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Girl With a Pearl Earring
 
 
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Girl With a Pearl Earring [Paperback]

Tracy Chevalier
4.3 out of 5 stars  See all reviews (126 customer reviews)
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Product details

  • Paperback: 256 pages
  • Publisher: Harper (3 July 2006)
  • Language English
  • ISBN-10: 0007232160
  • ISBN-13: 978-0007232161
  • Product Dimensions: 19.2 x 12.8 x 1.8 cm
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (126 customer reviews)
  • Amazon Bestsellers Rank: 13,164 in Books (See Top 100 in Books)

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Tracy Chevalier
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Product Description

From Amazon.co.uk

The Dutch painter Vermeer has remained one of the great enigmas of 17th-century Dutch art. While little is known of his personal life, his extraordinary paintings of natural and domestic life, with their subtle play of light and colour, have come to define the Dutch Golden Age. The mysterious portrait of the anonymous Girl with a Pearl Earring has fascinated art historians for centuries, and it is this magnetic painting that lies at the heart of Tracy Chevalier's second novel of the same title.

Girl with a Pearl Earring centres on Vermeer's prosperous household in Delft in the 1660s. The appointment of the quiet, perceptive heroine of the novel, the servant Griet, gradually throws the household into turmoil as Vermeer and Griet become increasingly intimate, an increasingly tense situation that culminates in her working for Vermeer as his assistant, and ultimately sitting for him as a model. Chevalier deliberately cultivates a limpid, painstakingly observed style in homage to Vermeer, and the complex domestic tensions of the Vermeer household are vividly evoked, from the jealous, vain, young wife to the wise, taciturn mother-in-law. At times the relationship between servant and master seems a little anachronistic, but Girl with a Pearl Earring does contain a final delicious twist in its tail. Chevalier acknowledges her debt to Simon Schama's classic study of the Dutch Golden Age, The Embarrassment of Riches, and the novel comes hard on the heels of Deborah Moggach's similar tale of domestic intrigue behind the easel of 17th-century Dutch painting, Tulip Fever.

Girl with a Pearl Earring is a fascinating piece of speculative historical fiction, but how much more can novelists extract from the Dutch Golden Age? --Jerry Brotton --This text refers to an out of print or unavailable edition of this title.

Amazon.co.uk Review

The Dutch painter Vermeer has remained one of the great enigmas of 17th-century Dutch art. Whilst little is known of his personal life, his extraordinary paintings of natural and domestic life, with their subtle play of light and colour, have come to define the Dutch Golden Age. The mysterious portrait of the anonymous Girl with a Pearl Earring has fascinated art historians for centuries, and it is this magnetic painting that lies at the heart of Tracy Chevalier's second novel of the same title.

Girl with a Pearl Earring centres on Vermeer's prosperous household in Delft in the 1660s. The appointment of the quiet, perceptive heroine of the novel, the servant Griet, gradually throws the household into turmoil as Vermeer and Griet become increasingly intimate, an increasingly tense situation that culminates in her working for Vermeer as his assistant, and ultimately sitting for him as a model. Chevalier deliberately cultivates a limpid, painstakingly observed style in homage to Vermeer, and the complex domestic tensions of the Vermeer household are vividly evoked, from the jealous, vain, young wife to the wise, taciturn mother in law. At times the relationship between servant and master seems a little anachronistic, but Girl with a Pearl Earring does contain a final delicious twist in its tail. Chevalier acknowledges her debt to Simon Schama's classic study of the Dutch Golden Age, The Embarrassment of Riches, and the novel comes hard on the heels of Deborah Moggach's similar tale of domestic intrigue behind the easel of 17th-century Dutch painting, Tulip Fever.

Girl with a Pearl Earring is a fascinating piece of speculative historical fiction, but how much more can novelists extract from the Dutch Golden Age? --Jerry Brotton --This text refers to an out of print or unavailable edition of this title.


