafted from a conscious and deliberate wielding of language and words and rhythm and space. This, I think, is the most satisfying element of Anderson's work here.

There is more to enjoy, though. Anderson introduces every story with comments on the story itself, or its inception, context, or repercussions. He mentions other writers, other times, other ideas. For Anderson fans, this will surely be welcomed.

Though this collection mostly is of a realistic style, there is some other more fantastic pieces mixed in. "Goat Song" is one of these. Published in 1972, this story was somehow influenced by another science fiction story, "I Have No Mouth and I Must Scream," and Cocteau's film Orpheus. It seems appropriate that this story struck me as the most contemporary, regardless of publication date.

"Going for Infinity" is definitely a worthwhile collection to own, and Anderson's stories more than worth reading.

GOING FOR INFINITY pays homage to one of the speculative fiction's greatest authors of the twentieth century by providing a taste of Poul Anderson's works as well as his retrospective thoughts over the six decades he wrote. The tales run the gamut of science fiction and fantasy with mystery thrown in showing how diverse a writer Mr. Anderson was. Some of the science fiction seems obsolete, but when looked from a historiographic perspective provides insight into the times the stories were written and into the mind of a creative individual. The fantasies and detective contributions hold up better as they clearly show Mr. Anderson's real talent of turning the obviously impossible into something that feels real and genuine; thus leaving the awed audience celebrating the classic works of a noteworthy renaissance writer.

Harriet Klausner

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