I originally began reading this book out of a desire to find a thorough account of the exact events of the famous Vesuvius eruption in August 79 CE. I quickly realized that I had got more than I bargained for: along with a minute-by-minute report of those fatal 24 hours on the Bay of Naples, Charles Pellegrino provides a book that is equally a primer on the geological prehistory of the Earth and life on it; a melancholy meditation on some of history's most poignant what-ifs; a spiritual review of and an agnostic's indictment of the early (ugly) history of the Roman Catholic Church; a summary of the beliefs of Egyptian Gnosticism; and an impressionistic, rigorous account of the events of September 11 in New York City from the viewpoint of a volcanolgist-cum-paleontologist-cum-astrobiologist-cum-physicist-cum-ad infinitum. Along the way it becomes clear that Pellegrino has led one of the most interesting lives in recent memory; he name-drops a who's-who of the scientific community from Stephen Jay Gould to Stephen Hawking, and calmly recounts, in footnotes, such spectacular incidents as the time when he was nearly blown up with the Dead Sea Scrolls.
Does this sound exhausting? It is, but more importantly, it is fascinating. "Ghosts of Vesuvius" is one of the most engrossing books I have read in a long time. Though the narrative follows an associative rather than linear logic, Pellegrino manages, for the most part, to keep the connections he wishes to illuminate clear in his reader's mind. Herculaneum, Pompeii, and New York City are in the end far more alike than they are different, and Pellegrino's largest point comes through perfectly, though he never says it in so many words: our civilization may be ending. And it's our own damn fault.
Still, "Ghosts of Vesuvius" has flaws, some of them worth mentioning. At a stylistic level, Pellegrino loves ellipsis...far too much... He never learned, or doesn't care, that three dots is not an acceptable end to a sentence, let alone to a sentence fragment, and the ellipses become wearying. (As do his endless paragraphic, paranthetical remarks.) Furthermore, Pellegrino makes a few factual errors: the books of Lucretius were not burned by the Roman Church; they were in fact copied and recopied by monks. The upheaval in the Byzantine Empire of 537 CE (which Pellegrino contends was caused by a volcanic eruption in the Pacific) did not lead to that empire's 'downfall,' as that polity continued to exist, albeit never so gloriously, for another nine hundred years. Similarly, Pellegrino makes much of the fact that Marcus Tullius Cicero 'disappeared' in 43 BCE, when any competent classicist (or student of third-semester Latin) can tell you that Cicero was murdered by Mark Antony's goons on the Appian Way, and his head and hands were displayed on the Rostrum in the Forum as a warning to others who opposed Antony.
Yet these are minor quibbles. In the end, although Pellegrino's book provides a treasure trove on information on many more topics than the 79 CE Vesuvius eruption, it is far more an account of Pellegrino wrestling with the fact of September 11 than it is a work of nonfiction. Much as Bruce Springsteen did with "The Rising," and Art Spiegelman did with "In the Shadow of No Towers," Pellegrino stares into the abyss of humanity's nadir, and emerges with a flawed but brilliant masterpiece.