to its near-contemporaries Jesus Christ Superstar
is unavoidable, but Godspell
has developed its own unique following. With their thrift-store-meets-circus-performer garb, the characters in David Greene's adaptation of the popular off-Broadway production may look more like the hippies in Hair
than the biblical personages of Superstar
. But Godspell
isn't really about the "Age of Aquarius," nor does it adopt a dark or operatic tone towards its subject matter, the Gospel according to Matthew. The mood is, instead, upbeat and uplifting (at least until the crucifixion sequence).
The film opens with youthful city dwellers from various walks of life dropping their activities to follow John the Baptist (David Haskell from the original New York production). They sing ("Prepare Ye the Way of the Lord") as he leads them into a fountain where they are (metaphorically) baptized. There they meet Jesus (Victor Garber). Frizzy hair and mime makeup aside, the handsome young Garber (Titanic, Annie) is convincing in his film debut. Once baptized, they follow him around various scenic New York locations, singing and acting out passages from the Scriptures.
The largely unknown cast is talented and charismatic, but the film is only fitfully engaging on an emotional level because only Jesus, John, and Judas (Haskell again) emerge as distinct characters. Stephen Schwartz's pleasing pop-rock score, however, helps to smooth over the rough spots, and Robin Lamont's hit version of "Day by Day" remains a highlight. --Kathleen C. Fennessy
David Greene writes and directs this 1970s flower power generation rock opera retelling of the Gospel of St Matthew. David Haskell stars as John the Baptist who gathers together a group of young New Yorkers, baptises them in a city fountain and persuades them to devote their lives to following and learning from the teachings of Jesus (Victor Garber). The youngsters form an acting troupe that roams the streets of New York spreading the word of the Lord through music, dance and clowning.