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Girl with a Pearl Earring centres on Vermeer's prosperous household in Delft in the 1660s. The appointment of the quiet, perceptive heroine of the novel, the servant Griet, gradually throws the household into turmoil as Vermeer and Griet become increasingly intimate, an increasingly tense situation that culminates in her working for Vermeer as his assistant, and ultimately sitting for him as a model. Chevalier deliberately cultivates a limpid, painstakingly observed style in homage to Vermeer, and the complex domestic tensions of the Vermeer household are vividly evoked, from the jealous, vain, young wife to the wise, taciturn mother-in-law. At times the relationship between servant and master seems a little anachronistic, but Girl with a Pearl Earring does contain a final delicious twist in its tail. Chevalier acknowledges her debt to Simon Schama's classic study of the Dutch Golden Age, The Embarrassment of Riches, and the novel comes hard on the heels of Deborah Moggach's similar tale of domestic intrigue behind the easel of 17th-century Dutch painting, Tulip Fever.
Girl with a Pearl Earring is a fascinating piece of speculative historical fiction, but how much more can novelists extract from the Dutch Golden Age? --Jerry Brotton --This text refers to an out of print or unavailable edition of this title.
Amazon.co.uk Review
Girl with a Pearl Earring centres on Vermeer's prosperous household in Delft in the 1660s. The appointment of the quiet, perceptive heroine of the novel, the servant Griet, gradually throws the household into turmoil as Vermeer and Griet become increasingly intimate, an increasingly tense situation that culminates in her working for Vermeer as his assistant, and ultimately sitting for him as a model. Chevalier deliberately cultivates a limpid, painstakingly observed style in homage to Vermeer, and the complex domestic tensions of the Vermeer household are vividly evoked, from the jealous, vain, young wife to the wise, taciturn mother in law. At times the relationship between servant and master seems a little anachronistic, but Girl with a Pearl Earring does contain a final delicious twist in its tail. Chevalier acknowledges her debt to Simon Schama's classic study of the Dutch Golden Age, The Embarrassment of Riches, and the novel comes hard on the heels of Deborah Moggach's similar tale of domestic intrigue behind the easel of 17th-century Dutch painting, Tulip Fever.
Girl with a Pearl Earring is a fascinating piece of speculative historical fiction, but how much more can novelists extract from the Dutch Golden Age? --Jerry Brotton --This text refers to an out of print or unavailable edition of this title.
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The events in the book are viewed through the eyes of Griet, a sixteen year old Dutch girl, whose changed family circumstances force her into taking a position as a maid in the home of a renowned painter, the taciturn Johannes Vermeer. There, the painter resides with his tempestuous wife, Catharina, their brood of unruly children, his commanding and shrewd mother-in-law, Maria Thins, and their loyal housekeeper and cook, Tanneke. The author lovingly details seventeenth century life in the Dutch city of Delft. It is here that Griet's story unfolds.
Sensitive and perceptive, Griet is attuned to the under currents in the Vermeer household and, at first, takes care not to draw attention to herself. Still, she, the daughter of a tile painter, is curious about Vermeer's artistry and is drawn to his work and his methods. Vermeer, sensing a kindred artistic spirit in Griet, draws her into his world of paint, color, light, and beauty, creating an intimacy of the spirit between the two.
Still, Griet, a girl on the brink of becoming a woman, finds herself confused and breathlessly desiring more than she may have. Her longing for more than a communion of the spirit with Vermeer is palpable. It is, therefore, not surprising that the undercurrents in the Vermeer household should come bubbling to the surface and engulf Griet, much to her consternation.
This is a stunning literary work that fully realizes the promise that the author showed in her debut novel, "The Virgin Blue". She is an author that understands the less is often more, and she makes every word count. Deliberate and spare, her prose is lyrical in its simplicity, weaving a tale that will keep the reader spellbound. This is historical fiction at its finest. Bravo!
Chevalier describes the household and Griet's life in such vivid detail that one feels one is walking the cobbled streets right next to Griet, and sharing her fears, desires and personal conflicts. Tensions build as we learn how she comes to be the subject of the painting and the denouement is not a disappointment. This novel guides you along a perfect course and the ending is as satisfying as one would hope. Five stars for subject matter, writing style and plot development!
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