There was an awful lot of hype surrounding this album, and to an extent it's justified. There are some excllent tracks on here; Flowers and Football Tops pretty much sums up what Glasvegas are all about, with Jesus and Mary Chain noise meeting motown/Phil Spector sixties pop. This formula is use to create some really effective emotional exploitation, notably on "Go Square Go," with it's chant along, aspiring terrace album climax, and Daddy's Gone, a sickly but affecting ode to absentee fathers.
That said, the rest of the album is less effective, with only Geraldine really showing the humour and callousness that the best lyrical elements of the band's songwriting can rise to. For a full length album, there's an awful lot of feedback and reverb used as padding, and a shortfall in actual tunes.
Add to that the repetitive, monotonous drum beats used throughout the entire record, a side-effect of (allegedly) choosing a non-musician for a drummer based on her apperance, and you get a debut album that ends up being more style than substance. Worth having for the 5 or so stand out tracks, but overall not a great album.