- Hardcover: 688 pages
- Publisher: Alfred A. Knopf; 2nd THUS edition (July 2000)
- Language English
- ISBN-10: 0679454780
- ISBN-13: 978-0679454786
- Product Dimensions: 23.9 x 16.5 x 4.6 cm
- Amazon Bestsellers Rank: 1,306,901 in Books (See Top 100 in Books)
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Product Description
Product Description
Scotland, 1477: Nicholas de Fleury, former banker and merchant, has re-appeared in the land that, four years earlier, he had brought very close to ruin in the course of an intense commercial and personal war with secret enemies--and, indeed, with his clever wife Gelis.
Now the opportunity for redemption is at hand, but Nicholas soon finds himself pursuing his objectives amid a complex, corrosive power struggle centering on the Scottish royal family but closely involving the powerful merchants of Edinburgh, the gentry, the clergy, the English (ever seeking an excuse to pounce on their neighbor to the north), the French, the Burgundians. His presence soon draws Gelis and their son Jodi to Scotland, as well as Nicholas's companions and subordinates in many a past endeavor--Dr. Tobias and his wife Clémence, Mick Crackbene, John le Grant, and Andro Wodman among them. Here, too, Nicholas meets again with others who have had an influence, for good or evil, in his life: King James III of Scotland and his rebellious siblings; the St. Pols: Jordan, Simon, and young Henry; Mistress Bel of Cuthilgurdy and David de Salmeton; Anselm Adorne and Kathi his niece. Caught up in, and sometimes molding, the course of great events, Nicholas exhibits by turns the fierce silence with which he masks his secrets, and the explosive, willful gaiety that binds men, women, and children to him. And as the secrets of his birth and heritage come to light, Nicholas has to decide whether he desires to establish a future in Scotland for himself and his family, and a home for his descendants.
Gemini brings to a dazzling conclusion Dorothy Dunnett's House of Niccolò series (synopsized in this volume), in which this peerless novelist has vividly re-created the dramatic, flamboyant world of the early Renaissance in historical writing of scrupulous authenticity and in the entrancing portrait of her visionary hero. Now, in a book infused with wit and poetry, emotion and humor, action and mystery, she brings Nicholas de Fleury at last to choose his heart's home, where he can exercise all his skills as an advisor to kings and statesmen, as a husband, a father, and a leader of men--and where, perhaps, we will discern a connection between him and that other remarkable personality, Francis Crawford, whose exploits Lady Dunnett recorded so memorably in The Lymond Chronicles.
Now the opportunity for redemption is at hand, but Nicholas soon finds himself pursuing his objectives amid a complex, corrosive power struggle centering on the Scottish royal family but closely involving the powerful merchants of Edinburgh, the gentry, the clergy, the English (ever seeking an excuse to pounce on their neighbor to the north), the French, the Burgundians. His presence soon draws Gelis and their son Jodi to Scotland, as well as Nicholas's companions and subordinates in many a past endeavor--Dr. Tobias and his wife Clémence, Mick Crackbene, John le Grant, and Andro Wodman among them. Here, too, Nicholas meets again with others who have had an influence, for good or evil, in his life: King James III of Scotland and his rebellious siblings; the St. Pols: Jordan, Simon, and young Henry; Mistress Bel of Cuthilgurdy and David de Salmeton; Anselm Adorne and Kathi his niece. Caught up in, and sometimes molding, the course of great events, Nicholas exhibits by turns the fierce silence with which he masks his secrets, and the explosive, willful gaiety that binds men, women, and children to him. And as the secrets of his birth and heritage come to light, Nicholas has to decide whether he desires to establish a future in Scotland for himself and his family, and a home for his descendants.
Gemini brings to a dazzling conclusion Dorothy Dunnett's House of Niccolò series (synopsized in this volume), in which this peerless novelist has vividly re-created the dramatic, flamboyant world of the early Renaissance in historical writing of scrupulous authenticity and in the entrancing portrait of her visionary hero. Now, in a book infused with wit and poetry, emotion and humor, action and mystery, she brings Nicholas de Fleury at last to choose his heart's home, where he can exercise all his skills as an advisor to kings and statesmen, as a husband, a father, and a leader of men--and where, perhaps, we will discern a connection between him and that other remarkable personality, Francis Crawford, whose exploits Lady Dunnett recorded so memorably in The Lymond Chronicles.
