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| Disc: 1 | |||
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| 1. Ouvertüre - Various Performers | |||
| 2. Ah, se intorno a quest'urna (1. Akt) | |||
| 3. Amici quel lamento | |||
| 4. Pantomima | |||
| 5. Ah se intorno a quest'uma | |||
| 6. Restar vogl'io da sol | |||
| 7. Ritornello | |||
| 8. Chiamo il mio ben cosi | |||
| 9. Euridice, Euridice | |||
| 10. Cerco il mio ben cosi | |||
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| Disc: 2 | |||
| 1. Maestoso (2. Akt) | |||
| 2. Chi mai dell'Erebo | |||
| 3. Vivace | |||
| 4. Chi mai dell'erebo | |||
| 5. Solo con coro: Deh! placatevi con me | |||
| 6. Misero giovane | |||
| 7. Mille pene | |||
| 8. Ah! quale incognito affetto | |||
| 9. Men tiranne, ah voi sareste | |||
| 10. Ah! quale incognito affetto | |||
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Christoph Willibald Gluck's Orfeo ed Euridice is an opera whose historical value is as great as its musical worth. It stands as a starting point for what is often referred to as the "Gluck reform" of Italian serious opera, and the first performance of Orfeo, which took place in Vienna on the 5th of October 1762, is considered to be one of the key moments in the history of music in the eighteenth century.
The recording was made in 1998, and features the legendary musical director Peter Maag, a conductor who is thought by many to be one of the greatest operatic conductors of his time, and is especially renowned for his performances of Mozart's stage works.
Personnel: Orquesta Sinfónica de Galicia, Orquesta Sinfónica de Madrid, Coro de la Comunidad de Madrid, Peter Maag (conductor), Ewa Podles (Orfeo), Ana Rodrigo (Euridice), Elena de la Merced (Amore)
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