John Digweed was one of the most repected names in the trance genre. His work with Sasha on their Northern Exposure series, and on other disks such as Renaissance and his Sydney escapade, proved his prowess of making awesome, energetic trance mixes. Diggers continued spinning trance up until about 1999, when he released a progressive house mix, Bedrock.
Bedrock was definitely an outstanding set, but this is the peak of all Digweed's sets so far. Hong Kong is a smooth, dark, absolutely wonderful mix, with both CDs being equal in their technical flair and fidelity. On many Global Underground disks, I favor the second CD to the first one; I tend to like the more dynamic sounds of the high energy sets featured on the latter part of the CD. Digweed's Hong Kong is fantastic on both disks. Neither is better than the other, and it doesn't succumb to the typical GU style of CD 1 being the lethargic mix while CD 2 picks up the pace.
As usual, the mixing on this Digweed set is impeccable. His track selection and mixing from one song to the next is ethereal; just listen for the transistion from the Baguio Track into Music Saved My Life. Every track is mixed into another without a cut of cheese or obvious cross fader.
Hong Kong is definitely Digweed's best solo work, rivaled only by his sets with Sasha in the Northern Exposure series. The liquid grooves and dark rhythms on Hong Kong make for an incredible experience, possibly even ranking as the best GU yet.