- Paperback: 368 pages
- Publisher: University of Chicago Press; 2nd edition (18 Jan 1996)
- Language English
- ISBN-10: 0226780112
- ISBN-13: 978-0226780115
- Product Dimensions: 2.3 x 1.5 x 0.2 cm
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Amazon Bestsellers Rank:
1,026,626 in Books (See Top 100 in Books)
- #97 in Books > History > Countries & Regions > Asia > South East Asia > Indonesia
- See Complete Table of Contents
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Product Description
Product Description
This study of the music of Java and the development of the gamelan takes into account historical sources and contemporary cultural theory and criticism. An ensemble dominated by bronze percussion instruments that dates back to the 12th century in Java, the gamelan as a musical organization and a genre of performance reflects a cultural heritage that is the product of centuries of interaction between Hindu, Islamic, European, Chinese and Malay cultural forces. Drawing on sources ranging from a 12th-century royal poem to the writing of a 20th-century nationalist, the book shows how the Indian-inspired contexts and ideology of the Javanese performing arts were first adjusted to the Sufi tradition and later shaped by European performance styles in the 18th and 19th centuries. It then turns to accounts of gamelan theory and practice from the colonial and postcolonial periods. Finally, the author presents his own theory of gamelan, stressing the relationship between purely vocal melodies and classical gamelan composition.
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First Sentence
It is commonly held that the influence of Hindu culture in Indonesia at the beginning of the Christian era stimulated the development of Javanese culture. Read the first page
Front Cover | Copyright | Table of Contents | Excerpt | Index | Back Cover
It is commonly held that the influence of Hindu culture in Indonesia at the beginning of the Christian era stimulated the development of Javanese culture. Read the first page
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Front Cover | Copyright | Table of Contents | Excerpt | Index | Back Cover
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