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| 1. Giya Kancheli: Lament - G. KANCHELI |
Personnel: Gidon Kremer (violin), Maacha Deubner (soprano), Tbilisi Symphony Orchestra, Jansug Kakhidze (conductor)
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The first time I really listened to this was on a noisy Routemaster London bus, so the quiet bits I really had to strain to listen to. here are a couple of occasions when the piece builds to the start of a cresendo and it just stops, left hanging to return to the slow gentle strings and soprano. At first this style was kind of annoying but about 24:00 minutes in, it starts to build again but this time it kept going and going, turning into some kind of folk inspired whirl only to tail off again to the gentle lament of the title.
I was hooked. I've listened to it so many times now I've realised that the slow gentle lamenting bits are utterly beautiful and a perfect counterpoint to the occasional bursts of full orchestra. I even got my ex's dad into this guy after playing him this album (and he's like, dead musical and stuff).
Like _Exil_ and _Abii Ne Viderem_, this is MUST listening. There is a depth here, an understanding that transcends a sizable portion of what passes for music today . . . A fitting requiem for Modernity, methinks.
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