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Album Savings: £3.07 compared to buying all songs
- Original Release Date: 22 Jun 2009
- Format - Music: MP3
- Compatible with MP3 Players (including with iPod®), iTunes, Windows Media Player
- Also available in CD Format
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| Song Title | Time | Price | |||
|---|---|---|---|---|---|
| Play | 1. Act Of The Apostle | 2:40 | £0.79 | ||
| Play | 2. God Help The Girl | 3:22 | £0.79 | ||
| Play | 3. Pretty Eve In The Tub | 2:44 | £0.79 | ||
| Play | 4. A Unified Theory | 1:13 | £0.79 | ||
| Play | 5. Hiding Neath My Umbrella | 3:42 | £0.79 | ||
| Play | 6. Funny Little Frog | 4:02 | £0.79 | ||
| Play | 7. If You Could Speak | 2:44 | £0.79 | ||
| Play | 8. Musician, Please Take Heed | 3:56 | £0.79 | ||
| Play | 9. Perfection As A Hipster | 3:23 | £0.79 | ||
| Play | 10. Come Monday Night | 3:26 | £0.79 | ||
| Play | 11. The Music Room Window | 0:57 | £0.79 | ||
| Play | 12. I Just Want Your Jeans | 3:21 | £0.79 | ||
| Play | 13. I'll Have To Dance With Cassie | 3:44 | £0.79 | ||
| Play | 14. A Down And Dusky Blonde | 4:47 | £0.79 |
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Customer Reviews
Most Helpful Customer Reviews
3 of 3 people found the following review helpful
Format:Audio CD
Over three years in the making this new album from Stuart Murdoch of Belle and Sebastian is well worth the wait.Thick with melody and narrative it really draws you in to the story of our heroine.Mainly sung by Catherine Ireton with help from Stuart each track is an appealing vignette that grows on every listen.Very 'musical' it works on every level.I am always wary of 'concept' albums but this is like nothing I have heard for a long time.I had only one minor gripe,the re-arranged 'Funny Little Frog' doesnt really work for me but really that is a small price to pay for this beautiful album.9/10.
Most Helpful Customer Reviews on Amazon.com (beta)
Amazon.com:
15 reviews
10 of 10 people found the following review helpful
Lovely production fulfills Murdoch's potential
27 Jun 2009
Format:Audio CD
This album is an absolute masterpiece of postmodern honesty - equal parts hope and despair, to spectacular result. The album has the same thrilling qualities many people might attribute to some of the best work of the Smiths or others who combine a healthy touch of 60s-70s baroque with silky smooth singing and dead clever lyrics. Some of Stuart Murdoch's most achingly sweet productions and melodies come to life here with the dreamily perfect smorgasbord of expertly executed female vocals and impressive musicianship as well. This is a film soundtrack that does not need a film. God, I wish I could see that film! Beautiful craftsmanship like this is sadly uncommon in modern popular music. This will be a delightful and simply fun classic for years to come.
9 of 9 people found the following review helpful
a quick overview
28 Jun 2009
Format:Audio CD
To start, I agree with what the other reviewer has said. As I am only the second person to review this album, I thought I'd give some basic info potential fans may be wondering about...
1. If I am a Belle and Sebastian fan, will I find traces of their music in this and like it as a result? YES, many traces indeed, from Stuart Murdoch's actual singing to his clever lyrics to his lyrical phrasing to some very intelligent and proper British songwriting (Pretty Eve in the Tub is reminiscent of I Love My Car in it's cleverness). Some nice harmonies too from the group of female vocalists assembled.
2. Are the B & S songs on this album basically xeroxes of the original versions found of the Life Pursuit? NO. Acts of the Apostles is considerably different and Funny Little Frog is a slower, more soulful 70's version with lots of strings. Well worth the addition of them on this disc- not just filler.
3. Are there any throwaway tracks like on B & S's other peripheral project "Storytelling?" Sort of- there is a jazzy instrumental but it is only 1 minute long and it's actually kind of catchy in a pseudo Brubeck Time Out sense (nowhere near the level of that of course). Considering the amount of tracks on this disc, 1 quick filler song isn't bad.
Overall, this album contains extremely fun and smart British songwriting that made albums like XTC's Skylarking and Shelleyan Orphan's Century Flower so enjoyable in their time. It is not mired down in the self pity and pseudo despair that Smith lyrics are often consumed with so enough of the Smiths comparisons please! Lastly, there are some very strong female vocals on this album, most notably from a woman named Catherine Ireton who takes most leads and does a beautiful job with them. Not your typical B & S female vocalist- her voice is a pleasantly surprising soulful one. Well worth the money and a follow up.
