Get Back: The Unauthorized Chronicle of the Beatles' "Let it be" Disaster: Amazon.co.uk: Doug Sulpy: Books

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"Along with the [Mark] Lewisohn books, the most valuable Beatles volume put out in recent years...It's a must for all Beatlefans." --"Beatlefan"
"Fascinating reading...as thorough a look at the fabled sessions as we're likely to get." --"Orange County Register"
"A monumental testament to sheer perseverance and first-class detective work...A most remarkable look inside the inner world of the Beatles, a world that almost ceased forever in January 1969." --"Goldmine"

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Customer Reviews

18 Reviews

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3.9 out of 5 stars (18 customer reviews)

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2 of 2 people found the following review helpful:

5.0 out of 5 stars The ultimate example of scholarly work on the Beatles, 13 Jan 1999

By A Customer

This review is from: Get Back: The Unauthorized Chronicle of the Beatles' "Let it be" Disaster (Hardcover)

Be forewarned: this is not light reading for the casual Beatles fan. What it is is one of the most stunning examples of scholarship yet exhibited on the Beatles: a finely crafted piece of detective work, one that reconstructs an entire month of Beatles recording sessions and places the available bits and pieces of tape in their proper historical perspective. The focus is tight and meticulous, and so is the research. Far from being a "mere paraphrase of available bootlegs," the authors spent hours upon hours piecing together the "Get Back" puzzle from what was previously a jumbled mess of fragmented bootlegs. The bootlegs are still jumbled and fragmented, but they are no longer a mess. Indeed, the entire Beatles collecting community has quickly adopted this book's method of cataloguing the sundry performances, and you cannot refer seriously to a moment from these sessions without quoting Sulpy and Schweigardt. That, to me, is the most simple and eloquent testimony to the worth of this book. In short, the book is a dense and sometimes tedious micro-examination of one month of the Beatles' lives. But that month was, by its very nature, dense and tedious. The authors cannot change the monotony of that history, they can only explain it. They do it eloquently, with a book that not only serves the collector's community by helping identify stray performances, but one that contains an identifiable dramatic arc as the tensions between the bandmembers flare and fizzle, as the group literally disentegrates before our ears. If you are a die-hard, hardcore Beatles fan, you cannot find a more entertaining way to get to know "the boys" better than to obtain a large number of "Get Back" bootlegs and listen while you're reading this book. It is an experience that will never be forgotten.

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2 of 2 people found the following review helpful:

5.0 out of 5 stars Superb song-by-song(more than a hundred) documentary of film, 26 Mar 1998

By A Customer

This review is from: Get Back: The Unauthorized Chronicle of the Beatles' "Let it be" Disaster (Hardcover)

Covers all sessions of January-1969 Let it Be album and flm sessions. Goes over song by song the good, the bad and the ugly of these sessions. It documents how badly the rehearsals were. The arguements are detailed, their future plans are revealed, and ultimately...predicts the break-up of the Beatles. Sometimes can get tedious but if you stay with this you get the most accurate picture available of this time period. A cool book for Beatles fans. PG

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1 of 1 people found the following review helpful:

2.0 out of 5 stars fantastically, impressively tedious stenographic work, 20 Aug 1999

By A Customer

This review is from: Get Back: The Unauthorized Chronicle of the Beatles' "Let it be" Disaster (Hardcover)

It's nice to know that someone cares so much that they have to transcribe every moment of the ill-fated 'Let It Be' sessions, but quite honestly, is it of the slightest importance that we know just which Beatle was bitching at which other Beatle on any given day? As someone who regularly writes about music, and has spent a lot of time in studios making records too, to ascribe any importance to the off-hand remarks that bands (or gangs) make within themselves is ridiculous, no matter how important the artist or their work (and no one would make claims of greatness for the resoundingly mediocre sessions described here). This book's value lies solely in its uniqueness, as a record of an entire session that was taped. Sadly we have no equivalent to compare it to, but it's a pity there wasn't a camera or mike on the entire proceedings that made up (say) the Clash's 'London Calling' or Nirvana's 'In Utero'. That I'd like to read. This, however, is unreadable, and should be left in the libraries for those following a course in 'Beatle Studies' (The unprofitable academic one I mean- Noel Gallagher has already graduated in the practical course)

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Most Recent Customer Reviews

4.0 out of 5 stars the book is undeniably tedious in parts,but so were these
if there is one book that proves that john lennon couldnt care less about the beatles ,then this is it. Read more

Published on 10 Feb 2001