Gandhi [DVD] [1982]

Gandhi recaptures the historical period of the British Raj. It is an excellent portrait of a spiritual, political and a remarkable man, whose legacy inspired other great leaders like civil right leader Luther King and ex-South African president Nelson Mandela. The movie is an epic and chronological journey of Gandhi's life which includes the shocking trip to South Africa as a lawyer, family life, to his continued imprisonment, endless diplomacy campaigning and his tragic death. This man was truly an inspirational and a shining example to fellow politicians. His legacy continues to live on.

Gandhi is compelling and distressing viewing with so many unpleasant scenes. The scenes are really emotional. Ben Kingsley's acting of the great Indian Gandhi's is credibile and solid. This remarkable man continues to attract global attention and recognition for his historical accomplishments. Even in countries as far as Brazil, Gandhi status is displayed and he represents a symbol of peace. The cinemagraphy is outstanding, with the perfect locations chosen to blend with the British Raj period. The authencity of the actual period is clearly and accurately depicted in the movie. The movie requires immense patient to watch, as the duration is an enduring 3 hours of the great man life. A large bulk of Gandhi's life is incorporated into this movie. It is worth watching to gain valuable insights into this man and develop a solid appreciation and understanding of what propelled this leader to historical status and greatness he achieved so gracefully.

Gandhi truly justifies for its Oscar winning performance, as it contains the ingredients of an outstanding movie, which are already outlined above. Richard Attenborough's movie masterpiece Gandhi is a well delivered and an excellent epic, which takes a journey about a man who was diplomatic and always believed in non violence, no matter the severity of a situation. No one can rewrite the history book, the way this great Indian uniquely achieved with flying colours and in tender harmony. The DVD extras provides further insights into the life of Mahatma Gandhi, including pictures and documnetaties. If a survey poll is reproduced about greatest Indians to emerge, Gandhi without doubt would righteously earn the leading spot as the greatest Indian in my books.

If you are passionate about history and epics, Gandhi will certainly satisfy your taste.

This is the review I would have liked before buying this blu-ray title. I was put off by the "Blu-ray/Upscale Comparison" review but wanted the disk so much I took the risk.

I do not understand how that reviewer could detect "little difference" between the blu-ray and DVD versions. Upscaling cannot produce detail which is not in the video signal, only interpolate to make the picture smoother.

Ghandi benefits from high definition detail in a variety of types of scene:

1) Close-ups of actors faces when delivering great performances. This movie is an epic and was a phenomenon in its time. Its 8 oscars are an indication that it wasn't just because of its historical importance - there are some great performances. High definition really brings this to life: you see every strand of hair and skin pore. The eyes and muscle tone in the face make performances utterly engaging. For example, the tension in the debriefing scene with Edward Fox after the massacre is positively palpable.

2) Wide vistas (sumptuous, colonial interiors and sweeping, panoramic exteriors) with characters in the distance. Blu-ray enables you to see the actors' performance while on DVD you just know they are there and hear them talking.

3) Complex scenes, such as the opening funeral with a crowd of 400,000 people (how do you upscale that from 720x480?), lavishly ornate colonial interiors and exteriors, and lush Indian landscapes and panoramas.

I was concerned about the age of the film. The opening scene was grainy and my heart sank. However, it was shot in low-light and there's only a handful of shots in the whole 3-hour epic that suffer in this way, a record which is substantially better than films many years younger than Ghandi. Colour is superb, with the sets, costumes and beautiful use of light by Attenborough making Ghandi a visual feast.

This is a wonderful movie and a stunning demonstration of what blu-ray can do. I commend it whole-heartedly to anyone with a blu-ray player.

It all began simple enough - with the purchase of a first class train ticket by Mr. Mohandas Gandhi, Esq., recently arrived in South Africa, and unaware that as an Indian, he was required to travel third class and not entitled to such a ticket. Literally thrown off the train for his transgression, the young attorney, embodied to perfection by Ben Kingsley, spent a full night sitting on the platform, musing how best to respond to such discrimination. Shortly thereafter, and after consultations with established members of his community, he wrote his first treatises and organized his first demonstrations. And when participants of a protest assembly stood up and proclaimed their willingness to die in the fight against suppression, Gandhi once and for all formulated his doctrine of nonviolent protest: "They may torture my body, break my bones; even kill me. Then they will have my dead body - not my obedience."

