Review
Four stars
Comic artist shifts job description to comic writer is a well-trodden path. Comic artists are, after all, visual storytellers. Comic artist becomes fantasy novelist however, is a far more unusual tangent. If you've been a fan of Liam Sharp's Frank Frazetta meets HR Giger-esque comic art - muscled barbarians mixed with Blade Runner neon and detritus-swept colour schemes - you'll know that this is a creator with a distinct vision, dedicated to creating tangible other worlds. God Killers is Sharp fleshing these fantasy landscapes out, giving them detail and life.
It's something he does remarkably well. The main strength of the prose and poetry collection God Killers, and its near 200 page central story, Machivarius Point, is how fully formed Sharp's fantasy feels. The different races, the descriptions of the architecture, the history of its worlds - Sharp's commits them with great confidence. God Killers does that most difficult thing in fantasy fiction. It absorbs its influences -China Mieville (who offers a praising cover quote and gave advice on the proof), Lovecraft and M John Harrison - but feels like a personal, unaffected realisation nonetheless.
That same strength is also its relatively minor weakness. Sharp sometimes gets caught up in descriptive passages when the plot should move on. He knows how to tease a reader though - Hergal, his warrior central character (a healthily macho, sword-skilled protagonist) travels across other worlds and inhabits other lives but can't recall why, and Sharp is skilfully economic in how he reveals the truth. When the finale comes it's suitably epic, dealing with eternity, nothingness and `vile space'. It would be too easy to describe God Killers as a promising debut. Sharp writes fantasy with the assurance of an otherworld-seeing prophet.
Rob Williams --SFX magazine, May 2009
Product Description
"God Killers" includes the novel "Machvarius Point" and four related works. It also has a selection of thematically related short stories in a more contemporary setting, and from which the book takes its name. "Machvarius Point": A man who cannot count his years moves between worlds living the lives of other men. A soul-less ebony giantess seeks freedom in warfare but cannot escape the tragedy buried in her forgotten past. An aging mercenary and non-believer may be the unwitting saviour of his - and all - times. A blinded war-hero barters for a mythical stone in the hope that it may restore his former glory. An undead God seeks an end to his torment by bringing about an end to all things. Machvarius Point stands at the centre of the city of Duhn - a phallic monstrosity in bronze. Ancient and defunct, shit-speckled and crumbling, it's many-headed effigies bear witness to all that transpires below. An ensemble piece of vast scope, the story delves into the fate of an ancient giant race, the Ornish, that left their ravaged homeworld 10,000 years earlier. There is no clear cut good or bad, and genre staples are subverted constantly. It is a vivid creation full of grown up themes, colourful language and questions about the nature of war, belief and existence - themes that feature prominently throughout Sharp's work. The imagery created is arresting, as one would expect from the author's background as an illustrator of the fantastic, but the narrative is thought-provoking, poetic and far more intense than one might usually expect from heroic fantasy. Whilst its start is akin to the work of Robert E. Howard, it quickly moves through territories more comparable to Michael Morcock, and soon echoes of China Mieville and M. John Harrison are apparent, making the work very contemporary, and closer to New Weird than the set-up might suggest. "God Killers" includes five short stories - one set in London, the rest in the author's home city of Derby - that wrestle with existential themes, joke along with Death, shuffle into the afterlife and contemplate other planes in which there may or may not be life..."God Killers" should be a delight to anybody enjoying the burgeoning possibilities on offer in contemporary genre fiction.