In this latest installment of the Gregor Demarkian mysteries, the retired head of the FBI's Behavioral Sciences unit is asked, first by the attorney of the suspected serial killer, and then by the prosecution, to look into a series of crimes because no one feels sure that they have the right man. The crimes involve the non-sexual deaths of middle-aged women whose faces are then mutilated, causing the press to dub them all the work of the "Plate Glass Killer." But just as Demarkian gets into the case, his live-in girlfriend, Bennis Hannaford, returns from her unexplained and uncommunicative absence of almost a year. Then another body is discovered, and the stories of the various men who have been picked up on suspicion in the case but released are intertwined with the Demarkian's sleep-deprived and frustrating reunion with Bennis.
Papazoglou inserts a lot of politics into her books, but the characters remain generally open-minded and not terribly strident about them, so I tend not to mind too much. The characters DO talk A LOT, much of it seemingly inconsequential to plot development. In general, I think this gives a great feel for the Armenian culture that provides the basis for Demarkian and his neighborhood. For a terrific contrast, read one of these books and then one of J.A. Jance's Joanna Brady novels, where the dialogue is so stilted as to fall over and no one says anything that isn't absolutely required; Texans may be terse, but I bet they still talk sometimes, other than to impart actual data. However, in this book, the "chattiness" also sometimes spills over to the non-neighborhood charactes, such as the D.A. and the Police Chief, and then it doesn't work. For example, I can't believe that the D.A. would be moaning about how he's getting a migraine and he doesn't get migraines when execrable police work is being exposed. When things are that bad, people who have succeeded in The System don't even think about saying things that might sound flippant. They tend to talk less, getting very analytical and showing less emotion.
The execrable police work is rather beaten to death, also. It seems that everyone in law enforcement knows the two detectives on the case can't work together and are therefore doing an absolutely inadequate job, but those in charge feel that their hands are tied because of in-house legal wrangling and politics. I don't buy that -- once Demarkian forces the issue, the two are quickly enough off the case, so why bother with any of it?
Lastly, Demarkian is an older guy, and he and most of the other characters don't get much sleep in this book, and it is hard on everyone, including the reader.
So, not the best of the Demarkian books, but not the worst. Demarkian's work, itself, always seems very true to form and is fascinating. And there are parts of the book that provide tremendous character insight and thus deveopment in only a brief sentence or so, which makes the whole thing so much more involving and thought-provoking than the run-of-the-mill mystery novel.