Shot largely on four Indian locations, Richard Attenborough's nine-time Oscar-winning biography of Gandhi is a sweeping epic that takes the viewer back to Britain's colonial past, covering all major events of Gandhi's political career from its beginnings in South Africa to the March to the Sea and India's independence, and contrasting the luxurious lifestyle of the foreign rulers with the poverty of those they governed; that India which, as Gandhi soon realized, not only the British didn't understand, but whose population also could not have cared less about the activities of the Indian Congress Party, at the time little more than a group of well-to-do city dwellers mentally and socially almost as far removed from the rest of their country as the British. Twenty years in the making, the movie is clearly reverential of Gandhi's genius, and of the man whose symbolic growth was reverse parallel to his retreat into simplicity, and who for that very reason, and because of his unfaltering commitment to nonviolence on the one hand and India's independence on the other hand, accomplished what only few people would otherwise have thought possible: to convince the world's biggest colonial power to give up the crown jewel among its colonies; and to do so in a gesture of friendship and without civil war. The one aspect of Gandhi's life that falls a bit short here is the effect that his overbearing symbolic status had on his family life, which necessarily had to suffer as a result (unable to cope with his father's fame and chosen lifestyle, Gandhi's eldest son, for example, threw himself into a life of alcoholism and prostitution). But Gandhi is not depicted as a saint, and particularly during his early years, we learn about the struggle that went into the formation of the man who later earned the title "Great Soul" (Mahatma). Even anticipating that he might be killed by an assassin's bullet, Gandhi once said that he would only deserve that title if he could accept that bullet with Rama's (God's) name on his lips: fittingly, the movie begins with his assassination and comes full circle at the end, affirming that Gandhi truly was a Great Soul throughout.

Attenborough found his perfect Gandhi in Ben Kingsley, who not so much plays but truly *is* the Mahatma; from his appearance to the inflection of his voice, attitudes and gestures. Over the year-long struggles to finance the movie, Attenborough's first choices for the role had grown too old to convincingly play the young Gandhi in South Africa, but eventually Michael Attenborough pointed his father to Kingsley, then with the Royal Shakespeare Company, who reportedly won the role by meeting Attenborough in full Gandhi makeup at their first get-together, thus instantly convincing him that he had found his man. Yet, despite his gift for mimicry and his part-Indian heritage, Kingsley nevertheless turned to his Indian costars, particularly Rohini Hattangadi, who plays Gandhi's wife Kasturba, to fine-tune his portrayal; and he recalls in an interview for the movie's DVD release that the skill he found the most difficult to master was to spin and to talk at the same time. The use of the actual British newsreels covering Gandhi's visit to England adds to the movie's sense of authenticity - and emphasizes yet again Ben Kingsley's achievement in transforming himself into the Mahatma.

In fact, his awardwinning performance so overshadows every other actor in the movie that it would be easy to overlook the fine performances of his costars, all of whom contributed to the movie's unique quality - to name but a few, Sir John Gielgud, whom Kingsley praises as "a national treasure" (British viceroy Lord Irwin), Roshan Seth (Pandit Nehru), Martin Sheen (NY Times reporter Vincent Walker), Candice Bergen (People Magazine's Margaret Bourke-White), Ian Charleson (Gandhi's early friend and colaborator Reverend Andrews), Edward Fox (General Dyer, the man responsible for the massacre at Amritsar, who testified at his court-martial that his intention had been to "teach a lesson that would be heard throughout India"); and Trevor Howard as Judge Broomfield, who had to sentence Gandhi to prison for his outright admission that he was guilty of the charge of advocating sedition because of his belief "that non-cooperation with evil is a duty and British rule in India is evil," and who nevertheless rose at Gandhi's entrance into the courtroom instead of making the prisoner rise for him, and commented on the sentence he had to impose that "if ... his Majesty's government should, at some later date, see fit to reduce the term, no one will be better pleased than I."

The movie ends with Gandhi's affirmation that when he despaired, he remembered that "all through history, the way of truth and love has always won. There have been tyrants and murderers; for a time they can seem invincible, but in the end they always fall. Think of this: Always." Such a belief may be difficult to hold on to, particularly for us who are so much more fallible than the Mahatma. Yet, this movie eloquently pleads that it is, at least, worth our very best effort.