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For The Ghosts Within
 
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For The Ghosts Within

11 Oct. 2010 | Format: MP3

£7.99 (VAT included if applicable)
Buy the CD album for £12.59 and get the MP3 version for FREE. Does not apply to gift orders.
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Song Title
Time
Popularity  
30
1
4:42
30
2
5:52
30
3
7:48
30
4
3:11
30
5
5:20
30
6
5:46
30
7
6:46
30
8
3:06
30
9
5:47
30
10
2:57
30
11
4:51
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Product details

  • Original Release Date: 11 Oct. 2010
  • Release Date: 11 Oct. 2010
  • Label: Domino Recording Co
  • Copyright: 2010 Domino Recording Co Ltd
  • Total Length: 56:06
  • Genres:
  • ASIN: B004BKSMB4
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (11 customer reviews)
  • Amazon Bestsellers Rank: 69,170 in Albums (See Top 100 in Albums)

Customer Reviews

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Most Helpful Customer Reviews

32 of 33 people found the following review helpful By doublegone TOP 500 REVIEWER on 16 Oct. 2010
Format: Audio CD Verified Purchase
When I heard Robert Wyatt singing What a Wonderful World, I believed it just might be.

This is a beautiful sumptious, largely downbeat, wistful album. It contains mostly covers of jazz standards in the unusual company of a string quartet, plus double bass and smatterings of saxaphone and clarinet. Swinging American tunes are underlayed with an austere, beautifully harmonic, European backing. Elsewhere there are tinges of the middle east.

Robert covers his own cover of Chic's At Last I am Free to wonderful effect. There are just too many highlights to mention, but What a Wonderful World astonished me.

Robert Wyatt's vocal phrasing is just outstanding. Its quite unobtrusive and I didn't notice at first - but many of these songs demand a great deal from the singer to tumble out the words with such elegance.

So why only four stars? Well I think there are two flaws. It rather surprised me that I found some of Gilad Atzmon's contributions on saxaphone and clarinet a little bit too "wine bar". Most of his lines were terrific but just a few tracks contained sax that went beyond merely pretty to plain bland I thought. And while there was nothing wrong with the crashing percussion and rap in Where Are The Now? per se, I just don't feel the track fits with the rest of the album.

But what an album the rest of it is. Everything a joy tinged with sadness. Like nostalgia for happy times that makes you sigh knowing they can't return. But nice to remember all the same.
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12 of 13 people found the following review helpful By Mr. David A. Norris on 28 Oct. 2010
Format: Audio CD Verified Purchase
I find Robert Wyatt's singing voice an incredible instrument, and on this record he really uses it to perfection. Robert's voice has an amazing fragility linked to awesome ability to time phrasing, yet underpinning that fragile vulnerability is a real steel of emotional strength. This whole record I find is about those juxtapositions of things that are almost contradictory but which actually complement one another. Elsewhere someone takes off marks claiming that there are elements such as cocktail jazz sax that he feels lets the ensemble down, personally I find it is just those things that give this record real appeal. At very corner you come across something of interest, sometime odd and unsettling, sometimes not, but always of interest.If they only had Robert singing What a wonderful world, I would give this top marks, but the other ten tracks are all of immense value, this is a real treasure.
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1 of 1 people found the following review helpful By Numinous Ugo on 2 Jun. 2011
Format: Audio CD
I have to admit that I approached this album with mixed feelings. I have always loved Robert Wyatt's music, from the earliest Soft Machine when Daevid Allen was still on board Jet Propelled Photographs through The Soft Machine to Fourth, Matching Mole Little Red Record and his solo work. I was particularly taken by a song called Maryan from Shleep which had a beautiful plaintive melody which was perfectly suited to Wyatt's voice. This was a reworking of a Philip Catherine tune, who played on Shleep, call Nairam for his sadly unavailable 1974 album September Man.

I knew that Mr Wyatt could sing the chosen songs but what about the musical arrangements? A a string ensemble? It could so easily have gone horribly wrong. The good news is that it most certainly has not. The voice is brilliant with that wonderful vulnerability that he infuses all his best performances with. The arrangements are perfect, even the reworking of Maryan without the magical guitar of Philip Catherine works.

If you like Robert Wyatt's singing then you'll love this. Never has Laura been sung with such emotional subtlety. This album is a triumph!
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8 of 9 people found the following review helpful By W R Hale on 2 Nov. 2010
Format: Audio CD Verified Purchase
What a marvellously creative setting for Robert Wyatt's music and a beautifully crafted and understated performance as well. The cover-of-a-cover of 'At Last I am Free' is just as highly emotive as the original recording. I also particularly like the title track and the cover of Wyatt's own 'Maryan' is just exquisite. Like the other reviewers, I was surprised to hear a Wyatt version of 'What a Wonderful World', but in a strange way it is exactly appropriate to round off the album. If you are a Wyatt fan you cannot fail to enjoy this release.
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1 of 1 people found the following review helpful By Kingsley Flint on 22 Aug. 2011
Format: Audio CD Verified Purchase
Every time I hear this album I feel emotionally uplifted and spiritually inspired. The playing is virtuosic throughout, the original songs deeply poetic and the depth of feeling of the title track with regard to the Palestinian plight is beyond belief as it speaks for so many of us. It's actually anthemic and should be played everywhere regularly on the radio. Such a shame that this fabulous collection will only reach the ears of connoisseurs of these great artists. As 'Stereophile' said in its recent review this is life-changing music. The 'standards' are also handle with aplomb and musicianship beyond the recorded norm. Hyperbole cannot do justice to this very great recording.For me, it's up there with the greatest recordings of all time, classical, jazz and rock notwithstanding. Ten stars.
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3 of 4 people found the following review helpful By Jossister on 19 Nov. 2010
Format: Audio CD
I have always loved Robert Wyatt's wonderful pure voice and I admire him for always pushing the boundaries and trying new musical approaches. When I heard he'd done a 'covers' album I expected(actually, hoped for)more of the 'I'm a Believer' genre, so this heavily jazz-based collaberation was a surprise, but very interesting nevertheless. Give it a listen, it's really different. Keep singing, Robert.
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