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It is Britain in the 1820s. After the wars with France, with unemployment high and soldiers paid off, the government lives in mortal fear of social unrest. The solution is draconian punishment for any crime, and thousands die on the gallows. But despite this, it was possible to petition the King and instigate an investigation. Cornwell's new hero Rider Sandman is a hero of Waterloo struggling to repay his family debts when he becomes involved in the case of a man waiting to be hanged in Newgate prison. Given the job by the Home Secretary of investigating the man's guilt or innocence, Sandman finds himself knee-deep in labyrinthine plots involving bribes, sedition and a massive conspiracy of silence. As this suggests, the contemporary parallels are never far away.
The world Cornwell has conjured for us is as richly drawn as any in his distinguished career: gentlemen's clubs and taverns, haughty aristocrats, fashionable painters and their mistresses, and professional cut-throats; all this creates a heady melange that is just as impressive as anything in Cornwell's Sharpe series. --Barry Forshaw --This text refers to an out of print or unavailable edition of this title.
‘Bernard Cornwell is a literary miracle. Year after year, hail, rain, snow, war and political upheavals fail to prevent him from producing the most entertaining and readable historical novels of his generation…Cornwell at his best is utterly compelling. And this is Cornwell at his best.’ Daily Mail
‘Page for page, sentence for sentence, scene for heart-stopping scene GALLOWS THIEF is the strongest historical novel I have read this year…he tells a cracking yarn and fills it with vivid characters and writes crisp dialogue and gets the period detail right..it is hard to stop reading…it is masterly.’ Sunday Telegraph
‘extremely powerful…Cornwell keeps one turning the pages at light infantry pace.’ Evening Standard
‘a historically colourful romp.’ The Times
‘This is the sort of beautifully crafted novel that we have come to expect from the creator of Sharpe…in the hands of Cornwell, this is a rip-roaring yarn that tips its hat to the basics of good old-fashioned storytelling.’ The Times
‘Bernard Cornwell is taking the popular historical novel to ever greater heights and this fast-moving thriller, shifting effortlessly across the social gamut of Regency England, is one of his masterpieces.’ Sunday Telegraph
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Bernard Cornwell goes to a lot of trouble to get his historical details correct and he has a nice, easy to read, writing style. The result is, that he writes good books and once a person has read one of his books, it is likely they will want to read others. This is the 4th of his books that I've read. I enjoyed it, but I enjoyed the other 3 more. The story was good and the historical details seemed convincing, as you would expect. However, it seemed a little bit too dependent on coincidences and the final outcome teetered on one person's phobia that seemed far too convenient. Having said that, this book proved one thing to me. It is often said (usually in a complaining tone) that you can't enjoy a book if you aren't able to like the characters. I didn't like any of the characters in this book (except for one right at the end - a man sentenced to hang for stealing one small item) but then they probably wouldn't have seemed nice to people like us, living in this age in an affluent, liberal society. Life was hard then and a hard life makes hard people. If one of the soft people living in our society today were to be transported back to the early 19th century for a couple of days, they might well need to be in weekly therapy for a couple of years to get over the horror of it all. Cornwell has captured that squalor and harshness. Dickens would probably have been impressed.
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