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| Song Title | Time | Price | |||
|---|---|---|---|---|---|
| Play | 1. Ring A Ding | 1:39 | £0.79 | ||
| Play | 2. NY Pie | 2:01 | £0.79 | ||
| Play | 3. The Most Fun | 1:37 | £0.79 | ||
| Play | 4. Heard About Your Band | 1:31 | £0.79 | ||
| Play | 5. What's In It For Me? | 1:45 | £0.79 | ||
| Play | 6. You'll Always Have A Place To Stay | 2:29 | £0.79 | ||
| Play | 7. Cheney | 0:12 | £0.79 | ||
| Play | 8. I Can't Stand To Stand Beside You | 3:41 | £0.79 | ||
| Play | 9. Pick Up The Phone | 0:32 | £0.79 | ||
| Play | 10. You're So Pretty | 3:00 | £0.79 | ||
| Play | 11. Jackson | 3:09 | £0.79 | ||
| Play | 12. All Night Disco Party | 2:45 | £0.79 | ||
| Play | 13. Hi How Are You | 0:40 | £0.79 | ||
| Play | 14. Comma Comma Comma Full Stop | 0:09 | £0.79 | ||
| Play | 15. Sometimes Always | 2:32 | £0.79 | ||
| Play | 16. Fell In Love With A Girl | 1:40 | £0.79 |
Product details
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Eamon, the hat-wearing keyboardist from British Sea Power, has proven himself to be a rather fantastic lyricist. 'Give Blood''s finest tracks are deliciously spiteful mini-rants in which he gives himself about a minute to shout at whatever he's pissed off at. 'Heard About Your Band', for example, attacks a pretentious musician whose claims to fame are sharing a taxi with Karen O and meeting Electrelane, topped off by the best "whatever, dude!" you're ever likely to hear. 'Hi, How Are You' bluntly tells a talkative concert-goer, "won't you shut the fuck up, I'm trying to watch the band". Elsewhere, 'Pick Up The Phone' and 'Cheney' are simply stabs of indie-punk noise, the latter lasting only 5 seconds.
It's not all shouty angriness, though. 'NY Pie' and 'Jackson' are jaunty alt.country with none of the aggressiveness that characterises most of the rest of the songs, and the closing 'Fell In Love With A Girl' (thankfully not a take on the White Stripes song of the same name) is a gentle, sweet, indie sway-along. The album's centrepiece, however, is the brilliant recent single 'All Night Disco Party', a simplistic but insanely catchy and infectious ditty that pretty much comes with a guarantee to make even the most shoe-gazingly, feet-shufflingly shy indie kid shake their skinny rump. It's the highlight of a thrilling and very impressive record that's perfect for soundtracking the summer ahead.
Hamilton has a brilliantly wicked eye and a contempt for the slippery inner workings of the music industry. His lyrics occasionally set there targets not on the big acts and major record labels, but the more interesting, small scale, mundane realities of being in a band that's just not earning much of a wage, but still doing it for the love. At one point in the album her snarls "you said the girl in Sleater-Kinney, you said you couldn't understand, how it was that she continued to play, when she only earned 10 grand PA".
Nothing on "Give Blood" has a chance to outstay it's welcome. The albums most obvious political song lasts an abrupt 7 seconds, but hits its target head on. During it's brief 30 minute running time it turns its hand to punk, dance and even a couple of hill-billy country inspired ditties. It's an eclectic mix but an interesting and constantly enjoyable one.
Rumour has it Hamilton has now left British Sea Power to focus on Brakes full time. On the evidence of "Give Blood" I'd say that's a sensible move.
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