1. If I am a Belle and Sebastian fan, will I find traces of their music in this and like it as a result? YES, many traces indeed, from Stuart Murdoch's actual singing to his clever lyrics to his lyrical phrasing to some very intelligent and proper British songwriting (Pretty Eve in the Tub is reminiscent of I Love My Car in it's cleverness). Some nice harmonies too from the group of female vocalists assembled.
2. Are the B & S songs on this album basically xeroxes of the original versions found of the Life Pursuit? NO. Acts of the Apostles is considerably different and Funny Little Frog is a slower, more soulful 70's version with lots of strings. Well worth the addition of them on this disc- not just filler.
3. Are there any throwaway tracks like on B & S's other peripheral project "Storytelling?" Sort of- there is a jazzy instrumental but it is only 1 minute long and it's actually kind of catchy in a pseudo Brubeck Time Out sense (nowhere near the level of that of course). Considering the amount of tracks on this disc, 1 quick filler song isn't bad.
Overall, this album contains extremely fun and smart British songwriting that made albums like XTC's Skylarking and Shelleyan Orphan's Century Flower so enjoyable in their time. It is not mired down in the self pity and pseudo despair that Smith lyrics are often consumed with so enough of the Smiths comparisons please! Lastly, there are some very strong female vocals on this album, most notably from a woman named Catherine Ireton who takes most leads and does a beautiful job with them. Not your typical B & S female vocalist- her voice is a pleasantly surprising soulful one. Well worth the money and a follow up.
1 of 1 people found the following review helpful
The girl doesn't need much help after all
19 Jan 2012
Format:Audio CD
If you have have ever heard an album or two of Belle and Sebastian, you know they have a general but distinct style. Yes they experiment on every song and they sound different in that way, but there is still a "Belle and Sebness" to each one. Although Stuart Murdoch is the only member of the band to take part in this, I still feel that Style all throughout this, so much so that I cant really consider this a side project so much as them adding an extremely strong and gifted female vocalist to the Belle and Sebastian ensemble.
Vocally this album is excellent, I don't know where Stuart found Catherine Ireton, but it was a match made in heaven. She has such vocal power and range its hard to feel anything but awe of her in some of these songs. In "Musician Please Take Heed" for instance, she just sounds amazing, extreme range and clear sounding. The women that do backup vocals on this album and who have some of their own songs, are pretty excellent as well. I know other people say comparing this to Belle and Seb. is its downfall, but honestly I think the vocals on this are much stronger all around.
Lyrically this is a lot like Belle and Seb. albums, a lot of stories and mentioning of other songs. It is somewhat different from those other albums, in that I think a lot of these songs go for the throat more in regards to immediate catchiness. These songs seemed more streamlined and polished in every way compared to Belle and Seb. songs.
Instrumentally, this is a lot like a Belle and Sebastian album, except the experimentation and genre exploring comes more from earlier decades than most Belle and Sebastian Albums. This seems to explore the forties, fifties and sixties more. I really love the direction this album takes in that way and I see a lot of twee bands doing the same thing right now. The Like, The School, etc, a lot of twee bands seem to be going for the fifties/sixties pop thing right now. So I think Stuart Murdoch has to be given more than a little credit for anticipating that general genre change.
I just really liked the overall sound of this album. It didn't change a ton from Belle and Seb. stuff, but where it did, I felt like it was an improvement. I would highly recommend.
Vocally this album is excellent, I don't know where Stuart found Catherine Ireton, but it was a match made in heaven. She has such vocal power and range its hard to feel anything but awe of her in some of these songs. In "Musician Please Take Heed" for instance, she just sounds amazing, extreme range and clear sounding. The women that do backup vocals on this album and who have some of their own songs, are pretty excellent as well. I know other people say comparing this to Belle and Seb. is its downfall, but honestly I think the vocals on this are much stronger all around.
Lyrically this is a lot like Belle and Seb. albums, a lot of stories and mentioning of other songs. It is somewhat different from those other albums, in that I think a lot of these songs go for the throat more in regards to immediate catchiness. These songs seemed more streamlined and polished in every way compared to Belle and Seb. songs.
Instrumentally, this is a lot like a Belle and Sebastian album, except the experimentation and genre exploring comes more from earlier decades than most Belle and Sebastian Albums. This seems to explore the forties, fifties and sixties more. I really love the direction this album takes in that way and I see a lot of twee bands doing the same thing right now. The Like, The School, etc, a lot of twee bands seem to be going for the fifties/sixties pop thing right now. So I think Stuart Murdoch has to be given more than a little credit for anticipating that general genre change.
I just really liked the overall sound of this album. It didn't change a ton from Belle and Seb. stuff, but where it did, I felt like it was an improvement. I would highly recommend.
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