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18 reviews
39 of 41 people found the following review helpful
Culmination of the House of Niccolo
12 July 2000
Format:Hardcover|Amazon Verified Purchase
"Gemini" is the long-awaited finale to Dorothy Dunnett's blockbuster series, The House of Niccolo. Nicholas de Fleury - banker, world traveler, former owner of a small private army - returns to Scotland to make reparations for the economic damage he did in the course of his revenge on the St. Pol family. With a wrench, he leaves his wife, Gelis, and son, Jordan, behind in Bruges in safety because he fears that Jordan St. Pol, his presumed grandfather, and David de Salmeton, an adversary in trade, may take revenge on him through attacks on his family.
Nicholas returns to Scotland as the agent of his wife, Gelis, but finds himself working to shore up an unstable Stuart monarchy, threatened from without by England and from within by cadet members of the royal family.
As with all Dunnett books, "Gemini" is packed with marvelous set pieces, lush descriptions, lucid explications of the politics of the day, heart-wrenching deaths, and moments of joyous triumph. Questions raised in earlier books are answered - mostly - we readers need a few things left to argue about, don't we?
Judith Wilt has provided an excellent introduction that synopsizes the seven earlier books ably, but reading them in order is still preferable.
17 of 18 people found the following review helpful
Concentration necessary
9 Nov 2000
Format:Hardcover
One reason for the delay in reviews from this reader is that I have been engrossed in the latest - and last - of the House of Niccolo novels. To do this absolutely unparalled historical series justice, one must be in a quiet place --read a bit --go away to ruminate on what has been read --and then return for another helping. Exhausting and exhaustive. Dame Dunnett is a walking encyclopedia of every aspect of 15th century life. Our hero (whose name changes throughout the course of the series, and whose unknown parentage is the force that drives him to be what he is) has been everywhere throughout the world in the course of these seven novels, and we have been there with him - from Bruges to France to Germany to Byzantium to Africa to Iceland to Scotland --and places in between. He is the darling - or the scourge - of almost all of the royal houses of Europe. It is necessary every once in awhile to refer back to earlier novels to keep all of the characters and incidences straight, and Dame Dunnett's way with commas doesn't make for easy reading, either. But many readers - myself among them - will be entranced with with the numerous memorable characters along the way. The history, although confusing, is fine - but we read on to discover what will finally happen to Nicholas and those who love him. Hard reading, but worth it. One only hopes that she doesn't really mean to end the series here - there are still questions unanswered, and people whose fate we want to discover. I know that the Lymond Chronicles are supposed to carry us on with the adventures of Nicholas's descendants, but I first need a long rest!
22 of 26 people found the following review helpful
more of a whimper than a bang
8 Sep 2000
Format:Hardcover
I have loved both the Lymond and the Niccolo series, but must say that I think the Niccolo series began unravelling slowly from the 5th volume on. The 7th felt downright incoherent, with N. shooting off to various corners of the 15th cent. world for no very good reasons. People actually stay put in this volume, which fits well with Niccolo's own change of emphasis from adventurer merchant to family man and friend. This change of emphasis unfortunately also led to a book that maintained neither pace nor excitement, and was way too long for the amount of action. If there had been character development left to work out, Dunnett might have held my interest. But Niccolo achieved his maturity by the end of #7, and we all know before opening Gemini that Gelis is a really good guy as well. Henry is the exception, and in the several scenes between him and his unknown father Dunnett did have me eagerly reading. Can the brat be redeemed?
The timespan of this book is twice that of any of the others, which would be fine except that so little in fact happens. Niccolo spends some time being real nice to his friends and trying to tame Henry, but his only real project other than this personal business is chasing after an obnoxious young Scottish prince to try to keep him from causing Scotland trouble. Is this a job for a grown man? Much less our hero of boundless energy and unlimited capacities. There are a couple of token mentions of economic plans in the works, something to do with "coal" and "salmon", and his buddies all gape with astonished admiration at the fabulous scope of his ideas, but Dunnett does nothing with this, although in theory his reason for returning to Scotland was to make reparations for the economic damage he'd done.
If Niccolo does very little, Fat Father Jordan *really* does very little. His conversation is as delightful as ever, but where are this vindictive and clever man's plots and strategems? Surely we had a grand confrontation owing between these two, after 7 volumes? Instead, Niccolo's grand confrontation ends up being, really, with the unlikeliest villian of all!
I got the feeling that Dunnett was more interested in presenting the reader with a detailed tapestry of the Scottish rich and powerful of the period than with giving her story a satisfying finale.
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