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‘This is a millennial novel of a very subtle and interesting kind. It’s visually brilliant, full of extraordinary imagery, fresh like new paint. I was absolutely knocked over by it.’
Tom Paulin, The Late Review
‘I was amazed by it. The dialogue is some of the most brilliant I’ve ever read in a novel. It’s a great wake-up call to young Americans everywhere.’
Mark Lawson, author of Bloody Margaret
‘What I found most moving and gripping about the book is that Coupland, the poet laureate of the slack generation, is clearly struggling with maturity, struggling with the expectations of his youth and the realities of his life. A wholly original and successful novel.’
Tony Parsons
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The fact that Karen is in a coma for 17 years and that you have followed the life of her friends through that time and only a 3rd of the book is finished is incredible. The 2nd third is packed with moving descriptions of every day life, love and self-discovery, only to then have a bolt out of the blue for the last third that is a post-apocalyptic end-of-the-world truly surreal yet strangely gripping scenario. The ending does jolt a little, but if you go with it, I believe that Copeland achieves his aim of making you question modern day life, its' trapping and its' ultimate emptiness.
I was very very impressed. The book is really deep (man), and examines the meaningless of life and adulthood and the loss of dreams, yet it isn't a chore to plough through, it's a pleasure.
Coupland takes a group of characters surrounded by pop culture references and global branding and sees them from their teens through to their thirties before forcing them to confront issues that they were always to busy to think about; love, death, family, enviromental destruction, the future and what exactly are we here for anyway? Most western readers born since the wars will recognise the world the characters live in and are equally to busy to confront these important issues. To this end the book often feels like a refreshing and some times desturbing critique of the readers own life expirence. Some reviewrs here suggest that this is ham fisted. But although the writing style is stark in places I found the story all the more shocking and immersive because of it.
The books takes it's name from a song title by seminal 80's guitar popsters The Smiths and their lyrics are liberally scattered through out the chapters. Spotting these is a real treat for any Morrissey or Smiths fan but never dominates the story and characters. Music journalists have often put the Smiths cross generational legacy down to their popularity with young people struggling with the transition into adulthood. The books appeal is very similair and it feels like an essential read for any one in their late teens to mid twenties.
Girlfirned in a Coma is an accssible, engrossing and easy read, the characters are great and the story is an excellent snap shot of the culture of it's time. But at the same time it deals with the most heavy weight issue since the enlightenment;
now that the West has got rid of God, how do we find lasting satisfaction?
And how do we approach the sticky subject of our inevitable deaths?
The book offers no answers. It feels as if it intends the reader, like the central characters, to go away and think seriously for themsevles. For this reason I believe it is a masterpiece.
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