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A Gentle Axe: St Petersburg Mystery
 
 
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A Gentle Axe: St Petersburg Mystery [Paperback]

R. N. Morris
4.2 out of 5 stars  See all reviews (8 customer reviews)
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Product details

  • Paperback: 304 pages
  • Publisher: Faber and Faber (7 Feb 2008)
  • Language English
  • ISBN-10: 0571238572
  • ISBN-13: 978-0571238576
  • Product Dimensions: 19.6 x 12.4 x 2.2 cm
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (8 customer reviews)
  • Amazon Bestsellers Rank: 174,066 in Books (See Top 100 in Books)

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R. N. Morris
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Product Description

Review

"'Vivid and convincing... keeps the reader guessing until the end.' Independent"

Book Description

A riveting, richly-textured historical crime novel inspired by Dostoievsky's classic Crime and Punishment.

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Customer Reviews

Most Helpful Customer Reviews
16 of 17 people found the following review helpful
A Hard Act to follow? 13 Mar 2007
Format:Paperback
If you are going to steal, steal from the best. And so Morris lifts his detective from no less a novelist than Dostoyevsky, extending the career of Porfiry Petrovich, the investigator from Crime and Punishment (for the less high brow among us, Porfiry also served as the original model for TV's Columbo).

Naturally Crime and Punishment casts a large shadow over Morris's belated sequel, and not just because it takes place after the events in Dostoyevsky's masterpiece. There is an impoverished student reminiscent of Raskolnikov in Crime and Punishment, a resemblance which does not go unnoticed or unremarked by Porfiry. Dour Russian minds are preoccupied by matters of morality, mortality and immortality, or absence thereof, characters living in close proximity are separated by gulfs of class and the intellectual appetites of Imperial Russia allow Orthodox believers to happily publish atheist philosophy

Morris does allow 21st century permissiveness to take him further than even Fyodor would have dared with prostitution and child pornography given more graphic treatment than any Victorian era author would have dared, while the crime Porfiry investigates is more grotesque than the simple bashing of a couple of old women to death with an axe as the body of a murdered dwarf is found packed in a suitcase close to where a burly peasant is hanging from a tree. An obvious case of murder and suicide, Porfiry's bosses decide, and not worth investigating. Porfiry naturally sees more to it than that, but it is only when a minor prince reports the disappearance of an actor friend that he finds another angle from which to pursue his investigation.

Sure, it is never going to join its 140- year old prequel as a cornerstone of world literature, but this is pretty impressive achievement which succeeds on its own terms as a well written literary thriller with loads of chilly Russian atmosphere and even plays fair as a murder mystery.

Porfiry, a cigarette-smoking humane and incisive investigator, will certainly be welcomed back on the bookshelves as a slightly more serious counterpart to Boris Akunin's Erast Fandorin. But if we are giving an extended life to detectives who pop up in classic Victorian novels, who come nobody seems to be looking at the daddy of them all, Inspector Bucket from Bleak House? Or is Dickens an even harder act to follow than Dostoyevsky?

credited: Calum Macleod
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3 of 3 people found the following review helpful
Format:Paperback
St. Petersburg 1866. Part buried in a local park is the snow covered body of a dwarf; nearby in a birch tree hangs another body, large and bearded, possibly the criminal perpetrator. On the first body are found a set of obscene playing cards, on the other the axe of the title.
From the outset the examining magistrate Porfiry Petrovich is suspicious of the murder/suicide theory. This character has been "borrowed" from Dostoevsky's CRIME AND PUNISHMENT one year earlier and THE GENTLE AXE offers echoes of that Russian classic. Also Porfiry is a fan of the work of Gogol, an actor recites from Gogol's THE GOVERNMENT INSPECTOR and souls seem to be available for barter (cf. Gorky's DEAD SOULS).
It is the exploration of the atmosphere and life of urban Russia in the C19 that most distinguishes this historical crime novel. Morris moves Porfiry easily and confidently through the various levels of society, as he encounters women of the night, actors, street urchins, publishers, impoverished students, policemen, local officials and even a prince .
The result is a novel that draws on old and new generic features. It is a police procedural describing Porfiry's relationship with superiors and with "junior" colleagues, as well as the medical examiner. But it has a high body count and does not flinch from the blood and gore of crime scenes. Morris writes with flair and precision. This highly successful novel augurs well for the series.
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2 of 2 people found the following review helpful
Putdownable 22 May 2010
Format:Paperback
I wasn't at all gripped by this story. While the author did a fine job in transporting the reader to 19th century St Petersburg, a great setting wonderfully described can only go so far. I wanted to be involved in the characters' lives, and I wanted to be turning the pages, eager to know what happened next.

There were just too many characters in the murder case, each on stage for too little time (or not at all), to allow the reader to get to know them. I didn't care whodunnit. Even the main character of Porfidy was rather flat - I didn't care about him either.

As for the plot, it plodded on, with clues appearing occasionally, some other anonymous person (yawn) being murdered... And the scene at the end where everything was explained was unintentionally funny, as if it was a comedy sketch - how many ridiculous motives for (and methods of) murder can you think of?

On the plus side, the writing was good, I thought, although in a few places words were used incorrectly, as if the author had misunderstood their meaning - but maybe this was done deliberately, to give an 'in translation' feel.
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