- Hardcover: 208 pages
- Publisher: Alfred A. Knopf; First Edition edition (28 Feb 2000)
- Language English
- ISBN-10: 0375409084
- ISBN-13: 978-0375409080
- Product Dimensions: 14.1 x 2.2 x 20.7 cm
- Average Customer Review: 4.5 out of 5 stars See all reviews (4 customer reviews)
- Amazon Bestsellers Rank: 818,074 in Books (See Top 100 in Books)
| ||||||||||||||||||||||||||||||
Did you know you can trade in your old books for an Amazon.co.uk Gift Card to spend on the things you want? Plus, get an extra £5 Gift Certificate when you trade in books worth £10 or more before June 30, 2012. Visit the Books Trade-In Store for more details. |
Product details |
More About the Author
Product Description
Amazon.co.uk Review
John Updike's Gertrude and Claudius is a prelude to Shakespeare's Hamlet, focusing not on the sulky star but on his mother and fratricidal stepfather (think of it as a Danish, death-struck version of The Parent Trap). Updike's great achievement here is to turn our customary sympathies on their heads. This time around, Gertrude is a decent, long-suffering wife, whose consciousness happens to be raised to the boiling point by her sexy brother-in-law. And Claudius, too, seems half a victim of this fatal attraction, with a strong neo-Platonic accent to his lust:
As in the bulk of his fiction--and most conspicuously in the underrated In the Beauty of the Lilies--Updike sacrifices artistic firepower when he goes archaic on us. That explains why Gertrude and Claudius gets off to a wobbly start, with the author's medieval diction careening all over the page. But once his narrative gets up to speed, the author dispenses one brilliant bit of perception after another. Gertrude and Claudius also amounts to a running theological argument, in which men constantly impale themselves on metaphysical principle while the adulterous queen is willing "to accept the world at face value, as a miracle daily renewed". (That would explain Gertrude's snap diagnosis of her neurotic son: "Too much German philosophy".)
A superlative satellite to Shakespeare's creation, Updike's novel is likely to retain a kind of subordinate rank, even within his own capacious body of work. Still, it's packed with enough post-Elizabethan insight about men and women, parents and children, to suggest that the play's not the thing--not always, anyway. --James Marcus, Amazon.com --This text refers to the Paperback edition.
Product Description
John Updikes's nineteenth novel tells the story of Claudius and Gertrude, King and Queen of Denmark, before the action of Shakespeare's Hamlet begins. Employing the nomenclature and certain details of the ancient Scandinavian legends that first describe the prince who feigns madness to achieve revenge upon his father's slayer, Updike brings to life Gertrude's girlhood as the daughter of King Rorik, her arranged marriage to the man who becomes King Hamlet, and her middle-aged affair with her husband's younger brother. A dark-eyed dreamer with a taste for foreign adventure, he for decades has sought to quell his love for Gertrude, and at last returns to an Elsinore whose prince is generally elsewhere. Gaps and inconsistencies within the immortal play are to an extent filled and explained in this prequel; the figure of Polonius, especially, takes on a larger significance. Beginning in the aura of pagan barbarism, and anticipating Renaissance humanism and empiricism, this modern retelling of a medieval tale presents the case for its royal couple that Shakespeare only hinted at. Gertrude and Claudius are seen afresh against a background of fond intentions and familial dysfunction, on a stage darkened by the ominous shadow of a sullen, disaffected prince.
Inside This Book
(Learn More)
First Sentence
THE KING was irate. Read the first page
Front Cover | Copyright | Excerpt
THE KING was irate. Read the first page
Explore More
Concordance
Browse Sample PagesConcordance
Front Cover | Copyright | Excerpt
Suggested Tags from Similar Products(What's this?)Be the first one to add a relevant tag (keyword that's strongly related to this product)
|
Sell a Digital Version of This Book in the Kindle Store
If you are a publisher or author and hold the digital rights to a book, you can sell a digital version of it in our Kindle Store.
Learn more
What Other Items Do Customers Buy After Viewing This Item?
Customer Reviews
Most Helpful Customer Reviews
2 of 2 people found the following review helpful
Format:Paperback
A witty account of the background of Hamlet
This three-part work combines the ancient legends to present a psychological portrait of the lives of the royal family up to the outset of Shakespeare's play. In the process it offers stunning insights into the play itself. Another Updike tour de force.
This three-part work combines the ancient legends to present a psychological portrait of the lives of the royal family up to the outset of Shakespeare's play. In the process it offers stunning insights into the play itself. Another Updike tour de force.
1 of 1 people found the following review helpful
Format:Paperback
'Gertrude and Claudius' is the only Updike novel I've ever read, so I came to it with no preconceptions about his work. However, I am a long-term 'Hamlet' fan, and so I was intrigued to see what he had done by refocusing the story upon the doomed Queen and her second husband.
It is delightful! I was amused by the shifts reflected by the name-changes and the subtle costume changes that reflect the different versions of the story (Saxo Grammaticus, Belleforest, & c.). Part One is 11-12C, but by the end of Part Three, where the novel finally catches up with the play, we are approaching the Renaissance. The falconry symbolism is particularly lovely.