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Customer Reviews

126 Reviews
5 star:
 (76)
4 star:
 (26)
3 star:
 (12)
2 star:
 (4)
1 star:
 (8)
 
 
 
 
 
Average Customer Review
4.3 out of 5 stars (126 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

26 of 26 people found the following review helpful:
5.0 out of 5 stars A SPELLBINDING NOVEL..., 26 Nov 2004
By 
Lawyeraau (Balmoral Castle) - See all my reviews
(TOP 500 REVIEWER)    (HALL OF FAME REVIEWER)   
This gifted author weaves a mesmerizing tale around Dutch artist Johannes Vermeer's most famous painting, creating an incandescent and luminous work of her own. His painting is a simple, though enigmatic, portrait of a girl with a pearl earring, about which little is known. The author, however, a born storyteller, creates a living, breathing story around it, using a singular, first person narrative. Told in spare, elegant prose, the author leaps into literary renown with this book.

The events in the book are viewed through the eyes of Griet, a sixteen year old Dutch girl, whose changed family circumstances force her into taking a position as a maid in the home of a renowned painter, the taciturn Johannes Vermeer. There, the painter resides with his tempestuous wife, Catharina, their brood of unruly children, his commanding and shrewd mother-in-law, Maria Thins, and their loyal housekeeper and cook, Tanneke. The author lovingly details seventeenth century life in the Dutch city of Delft. It is here that Griet's story unfolds.

Sensitive and perceptive, Griet is attuned to the under currents in the Vermeer household and, at first, takes care not to draw attention to herself. Still, she, the daughter of a tile painter, is curious about Vermeer's artistry and is drawn to his work and his methods. Vermeer, sensing a kindred artistic spirit in Griet, draws her into his world of paint, color, light, and beauty, creating an intimacy of the spirit between the two.

Still, Griet, a girl on the brink of becoming a woman, finds herself confused and breathlessly desiring more than she may have. Her longing for more than a communion of the spirit with Vermeer is palpable. It is, therefore, not surprising that the undercurrents in the Vermeer household should come bubbling to the surface and engulf Griet, much to her consternation.

This is a stunning literary work that fully realizes the promise that the author showed in her debut novel, "The Virgin Blue". She is an author that understands the less is often more, and she makes every word count. Deliberate and spare, her prose is lyrical in its simplicity, weaving a tale that will keep the reader spellbound. This is historical fiction at its finest. Bravo!

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15 of 15 people found the following review helpful:
4.0 out of 5 stars An Enjoyable Novel, 8 Jan 2003
By 
Mrs. Sba Francis (Carmarthen, Wales) - See all my reviews
(VINE VOICE)    (REAL NAME)   
I gave this book to my housebound mother at Christmas, and it has been a highly successful gift. Not only does she find the large print refreshingly easy to read, but the story itself is surprisingly gripping. The story of Griet, going as a maid to the house of Vermeer in 1660's Delft, the tale of how she ends up sitting as a model for the artist, and the domestic intrigue rife in the house fascinate the reader. It seems an old fashioned tale, in which no murders or adulteries are committed - which does not mean, of course, that they are not considered! - and the vivid picture of 17th century life in Holland, moving from the backstreet slums of the tile painters streets to the wealthier areas of where the artist lives, are realistic and vivid. I recommend the novel to all, and my mother recommends the large print to those, like her, who find it hard to see, even with glasses.
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40 of 42 people found the following review helpful:
5.0 out of 5 stars Alive with Delicious Tension and Detail, 29 July 2001
By 
RDC (Nashville) - See all my reviews
Author Tracy Chevalier creates a vivid, complete world in 17th-century Delft, Holland, famous for its blue and white pottery and tiles, and home to the painter Johannes Vermeer. The book centers around the subject of one of Vermeer's most enigmatic paintings, and brings to life Griet, the fictional maid-servant of the Vermeer family.

Chevalier describes the household and Griet's life in such vivid detail that one feels one is walking the cobbled streets right next to Griet, and sharing her fears, desires and personal conflicts. Tensions build as we learn how she comes to be the subject of the painting and the denouement is not a disappointment. This novel guides you along a perfect course and the ending is as satisfying as one would hope. Five stars for subject matter, writing style and plot development!

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