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9 of 9 people found the following review helpful:
5.0 out of 5 stars
It's good to know that some things never change, 19 April 2003
People have often said that Curve have only one idea: industrial noises and a silky girly voice over. The bad news is that's true.And the good news is: that's absolutely fine be me. Curve are one of those rare bands who, from their very first recording, appeared fully-formed and ready for business; their startling debut album "Doppelganger" was one of those vanishingly few records that you could live in for a year. "Gift" offers much the same compelling proposition: marry me and I will treat you well. It tirelessly sticks to the formula they presented on the legendary "Doppelganger": noise, atmospherics, a variety of tempos and then more noise, all stitched together by Toni Halliday's eerie, silky, taunting voice; indie's equivalent to girlie-voiced Sasha-trance. It's the same sublime mix of elements as ten years ago but to say that Curve are derivative would be insult. True, they pilfer from such diverse traditions as New Order, Nine Inch Nails, banging trance and techno, My Bloody Valentine, The Jesus and Mary Chain, Ministry, grunge/death/heavy metal, industrial even The Cure, Bauhaus or (gasp) The Sisters of Mercy - but, when sprinkled liberally with Toni and Dean's magic, they weld them into something absolutely and utterly unique that rises above any attempt to categorise. Listening to "Gift" and "Doppleganger" side-by-side, it's almost impossible to believe they were released a decade apart. If anything, the latest release has a maturity, consistency and polish that makes it flow better than "Doppelganger" while track-by-track it's perhaps less anthemic. The albums that came between ("Cuckoo" and "Come Clean") were almighty, blazing affairs but the energy, passion and thundering dynamism of "Gift" make it truly the worthy successor to their debut. So, as far as Curve are concerned, not much has changed in the last decade. And that's just dandy by me. But can anybody answer me this: why aren't this band MASSIVE?
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