The main characters are engaging: Gerutha/Gertrude is a likeable, warm-hearted woman. She is Queen by birth, but because of her sex, real power eludes her: it is always wielded by men. Horvendil/Old Hamlet is an unimaginative, rather crude Viking war-lord: a tough killer, a rapist, yet there is poignancy in his remark about wanting to show his bride his "morning self", in explanation of his drunken sleep on their wedding night. Feng/Claudius is a cosmopolitan, imaginative adventurer who has fought his way across Europe to Byzantium, and quotes the songs of Bertran de Born. (I was reminded of Rognvald Kali, the Jarl of Orkney who wrote trobador songs for Ermengarda of Narbonne.) Corambis/Polonius and his sensitive daughter Ophelia are also well-drawn. Amleth/Hamlet himself is mostly off-stage, but even as a child, he shows signs of selfishness and spite. (Updike rightly points out, in a quotation from a critic in the Afterword, how destructive the prince's quest for vengeance is: for one man's death, many others, including innocents, will die.)
What also appeals (especially to the older reader) is that the novel gives us a passionate, tragic love story about experienced middle-aged people - a plump 48-year-old matron and a grizzled warrior in his late 50s - *not* glamorous young romance-novel stereotypes. The apparently 'happy ending' of the novel is heartbreaking. By the end, the reader, who knows what Shakespeare has in store for the characters, is actively willing the play to end differently, willing them to "get away with it". Updike has not just expanded the protagonists' lives; he has enabled us to *love* them. It seems to me that not many modern novelists have that gift.
It is delightful! I was amused by the shifts reflected by the name-changes and the subtle costume changes that reflect the different versions of the story (Saxo Grammaticus, Belleforest, & c.). Part One is 11-12C, but by the end of Part Three, where the novel finally catches up with the play, we are approaching the Renaissance. The falconry symbolism is particularly lovely.
The main characters are engaging: Gerutha/Gertrude is a likeable, warm-hearted woman. She is Queen by birth, but because of her sex, real power eludes her: it is always wielded by men. Horvendil/Old Hamlet is an unimaginative, rather crude Viking war-lord: a tough killer, a rapist, yet there is poignancy in his remark about wanting to show his bride his "morning self", in explanation of his drunken sleep on their wedding night. Feng/Claudius is a cosmopolitan, imaginative adventurer who has fought his way across Europe to Byzantium, and quotes the songs of Bertran de Born. (I was reminded of Rognvald Kali, the Jarl of Orkney who wrote trobador songs for Ermengarda of Narbonne.) Corambis/Polonius and his sensitive daughter Ophelia are also well-drawn. Amleth/Hamlet himself is mostly off-stage, but even as a child, he shows signs of selfishness and spite. (Updike rightly points out, in a quotation from a critic in the Afterword, how destructive the prince's quest for vengeance is: for one man's death, many others, including innocents, will die.)
What also appeals (especially to the older reader) is that the novel gives us a passionate, tragic love story about experienced middle-aged people - a plump 48-year-old matron and a grizzled warrior in his late 50s - *not* glamorous young romance-novel stereotypes. The apparently 'happy ending' of the novel is heartbreaking. By the end, the reader, who knows what Shakespeare has in store for the characters, is actively willing the play to end differently, willing them to "get away with it". Updike has not just expanded the protagonists' lives; he has enabled us to *love* them. It seems to me that not many modern novelists have that gift.
1 of 1 people found the following review helpful
Format:Hardcover
The question one must ask is why has Updike written this novel, if it is a novel- I would dearly love him to let us all into the secret.If one knows the play it does give a speculative insight into later actions and their consequences, but is this just Updike showing off?
Of course he does so with remarkable prose, high quality research and a slightly unfamiliar patina of academia,indeed a great deal of time seems to have been spent poring over sources as diverse as National Geographic and Scandanavian folktales.
Gertrude and Claudius has all the hallmarks of excellence one has come to expect - beautifully written with a lyrical musicality which sometimes matches and indeed echoes Shakespeare but also contains the odd (conscious?) inconsistency - did the Danes really have 'fall' before winter? The book effortlessly creates a cold world of intrigue and has many of the set piece qualities we have come to expect from a man who wrote Brazil after a visit of a few days and equally succeeds in creating Denmark with perhaps as little familiarity.
Indeed it would be easy to see Gertrude and Claudius as ancestors of the residents of Tarbox with their infidelities masked in the beauty of Updike's wonderful stylistic gifts - but is that enough to make this a worthwhile addition to perhaps America's greatest living novelist?
Would you like to see more reviews about this item?
Were these reviews helpful?
Let us know
Customer Discussions
|
This product's forum
Active discussions in related forums
Search Customer Discussions
|
Related forums
|
Listmania!
|
|
Look for similar items by category
Look for similar items by subject
Feedback
- Would you like to update product info or give feedback on images?
- I am the Author, and I want to comment on my book.
- I am the Publisher, and I want to comment on this book.
