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8 of 8 people found the following review helpful:
5.0 out of 5 stars
Absorb and be absorbed, 12 Jul 2000
By A Customer
Here is a phenomenon that must be owned. Sasha's art is, with care, to evoke in the listener a deep, rich, cerebral sense of peace and pleasure. It is far-reaching. I've not known it elsewhere. It will hold the soul of an entire group or, for an individual armed with headphones, become an almost spiritual, certainly personal experience. It is not a set, it is an ethos.Throughout each CD, Sasha's mixing is to perfection. Genius presents itself not only in the choice of tracks but in their flow, each piece a natural successor and precursor, carrying the mood or furthering the journey. Sasha mixes almost in the background, fixing your focus firmly on the music. Like a good storyteller, who does not pause to trumpet his storytelling ability... Only afterwards do you realise just how well it all works. In particular, the mixing on CD1 from "Bulgarian" onwards is really outstanding. CD1 eases you into a frame of mind which CD2 then expands radically without asking whether you can take it. Musically it's all great, with "Platform", "Bulgarian", "I'm Free", and "Hale Bopp" serving as personal highlights, and Dave Kane's "Clarkness" being one of the best ever. My only disappointment is that Sasha decided to fade out during the incredible build of Tilt's whopping "I Dream". Then again, perhaps that's the point... Please do not mistake this all for an overreaction: it is an understatement. "San Francisco" is a strange creation, and words will never capture it; only by experiencing is it fully understood.
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