ORLANDO Gibbons (1583-1651)THOUGH HE DIED AT A YOUNG AGE CHARLES BUTLER, A WRITER, ENTHUSED ON GIBBON'S VERSE STYLE SAID OF HIM IN HIS BOOK 'PRINCIPLES OF MUSIC': "A SOLEMN ANTHEM, WHEREIN A SWEET MELODIOUS TREBLE, OR A COUNTERTENOR, SINGETH SINGLE, AND THE FULL QUIRE ANSWERETH (MUCH MORE WHEN TWO SUCH SINGLE VOICES, AND TWO QUIRES INTERCHANGEABLY REPLY ONE TO ANOTHER, AND AT THE LAST CLOSE ALL TOGETHER)...MAKETH SUCH A HEAVENLY HARMONY, AS IS PLEASING UNTO GOD."
Gibbon's church music covers two broad fields. On the one hand there are settings of texts for 'ordinary' offices-the canticles for morning and evening prayer-and some festal pieces and psalms. In contrast there are the anthems themselves which divide (as do the services) into 'full' and 'verse' types. The full anthems, of course, are sung by a full choir, whereas the verse anthem intersperses solos for one or more voices, usuallly from the start of the work, with short choral passages which repeat or reinforce the preceding solo material. Both types are included on this recording.
Only three of Gibbon's verse anthems are scored for a single soloist. Two of them included here (This is the record of John and Behold, thou has made my days)have the solo in the alto part, the voice most commonly written for among all the voice parts. The alto voice is also the one most frequently divided in the five-part textures of the choruses.
The opening full anthem 'Hosanna, Son of God' is zesty and energetic. The choir is polished and well-practised, shows good balance between the voice parts, and excellent solo work on the part of Robin Blaze (countertenor) and Stephen Varcoe (baritone). Why not five stars? Because an important part of choral singing is precise and clear diction, and I don't hear it from this choir. I had to watch the liner notes most of the time to understand the works that were new to me. I am accustomed to hearing almost perfect diction from British Choirs, so this was somewhat of a surprise to me. Having said that, I must say that the sound from the all-male choir was absolutely splendid, rich and lush and resonant. Could the recording venue be the problem? I'm no sound engineeer, so I don't know.
The information on the accompanying booklet is in English, French and German. The words to the songs, only in English. It's a lovely sounding recording, so now that I am more familiar with the words, I find myself listening to it quite often!!!