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- Original Release Date: 1 Sep 1997
- Format - Music: MP3
- Compatible with MP3 Players (including with iPod®), iTunes, Windows Media Player
- Also available in CD Format
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| Song Title | Artist | Time | Price | |||
|---|---|---|---|---|---|---|
| Play | 1. Symphony No. 3, "Collages": I. Allegro moderato - | Matthias Bamert | 2:00 | £0.59 | ||
| Play | 2. Symphony No. 3, "Collages": II. Lento - | Matthias Bamert | 1:57 | £0.59 | ||
| Play | 3. Symphony No. 3, "Collages": III. Allegro con brio - | Matthias Bamert | 4:03 | £0.59 | ||
| Play | 4. Symphony No. 3, "Collages": IV. Moderato - | Matthias Bamert | 3:22 | £0.59 | ||
| Play | 5. Symphony No. 3, "Collages": V. Vivace - | Matthias Bamert | 2:30 | £0.59 | ||
| Play | 6. Symphony No. 3, "Collages": VI. Allegretto - | Matthias Bamert | 3:00 | £0.59 | ||
| Play | 7. Symphony No. 3, "Collages": VII. Calmo | Matthias Bamert | 2:49 | £0.59 | ||
| Play | 8. Piano Concerto: I. Tiento: Allegro | Matthias Bamert | 7:23 | £0.59 | ||
| Play | 9. Piano Concerto: II. Diferencias: Adagio | Geoffrey Tozer | 11:24 | Album Only | ||
| Play | 10. Piano Concerto: III. Folia: Molto mosso | Matthias Bamert | 6:14 | £0.59 | ||
| Play | 11. Epithalamion | Matthias Bamert | 20:24 | Album Only |
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Customer Reviews
Most Helpful Customer Reviews
1 of 2 people found the following review helpful
Format:Audio CD
I find it surprising that Gerhard is not more popular in his native Catalonia; this may be partly because of his non-Catalan parents, partly because his exile was lower-profile than e g that of his compatriot Pau (a.k.a. Pablo) Casals, and also partly because the kind of music he composed entered fields of difficult access. All the compositions on this CD are of interest if you are receptive to his kind of music. I also recommend his 'La Peste'.
Most Helpful Customer Reviews on Amazon.com (beta)
Amazon.com:
1 review
8 of 8 people found the following review helpful
The good and the bad
6 Dec 1999
Format:Audio CD
The third is a grounbreaking work. Though Verese beat Gerhard in the race to bring a live orchestra together with an electronic tape, Gerhard was the first to full integrate the two. Varese placed orchestral blocks next to taped moments, but Gerhard uses the tape as another instrument, and to stunning effect. What detracts from this particular disc is the recording of the piano concerto. Somehow, all the life has been dispatched. Where once there was passion there is now only a dull wash of sound.
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